The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
The Summer Cover … Thank you Mr. Anderson
May 9, 2017
Inspirational Art, The Polymer Arts magazine news
Today, I just want to share the newest cover of The Polymer Arts. We are so very lucky to have Jon Stuart Anderson gracing the cover with a wonderful close up of his Raging Bull sculpture. The article on Jon’s art and life is alone worth getting this issue for.
Jon had previously not talked much about his work and yet it is absolutely unforgettable. His process, his thoughts on creating, on color, and on living as an artist are from the heart and he minces no words. The interview conducted, and article written by, the equally amazing Ron Lehocky was a dream for us. Ron had so much material, there really could have been a book. Ron was just the person to pull from Jon the stories and details that allow us a rich and colorful glimpse of the man and his work like we’ve never seen it before. I am so thrilled about this issue. Can you tell?
The whole Summer 2017- Color issue will be a great reference for color exploration now and in the future with the talent and knowledge of some of our best artists including Tracy Holmes, Christine Dumont, Lindly Haunani, Meg Newberg, and Anke Humpert, along with Ron and Jon. Here’s some of the articles you can look forward to:
- Color Theory – Simplified!
- Creating Relatable Color Palettes
- Fixing our Brains’ Flawed Color Perception
- The Wild & Colorful World of Jon Anderson
- Dramatic Color Blends for Canes
- Painting with Polymer clay
- Color Guided Necklace Designs
- Re-Thinking Your Artistic Identity
- Funding a Guild or Group
- Color Spotlight on Christine Dumont
- New Ways with the New Liquid Clays
… and much more!
Don’t miss out on this essential issue. Be sure your subscription is up to date by going to your account page or start your new subscription. It’s easy … just click here!
If you are jonesing to see more of Jon’s work or want to purchase his work, you can find it on his website.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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In the Russia Pages
May 6, 2017
Inspirational Art
While doing my research this week on Russian polymer, I finally got to see what their polymer magazine looks like. I knew there was one out there but it’s really hard to search for “Russian Polymer Clay magazine” when you don’t have the corresponding keys to type Полимерная глина on your keyboard. The title you see says “Polymer Clay” and in the pink says “in Russia”, at least that is what Google told me. But it took me a while to figure that out since I couldn’t copy it from the image. In other words, there are barriers to us seeing the full range of what the world is doing in polymer because language can get in the way. But some of us are determined … or just plain obsessed with seeing everything people are doing with this wonderful medium!
This cover piece is by Maria Vidova. I feel pretty sure it is not 100% polymer clay but I can’t read it to find out–not yet at least. It is a beautifully laid out piece with the green of the succulents being repeated in the green stones. With both plant and gems being important focal points, having the same green color presents the plants and stones as equally precious objects of beauty, which I have to agree with.
Those succulents look perfectly real, don’t they? Well, their perfection comes from silicone molds and she uses liquid polymer to give it that partially translucent look. The molds look to be of her making and she sells them on her Creative Molds website. You’ll need Google Translate to navigate (if you use the Chrome browser, it usually does this automatically for you) or you can write them for instructions at info@creative-molds.ru.
Now, how about getting our hands on a copy of this beautifully presented magazine? Well, I’m going to! And since they do have this available in a digital format, all of us non-Russian speaking folks should be able to copy out the text and get some kind of translation on Google. But you know you want it for the art, even if it will be a bit more challenging to read.
You can get issues of Polymer Clay in Russia in digital or print on the polymerclay-guild-ru site.
Weekly Inspiration Challenge: Find work from a region of the world you are not familiar with–and it doesn’t have to be polymer, it could be any medium–and pick out the elements that you like as a source of inspiration for a new piece. Don’t copy what you see; just take the time to determine what makes it work and why you like it then take that knowledge and create an inspired piece of your own.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Sutazhnuyu
May 4, 2017
Inspirational Art
So, what else are our Russian colleagues up to besides quilting large polymer maps of their country? A lot actually. I got rather lost, pulling on the little threads I found when I went in search of more on the Russian blanket project. There is so much lovely work out there but in the end, I spent so much time on Anastasia Astafieva‘s blog, Handmadeblog.ru, that I just had to share some of her work.
Anastasia works polymer in a number of ways–from jewelry to decor to figurines and dolls–but I was particularly taken by her work in polymer soutache. Just look at all the detail in this soutche’d purse. The color palette has a reserved energy that keeps the whole thing from feeling like its going overboard between the intricate whorls and the large glass ‘gems’. Just that touch of brown clay and the tan beads brings the lovely variations of blues and cyans a little contrast and allows us to see the soutache in defined sections.
