Enticing and Entertaining
August 23, 2017
Inspirational Art, Polymer community news
The art jewelry at these events is also a big draw. There is nothing quite like seeing masterful polymer work in person.
Here is a gorgeous piece by Bonnie Bishoff. She wore it to the final gala event and I just could not stop looking at the delicate forms and sunset-like colors. The picture (and the poor lighting in these places) doesn’t quite do it justice.
Another bonus to coming to these events is the local color. In this case, Sherman Oberson, a board member of the IPCA and a local Pennsylvania resident, treated a small handful of us to a tour of his insanely packed and ever-entertaining collection of flea market and thrift store finds. We did this, in part, to honor Nan Roche whose birthday it was. A huge collector of the curious and visually enticing herself, it was a perfect birthday outing for her and an immensely entertaining evening for those of us who got to tag along.
Poke around on Instagram and Facebook for more on Sherman’s place and other Synergy events.
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A Choir of Angels
June 22, 2017
Inspirational Art
Exploring technique and design doesn’t ever end, or at least I don’t think it should. It doesn’t matter how long you’ve been working with a material, there is always more to learn. Barbara McGuire is a true and long standing polymer pioneer who may often return to signature techniques but she keeps expanding on what she has done, sometimes in subtle ways, sometimes in big leaps.
This collection of beads is one of her subtler explorations. Barbara has been making face canes for ages but she keeps changing up what she does with them. The angelic looking collection here gets its ethereal feel from the use of translucent wings and background cane slices. Past variations were commonly surrounded by opaque slices and balanced or radial backgrounds. The more freeform application here adds to the otherworldly feel of these little angels.
Barbara posts most of her recent work on her Facebook page while her products and news can usually be found on her website.
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Body of Work
June 20, 2017
Inspirational Art
Looking over a collection of work can tell you quite a bit about an artist and what intrigues them. The posts this week will give us a chance to consider, in a more complete and varied way, what an artist might be doing or be after in particular types of work.
Carole Monahan-Kampfe recently posted some rather intriguing pieces in what she refers to as her Steampunk collection but instead of jewelry, it looks like we are seeing a lot of ornaments. We are looking at Swellegant treatments (click the ad link below for more on this fascinating stuff) which make for some very yummy textures but the various shapes and variation on an ornament is what is most captivating about this work.
Although she is calling it steampunk and the influence of that aesthetic is there, many of the common motifs are, gratefully, missing and we can enjoy the exploration of the surface treatment and the manipulation of the ornament forms. I love the negative space in the ones with the floating centers and then those forms that are folding in on themselves which she calls Infinity Orbs. No standard ornament forms here either. Carole actually looks to be taking not the motifs and objects from the Steampunk arena but rather the inventive nature it is supposed to be representative of. Regardless, the choice of shapes and decorative touches are beautiful and more so in a collection like this where the various take on the elements and forms can be compared and contrasted.
The orbs at least, she lists as being made with Makin’s clay which is an air dry clay, rather than polymer but this could all be done with polymer as well of course. Carole just likes to try all kinds of things out as you can see on her Flickr photostream–another method of looking at an artist’s collection of work and over time at that. In this collection though, she seems to have really hit her stride and I hope she keeps playing with these ideas.
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Working on the Inside
June 17, 2017
Inspirational Art
Another way to push the disk element in strung jewelry design is to create designs on those inside surfaces. This might push you to design the disks in such a way as to open up space between them so that the work on the inside could be seen. That might present a bit of a challenge but it will likely present some interesting options for added accents and forms.
Margit Bohmer did just that. Her solution to show off the intricate and highly colorful faces of her disks was to slightly dome them and have them stacked in pairs with the concave sides in, allowing an angled view to all the beautiful color and textures she worked into them. It looks like quite a bit of work too. I just love seeing this kind of dedication and commitment to a piece. Each bead face is different and could stand on its own but all together, they create an engrossing piece that will probably take the owner years to become familiar with all its varied surfaces.
A riot of color and texture is a signature of Margit’s and she never leaves us wanting for more of either. See her latest work on her Flickr photostream.
Weekly Inspiration Challenge: Choose a basic or commonly used design and push it. By sketching, planning, or just playing with your materials, change the form or the way this basic design is constructed as far as you can until you come up with something that intrigues and excites you then create your own original work from the ideas you came up with.
