The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Do it Again
December 13, 2014
Inspirational Art, Ponderings
The one article in the Winter 2014 issue of The Polymer Arts that seemed to greatly affect both the readers and the participants in the creation of its writing was the piece by Anke Humpert, “1,700 Pieces of Jewellery“. If you haven’t read it, you really need to. Anke developed a game based on limitation and a challenging process rather than a single challenge concept, and she invited several dozen artists to participate in her first run of it. That alone is a reason to read this; perhaps, in order to get ideas about developing more in-depth challenges for yourself or for your guild.
The thing that struck me, and I’ve had numerous comments back from readers on this and it obviously struck the artists that participated, was the step that required the participants to re-do the piece they made for the challenge. Yes … after the participating artists completed their piece, Anke asked that each of them make their piece again with changes and adjustments that came about from an evaluation of the initial piece. There was something about being given that bit of instruction, or, as I’ve been thinking of it, permission to start over and try again, that was a key illuminating moment for most of the artists. I know for myself, I plan on doing that exact thing when I get into the studio here shortly, maybe even making the same piece 3 or 4 times to see what I come up with. Many of us make just one piece, and then after that attempt move on, especially when it doesn’t work; when really, we could learn so much from trying to create a better version; to evaluate our work with a purpose; to see if we can create the improvements considered in that critique.
The image here is Sonya Girodon’s two pieces and her evaluation notes. There are more comparisons, notes and comments in the article that will get you thinking. Would you be up for challenging yourself to re-do a piece in this fashion as well?
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Beautiful Empty Frames
December 12, 2014
Inspirational Art
Yep … back to frames again today. There are just so many beautiful pieces with unique ways to incorporate frames.
Here, we have earrings by metal jewelry artist Nisa Smiley that are more than just frames. In actuality, what the open spaces frame is negative space. That negative space is filled with whatever your imagination comes up with or with the background beyond. Open metal work like this feels airy and light, which matches the wing imagery here.
Nisa works her pieces to bring elements of nature to the metal. She says “When creating a piece of jewelry, I strive to combine five elements of nature that speak most strongly to me: color, pattern, texture, organic shape, and metal. My sense of design recognizes these patterns, textures, and colors to be the ultimate complement to the human figure.” Can you discern the five elements she is working towards in this piece?
Although these frames may seem a bit delicate to create in polymer, open work and the framing of negative space is still a viable idea to work into your pieces when that airiness or space for the imagination are desired. You can see a bit more of this along with beautiful stones and colorfully treated metals in more of Nisa pieces on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Open Silk Screen
December 11, 2014
Inspirational Art
Before we just run away on the subject of creative framing, let’s take a quick look at some of the other items that are getting so much attention in the present issue of The Polymer Arts. The article on silk screening is just amazingly in-depth, and yet, makes it all seems so easy. Tonja Lederman took the reins on this one when I sent out a request for this kind of article earlier in the year, and boy, did she deliver. Not only do you get all the basics, she also gives out a ton of great tips, options for paint (many of which you probably never would have thought of) and resources for all the materials you’d need.
The reason I wanted to see a silk screen article was because it seemed like a lot of people I have talked to and that have written me had no idea where to start in order to try this technique. I figured if we could create an article that can get just about anyone started on it, we’d see a lot more wonderful work using this technique. I was originally inspired by one of the magazine’s very first gallery artists, Els Van Haasen, a Dutch polymer artist. I just thought the light touch of silk screen added a beautiful, delicate visual texture to her carefully finished pieces. This pendant has that same quality from the seaweed silk screen plus a glow from the blended clay colors. The open edge and domed shape gives the simple composition a kind of full and broad feel.
I know there are of polymer purists who might feel a cane or Sutton slice should have been used instead of paint, but it would have been a very different effect. The silk screen adds that visual texture and touch of complexity without disturbing the treatment of the clay. There really would be no other way to do this.
Els’ style and light touch with this technique can be seen on her Flickr photostream where there are many more examples of silk screen accented pieces along with a lot of textural and form exploration to glean inspiration from.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Orbiting Frames
December 10, 2014
Inspirational Art
Strangely, this week has become all about frames, which, of course, fits with the theme of the new issue, but my thoughts and the pieces I am being drawn to are these multilayer frames. So, here is one other option for playing with multiple frames in one piece.