She’s made quite a few of these purses along with coordinating necklaces and even some earrings. You can see her collection which she calls “Sutazhnuyu” (Google pronounces it in Russian as “sue-tash-nah” … cool sounding word!) on this blog post.
Anastasia does more than just blog about her work. She reports on events and even did a video documentary on what she is calling the “grandmother” of polymer, Kathe Kruse (it shows up as Keti Kruze on the translation) a famous German dollmaker whose company looks to have used polymer back in the late 50s and early 60s to make dolls. She even has a photo of what is probably one of the very first polymer clay kits. You can find that post and video here. Now if Google can only figure out how to translate audio on the fly!
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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The Shape of Polymer in Russia
May 2, 2017
Inspirational Art
Russia is in the news a lot lately, especially out here in the States, but the conversation is not often a positive one, which can leave us with a rather uneven view of things. Personally, I think Russia is an amazingly beautiful place and I have so enjoyed the people I have met from there. My parents spent some time traveling through the country in the 90s and the photos and stories they brought home were so wonderful and memorable.
Their artistic heritage and rich culture translates beautifully to modern materials like polymer but it is not easy to find a good range of the work being done in Russia since on the internet, the difference in language keeps their pieces, listed on Russian sites and with Russian text, from popping up on English searches. So this week, we’re going to take a look at Russian polymer work in a teeny tiny effort to rectify this.
The idea for the theme this week came from the IPCA‘s most recent International Polymer Clay publication, a digital publication sent to members every other month. When I saw this wall piece, referred to in the brief article’s title as a Russian Blanket, I just thought it would be a shame not to get this out to more people. This community project, coordinated by Svetlana Taratunina had 362 polymer participants contribute work for the completely polymer quilted map of Russia. The piece is going on tour in the country right now although no schedule was mentioned.
If you are a member of the IPCA, you should have this publication in your inbox right now (or check your spam folder). If you’re not a member, considering supporting our community’s central organization with a membership and you’ll be getting this little treasure of a publication in your inbox every other month.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Going to the Dogs
April 29, 2017
Inspirational Art
Today, let’s look at when cute works. Because cute stuff is, of course, a legitimate form of art which, like any contemporary or statement piece, still needs to follow basic design guidelines, along with that touch of artistic inspiration, to work well.
This adorable cane covered pup, fighting the chill of a spring morning on a distant northern European coastline with a little neck muffler, has been in my queue for some time. It was created by France’s Isabelle Chatelain. I don’t know what I had in mind when I grabbed it and even after looking it over, mostly what I can say is that it just makes me smile.
It does work design wise though. There is a limited hue palette made up of various greens and a splash of orange and the eye and button have you playing a bit of eye tennis as you glance back and forth between these two obvious focal points but you’ll still stop to admire the patterns and the overall ‘cuteness’ of this guy with his little neckerchief. Isabelle has a whole set of these guys on her Flickr page but this one, by far works the best. Why is that?
I think it’s very, very simple. The button. The button is a darkest point against the lightest background which creates the most contrast aside from the eye. That makes it the primary focal point and gives us a very calm but certain spot to rest between checking out all the pattern. Is there anything else that you think really makes this one work so well? I have a couple other thoughts but I’d love to her yours!
Weekly Inspiration Challenge: Go back to basics. Create something without worrying about pushing the design. Chose classic color combinations you enjoy, basic shapes, and easy finishes you find attractive. Don’t reference anyone else’s work though and don’t worry about what others might think. Follow your own whim on this classic creative road.
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Boldly Big and Metal Bright
April 27, 2017
Inspirational Art
I have another bit of design contemplation for you today, this time in terms of color and finish.
This necklace, created by Svetlana Parenkova, as you can see by the watermark, has a lot of attractive details, things that on their own might draw the eye. The metallic shimmer of the shield like disks are a primary draw–human beings do like their sparkle and shine. The texture aids the shine by causing more varied reflection with dark contrast in the shadows of the texture. The blue and orange (copper in this case) is a classic color combination that has been enjoyed through the ages. The graduated size of the disks are also a classic necklace composition.
So with all these classic and long used elements, what makes this necklace stand out? Or perhaps you don’t think it stands out that much. If so, why not?
For my two cents, I think the bold size and clean finish certainly helps to carry it but perhaps it comes down to the centered notch in the sides of what would have been a background disk if it was not cut like two emerging fans. This cut-away creates a space for the pieces to nudge up close to one another, for a more united front. The lack of spacing matches the sense of strength that shield like objects convey as well as working well with the bold size of the elements. What do you think?
This strong and bold look is fairly common in Svetlana’s work as you can witness on her Flickr and Livemaster pages.
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Ordinarily Wonderful
April 25, 2017
Inspirational Art
I very much enjoyed the comments and the interaction of last week. Maybe we’ll do that once a week or every other. Getting you to think about art is definitely one of my high goals!