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The Disk Cubed
June 15, 2017
Inspirational Art
Let’s move on from the ‘ordinary’ disk necklace and really push what these could be. First of all, who says they need to be round? Or strung on their center sitting neatly one on top of the other? Well, no one, that’s who.
Silvia Ortiz de la Torre goes completely off the disk reservation by squaring off the standard disk necklace element and taking full control of their positioning. This necklace is getting so far from a disk that I bet some of you are thinking it’s not a disk necklace at all. And maybe not but the stacking and repetition of form is the same and this is a good example of where an idea might start with some common or basic design and really veer off in very exciting directions, ending in a place barely recognizable from where it started. I don’t know that Silvia started with the idea of disks but she could have. And so can you start from a well used (or over-used) form or basic design and end up somewhere quite different. The thing is, it would have been hard to get to that cool and very original design without that common or basic starting point.
This piece is several years old but Silvia still loves disks and stacking but she is taking things in a very different direction these days. See how she has journeyed from pieces like this to her big intricate disks display in her Flickr photostream and her Etsy shop.
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Disk Arrangements
June 13, 2017
Inspirational Art
Disc beads are fantastic for the complexity they can create just by sheer numbers. They also pull the design away from any one bead and put the focus on how they work together. Employing Skinner blends to create the series of well-arranged colors on this necklace, Spain’s Carmen Morente del Monte, develops a rather striking look with the common stacked disk necklace design as the basis for her composition.
It is not that we haven’t seen quite a few Skinner disc arrangements but this one is rather intriguing with its wide array of colors that still somehow conveys a sense of quiet coherence. I believe that is primarily due to the muted, natural tone of the colors. Their thick spacers subtly echo the surrounding color while their variations trail off to long stacks of warm grays. I think the choice of gray rather than black or white or simply more of the colorful blends for the back half of the bead string is actually what makes this piece work so well. The gray creates a kind of neutral background for the colors to contrast with but the contrast is a gentle one which is also echoed at points in the front beads where the blends go to gray.
I was just having a conversation this weekend about how people steer away from anything well used believing their work won’t be appreciated unless it’s wholly original but how far from the truth that is. Doing something really, really well, even when it has elements seen many times before, is a far bigger and more difficult accomplishment than striving for something purely original. I think this necklace is just such an example.
You can find more of Carmen’s well thought out pieces in her Etsy shop and her Pinterest boards.
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The Many Faces of Glass Beads
June 10, 2017
Inspirational Art
To round out this week’s quick focus on beads, I thought I’d share focal beads in another medium that is very well-known for them–glass.
Glass artists have some very particular and, literally, inflexible limitations and yet they create these extremely intricate and amazing beads. They do get to work with super clear transparency–a characteristic of their medium that they use to great advantage–which is something that is difficult to achieve in polymer, but their forms and patterns are something that, I think, could be a gold mine of inspiration and a jumping off point for ideas in polymer that go beyond the basic and common beads seen in polymer.
Here are just four examples of the intricacy and beauty in glass bead making today. Starting from top left is a bead created by Leah Nietz, top right is Lisa Fletcher, bottom left is Andrea Guarino, and bottom right is Ikuyo Yamanaka. You can click on each artist’s name to reach their shop or website to look further into what they create. You can also immerse yourself in glass focal beads by putting that very phrase into a Pinterest, Google Images, Etsy, Flickr, or even Instagram.
Weekly Inspiration Challenge: Choose your favorite image posting service, such as those just listed above, and enjoy the art and inspiration that comes up when you search for “focal beads”. Choose a couple of images and try to determine what you like best about the bead or beads and then figure out how to recreate those characteristics in polymer. Hopefully that leads you to some original and very fulfilling polymer bead explorations.
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A Bead Cubed
June 8, 2017
Inspirational Art
How about just a little bead beauty from the consistently wonderful Sarah Shriver today while I amble down the road?
Six canes constructed into a cube that is both turned on its side and has had its corner’s tweaked makes for a beautiful simple bead design. Just those two changes to the upright and steady cube has created movement due to its relative instability, facing the world with but one point down, and direction since the slight sweep of the sides slides our eye out to the point of the cube corners and beyond. And let’s not forget the lovely lines of the canes themselves that add to both the movement and directing of the viewers eyes beyond the constrains of the cube.