I love this idea of creating windows and multiples of them layered on top of one another, but not lining them up. The tiered windows still bring focus to the center image as frames will do, but the off-kilter layering of them creates such vibrant, yet contained movement. These are a beautiful bit of genius created by Vee (Veesuel), who has several versions of these; primarily with more solid colored surface treatments. I am rather fond of the cane work versions, as it adds to the energy of the pieces; an energy matched by the movement the varied placement of the frames create.
Vee does some beautifully finished work in a variety of styles. And her site is quite pretty and easy to navigate. So, why not grab a cup of something yummy and warm and go visit her for a while?
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Framed Opportunity
December 9, 2014
Inspirational Art
I think we are all rather familiar with the idea of a decorative frame. We’ve seen them on old paintings, antique mirrors and even around windows and doors. Frames can be a work of art unto themselves. So when framing your own work, why not go ahead and consider pushing the decorative aspect just as you might with your bails, clasps, spacer beads or any other element added to your work? Just how far can you take it?
Well, one possible answer as to how far you can take decorative framing can be found in the work of Julie Eakes, who is the featured artist in Maggie Maggio’s “Color Spotlight” section of our winter issue. These highly-detailed and deeply, layered frames may not fit a lot of work since the business of the frames would compete with the image it is surrounding, but in a case like this, it rather matches. Julie is best know for her face cane and pointillism, so the images she frames are the strongest types of images we are drawn to (we gravitate to faces before any other easily, recognized imagery), and her canes are quite complex, so the frames work with these images rather than drown them out.
How far could you take your frames so that they work with what you are framing? Or could fun with complex frames push you to create more complex images? You can read more about why and how Julie creates these canes and frames in the article and read more about her work on her blog.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Round and Round the Edges
December 8, 2014
Inspirational Art
So the Winter 2014 – Boundaries issue is in hand or on its way to all our readers and retailers. If you’ve read through your copy, then this week will be a little addition to the lessons to be learned there. And if you haven’t gotten your copy yet, this will be a bit of a preview and introduction to the concepts we explored.
The theme of Boundaries encompassed anything that delineated either elements in polymer art work or boundaries developed (or not) in the way we live and work. One of the recurring concepts is about edge. There is an entire article on the concept in terms of how to look at edge as a part of your design including ways to finish off an edge and what the different types of edges can convey within a design. In the issue, we weren’t able to go into some of the more complex angles of that concept including considering multiple edges in a piece.
Debbie Crother’s newest pieces are featured in the gallery section where you’ll see she works with a lot of open edges (not framed or otherwise treated.) The open edge can allow a piece to feel bigger than it is since there is no frame or treatment to stop the viewer from imagining the scene, images or lines from going off into the space beyond what they see. This piece is actually both framed and has open edges. It’s actually like a series of frames, but instead of the frame holding in and drawing focus to interior elements, the frames are one of the primary elements of the design itself.
The even, nested circles create a bulls eye, which would usually bring you to focus on the center, but between the open edges, the lines within the surface treatment and the white drops, your eye is kept quite busy and is directed across the width of the piece with the occasional stop where the white spots have landed like scattered stars. The series of edges, however, slow down your visual glance across the landscape, so you find you spend a little more time taking it in. Which is a good thing. Also, the natural, uneven landscape lines of the surface contrasts with the orderly rings just to keep things interesting. The overall result is a piece that is not overly complicated, holds your attention and feels rich with small, but satisfying details.
Debbie creates these with variation in the surface treatment of each ring which makes those pieces much more about the contrast of each ‘frame’. She’s explored this design in great depth bringing her around to a number of well-designed options. This particular design, along with painted polymer veneers, is the subject of her newest class on Craft Art Edu “Concentric Circle Pendants”. So, should you find yourself intrigued, go get yourself a class. You can also see some of her other new designs in the Gallery section of the Winter issue of The Polymer Arts (get your copy on our website or from one of our retailers listed here) or take a trip through Debbie’s Flickr photostream.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Taking a Simple Step
December 6, 2014
Inspirational Art
My aim today was to bring up something to encourage you to create a simple piece; to make something with a minimum of detail, but that still has eye-catching impact. There are a lot of options. You could look at anything we posted this week, and after finding the element that most intrigues you, create something of your own. You could also look through the links for the artists featured and find other pieces that speak to you.