So let’s ponder a few together this week. I find it curious that some pieces, even though very much like other pieces we see, will just strike you as working so much better than similar work. Like this set by Cécile Bouesnard. It is quietly striking although the shape is a common one these days and the composition of shape and focal point is what one might expect. But the coloring and the marks keep it from becoming just ordinary. So why is that?
Success is not always easy to define, primarily because the success of a piece is really due to the sum of its parts. Key elements will often shine but if everything else didn’t work with it or support it as needed, those key elements would not have the same impact. So what is it here that is working? I think everything supports the overall feel. The soft shift of a rich green to that mellow yellow and the lime green snuck into the middle of it (did you even notice it was there?) gives the surface a glowing effect. The softness of the coloring contrasts with the perfectly trimmed shapes but those black marks, like the careless placement of a messy bottle contrasts with both the soft coloring and the clean shapes. These subtle but consistent contrasts make for an interesting and fulfilling piece to look upon.
That is my take on why this works. If you have other ideas, please add them to the comment section at the end of this post. In the meantime, you can see what else Cécile created with a similar combination of elements in varied compositions and colors on this post of her blog.
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A Riot of Color and Emotion
April 22, 2017
Inspirational Art
I am going to leave you with this colorful piece today. It is a type of mosaic, one could say so it fits the theme but I chose it primarily because the colors felt right, matching the riot of emotion that this day holds for my family and I as we lay my father to rest. We celebrate life today though, rather than mourn it. That’s just how we roll.
Amy Eisenfeld Genser, on the other hand rolls paper. That is what you see here–the cross sections of many rolled piece of colored paper. It could easily be a polymer cane application though, don’t you think? Well, here are some questions to ponder over. Leave your thoughts in the comment section if you have a moment.
What emotions or reactions do you have to this piece? Are you drawn to the texture and composition as much or even more than to the color, which likely grabs you first? What design element or design related terms comes to mind first when you ask yourself why this works so well or why it doesn’t if you don’t think much of it?
If you enjoy this piece, you will probably enjoy getting lost in Amy’s website where she has work in her gallery from the last dozen or so years.
Weekly Inspiration Challenge: This week, take a critical but very forgiving eye into your studio or to the photos of your work and look at some older pieces of yours. Find the ones you think were really good and ask yourself why the pieces work so well? Just focus on the good stuff today, your successes and the work that makes you happy. Then create or enjoy your weekend as you need to.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Stories in Pieces
April 20, 2017
Inspirational Art
Thank you for the responses on Tuesday’s mosaic. I loved reading your different views and loved the level of enthusiasm in the comments. I apologize that they took a day to show up–the mysterious ways of the internet did not let us in to approve them until late in the day. Technology often reminds me of when the kids were around four. You just never knew if or when they would cooperate. Actually, that reminds me of 14 year olds, too. But, wait … that is not our subject today!
We are going to get back to mosaics and I hope a few of you will chime in with your thoughts again. Let’s look at a completely different type from Cynthia Toops, who is just mad about micro mosaics.
Cynthia’s images often invoke a story but how important is the story to the success of the work? Do you easily find a story here, even with the disparate types of critters wedged into it? Do you not care if a story is easily drawn from this but enjoy it any ways? If so, why? Does it feel crowded to you or is the abundance of detail part of its charm?
Cynthia has a website here but her collaborative silversmithing partner, Chuck Domitrovich, keeps the best collection of their work on this Pinterest board.
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Looking at the Big Picture
April 18, 2017
Inspirational Art
This week, I will be needing to step back as much as possible as my family is gathering to celebrate my father’s life. But I am not going to leave you without some pretties and something to ponder so I am dashing off and scheduling posts for you to enjoy through the start of next week but they will be a bit light on the chatter.
I will leave you with some key words and questions and your mission, if you choose to accept it, is to fill in the blanks, so to speak. Try to answer the questions I pose or verbalize what works in this piece for you and/or what I might be getting at with the keywords and questions I leave. Thinking through what works in a design is a great exercise for helping hone one’s innate design sense.
It would be wonderful and rather enlightening for you and other readers if you add your thoughts in the comment section at the bottom of this post so we can all read what other people see in the work. If you get this by email, click the title of the post in the email to be taken to the website then scroll down for the comment section.
Okay, let’s start with a little message from Laurie Mika. This message might be helpful for many of us, especially considering the many sad and scary news stories lately. What message–not just the words–do you get out of this piece when you consider the colors and patterns alongside the words? How do you feel about the preponderance of red? Do you think the long vertical shape adds, deletes or plays a neutral part in the work? What do you like most and least about the piece?
Go ahead and take a peek at more of Laurie’s soulful work.
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