Apparently, Sarah will be teaching this Celtic cane on the Alaska Polymer Clay Cruise, the “Clayditarod” coming up next month. I was not able to discern if spaces are left for what is certain to be an amazing polymer adventure but you can check out the details and query as needed on the cruise website here. And for more splendid Sarah Shriver work, jump over to her website here.
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Bead Break
June 6, 2017
Inspirational Art
This will be a simple, and hopefully simply delightful, week as I am traveling or in the midst of preparing to travel and will have to be brief. But I have had the idea of the ‘bead’ on my mind. That sounds pretty basic, I know, but for art jewelry, the bead–be it a simple, plain spacer or an extravagant focal piece–is the most common single element created and thus, has a pretty highly esteemed place in the world of adornment. So let’s take a closer look at some very well-considered and lovingly created beads.
These beauties are cane constructed by the ever clever Ivy Niles of iKandi Clay. Canes takes their place on center stage as well as energetically running around the circumference for an intricate and rather mesmerizing look.
If you are partial to either a well-done cane or intricate, take a break to look through Ivy’s her Etsy shop and her website.
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Last week we looked to the sky, so this week let’s look at the ground around us. It is Spring for the northern hemisphere and Fall in the south so between budding flowers and falling leaves, the ground should be full of inspiration.
At one time, I created a lot of jewelry that held things …tiny scrolls of paper, essential oils, runes, dried flowers, and the like. I never thought about an entire tiny garden, though! How fun is this? Christina Butler created a series of these in pendants and pins a couple of years ago, but I just found them and am so enamored with the idea. I love that this is not too literal. There is the natural green and variation of plants and then these bowl shapes that simply suggest objects among the foliage, so you fill in the blank. What do you think they are? Abstract flowers? Lichen? Hollowed rocks? It just doesn’t seem to matter that they are not direct representations. Design wise, they are focal points that bring an anchor for the eye as well as being the actual suggestion that this is a garden and not just a bowl full of moss.
Being able to carry a little world around your neck, something you can look at to be reminded of a peaceful place during a hectic day is so enchanting. And I am sure it would enchant everyone the wearer stopped to talk to and more than a few passersby. The surprising tiny world, plus the natural draw we all have to nature, would make such a piece pique just about anyone’s curiosity and need to get a closer look.
Christina has not been active online in the last year, so I’m not sure what she is up to these days, but you can see another version of this garden bowl and other ideas of hers on her Flickr pages.
Inspirational Challenge of the Day: Encompass a big world in a tiny space. It doesn’t have to be a garden; it could be a city, a room, a park, or an entire universe. What elements would be essential to include to capture the essence of that space? Create or design a piece that encompasses how you see that space in any fashion you want including with direct imagery or abstract concepts.
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Silvia Ortiz de la Torre offered up her vision of a sky on this Fimo 50 World Project tile as one familiar to many people–the small patch of sky seen through a crowding of city skyscrapers. Maybe this is not the sky you most often think of when you envision sky, but for many this is a very common daily view. There is certainly something about seeing that small patch of blue hanging there beyond the reach of these immensely tall buildings that attracts the eye.
As amazing and beautiful as the man-made structures can be, I think most all of us gravitate towards the natural world more strongly. The directional lines of the buildings Silvia outlines make that focus on the sky automatic. And her choice to make that sun both glow in the blue sky and come through the form of a building in a singular burst of red color makes that both the resting point, a place our eye does not feel like it has to bounce around as it is pushed by the strong lines of the buildings, and a focal point. It’s a beautiful and expert composition.
Interested in seeing all the tiles in the Fimo 50 World Project? You can casually go through the submission that were posted on the project’s Facebook page or on Cynthia Tinapple’s Instagram page she set up for it.
Inspiration Challenge of the Day: Create or design something that contrasts man-made with natural. What elements of each are you drawn to? Or consider a favorite natural object or form and recreate it with very clean and structured lines. Or take a man-made form and make it organic looking.
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The wide open skies of the afternoon desert in the southwest have some serious competition. The stars are so very dense over the unpopulated areas of the United State’s southwest. The density makes for an almost unreal brilliance. All the constellations, the milky way, and the planets you see in photos in museums, in magazines, and on science shows are right there before you.