If you like the idea of attempting a simple piece, but would like some direction, there are many tutorials out there that could get you on your way. I found this one by Gretchen Amberg on the Sculpey website. Simple graduated color and bead size brings enough variation to carry the simple composition. A careful finish would be key to making an elegant piece. This tutorial uses Sculpey’s new hollow bead tray, but you could use light bulbs and various cutter sizes to accomplish the size difference and still retain the volume of the bead forms.
In any case, I hope this week’s theme has inspired you to try your hand at simplicity, even if it doesn’t seem to be your style. There are great lessons to be learned by reducing a design to very simple elements.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Challenged by Simplicity
December 5, 2014
Inspirational Art
It would seem that successful, simple compositions would be fairly easy to achieve, but I have found that in order to be successful with simple creations is many times more difficult than with complex ones. When the elements are few and spare, every single choice made counts in a big way. This is how I see the challenge in the work of Jon Ryan. His work is gorgeous, but rarely even approaches complexity.
This carved scale aluminum brooch of his epitomizes this. There is really only one color, and that is slightly graduated. There is one texture in the scales, and the form is balanced. That is all that is here, and yet, you can recognize the genius of the design and the bold beauty of it, even if you don’t have any idea why that is so apparent. The genius is in being reserved while choosing elements that make the brooch feel alive. Scales are, of course, an element of reptiles, so there is a hint of a living creature. The slight change in the tint of the color makes the blue glow, so it gives off a sense of soft light and energy. Also, the form curves just enough on either end to introduce movement. These choices along with an impeccable finish is what makes this feel so masterly. I have a hard time imagining how I would go about creating something anywhere near as elegant with such minimalism. I find it quite amazing.
Jon’s body of work is all about simplicity. And, lucky for us, there is an easily recognized correlation to be seen between his metal work and working in polymer. Take even just a few seconds to look at his Flickr portfolio album to see what I mean. If you are intrigued by his work, you can read more about his process on his blog.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
A Few Floating
December 4, 2014
Inspirational Art
Simplicity often works best when presented in an unexpected manner. A necklace of leaves is nothing unexpected. A necklace of three leaves floating, however, is.
This interesting neck-piece is the creation of Delphine Roche de Montgrand of Paris, France. There is grace in the simple triad composition, the slight variation of the leaf sizes and the way they are arranged. But, we are halted by the way they float around the neck, and then, I think, we linger because of the rich color and the naturally attractive fan shape that makes ginkgo leaves so popular. To add anything else here would ruin the quiet feel of an autumn morning so succinctly replicated here. Do you agree?
Delphine works primarily in replications of nature with a little splash of illusion thrown in here and there. You can read more on her blog through Google translate if you don’t speak French.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Simple Green & Winter 2014 is Here
December 3, 2014
Inspirational Art
First of all … yes, the Winter 2014 issue is being released today. I am pre-scheduling this blog to post at its usual time, and then I am getting back to testing and getting access ready for the digital issue today. If you are waiting on your issue, digital access should be in everyone’s inbox by dinnertime in the United States, which would be around bedtime in Europe, I believe. I am hoping for earlier, but with our plague of technical issues lately, I am going for some pretty thorough testing before we send it out. Send prayers and coffee sacrifices to the technical powers that be asking for a smooth digital release today. As for the print copies, they were not supposed to be at the post office for sorting until yesterday, but apparently our service got them out early because people are already receiving them in the United States. Keep an eye on your inbox and mailboxes! It is on the way, if not already there for you!
As for our simple theme this week, what can be simpler than monochrome and free-form? With the right color and overall texture, something as simple as this faux beach glass can be mesmerizing. This is a pendant by Maria Petkova, author of the blog Polymer Clay Diaries. According to her image description, this is a polymer, beach glass and acrylic paint. Which is the real beach glass, I am wondering? Or is there any real beach glass? Even not knowing the listed description, I would be fascinated by what this is made of, and why it is so eye catching. Like the last two pieces this week, it comes down to a sudden change in what is a broad, evenly treated surface. Interruptions and surprises always catch our eye, don’t they?
You can find more inspiration by Maria on her personal Flickr pages as well as on her blog as listed above.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