I think I know the feeling that inspired Venezuela’s MariaEva Ramos to create this series of rings. A night sky filled with stars can draw you in on so many levels. There is the beauty of it, of course, but then there is the realization that you are looking at other planets as large as, or maybe even larger than, our own and you suddenly feel so incredibly small and insignificant. Maybe that feeling is unsettling to some, but I think it is humbling. I think it reduces our stresses and the intensity of problems that seem so large and overwhelming because you realize that, among all of that space, those things are nothing but specs of dust.
MariaEva has a whole series of these star sky rings that can be found on her Flickr page, among other nature-inspired creations.
Inspirational Challenge of the Day: Take a peek outside tonight. What out there catches your eye? It might be the stars or maybe a hazy lamp light. It could be the neighbor silhouetted in a kitchen window or a cat, gently lit, standing street side. Ask yourself how you can translate this to your art work and sketch or create a new design based on this inspiration.
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If someone asked us to imagine a sky, what would come to mind? Many of us would likely envision a wide expanse of blue, maybe a few fluffy clouds drifting through it because the sky alone, without context and without weather is, by default, a wide swath of blue. But how often is that the sky we experience?
This last week I was in Colorado during a couple amazing storms as well as crystal clear nights. The skies out in the center of the country can be so amazingly big and dramatic. It is no wonder at all that people who live in these regions often portray or translate the impact and feel of these huge skies in their artwork. These beads, needing not much more than some simple ear wires to make a great set of earrings, were created by Jo Anne St. James. She describes these on her Etsy listing with an apt statement: “The rising moon over the Rocky Mountains in Montana “Big Sky” country is a sight to behold. So if you can’t get to “Big Sky” country let it come to you …” Or both, I say. It’s great that there is no moon but you feel its presence in the glow on the rock formations. And all those stars! Yep, that’s how it is when you are in those wide open spaces on a moonlit night.
These have been sold but Jo Anne has a whole series of sky and landscape inspired beads to share. You can enjoy the view in her Etsy shop and on her Facebook page.
Inspirational Challenge of the Day: What in the sky in your area really captures your eye? The colors, the forms of the clouds, the silhouette of trees against it …? Let that characteristic of your home sky inspire your next design, sketch or finished piece.
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I love art dolls. And ornaments. And I’m getting into this whole fish thing so it’s no wonder some odd but beautiful item like this fish ornament by doll and toy maker Nadine Pau caught my eye. There is an ode to steampunk here but I like that its present only in its basic forms. What would be watch gears in someone else’s piece are ornate wheels here. Instead of obvious screw heads and rivets we have simple lines with bead like accents regularly terminating them in a mostly alternate rhythm.
Then there is the face, of course. The illustrative look of the face is content and serene and that look (like it doesn’t find anything wrong with being a fish with a human face but is rather enjoying its strange existence) along with the way the face is integrated with the body using a simple wavy trim for the transition makes for a cohesive and very enjoyable creature.
Then there is the question of what this is made of because it very obviously could be made from polymer. However, I believe this is papier mache as that is the only sculpting material she lists. It is possible that the face is fabric but this can all be done with fine papier mache and paint.
If you enjoy a wonderfully wacky creature or two, do take some time to wander through her gallery which you can find on her delightful website here.
Inspirational Challenge of the Day: Take any direct imagery you usually use or that you admire and create highly stylized versions of it for a new piece or additions to a work in progress. If the direct imagery is simple, like a heart, you might want to make it more complex or if complex like gears, simplify it or its components so you come up with forms or imagery that is reminiscent of them but is quite different. How does using the stylized imagery change the feel of the work?
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Here’s a quick and colorful look at some further fishy polymer today.
This bright pendant is by Estonia’s Katrina of the shop Filigrina on Etsy. We took a peek at another ocean inspired work of hers last year and although this is the same form of pendant, where the other piece was in a limited palette of blues and white, this has a ton of full strength color to show off all this hand tooled texture.
Katrina uses the same basic techniques employed for what is often called polymer embroidery but this time, there are no flowers, which the application is commonly used to create. Obviously the technique is perfect for undersea scenery as well!
I’m sorry this is so short but I must go catch a plane and leave all my little fishes behind. Enjoy this little mid-week color burst!
Inspirational Challenge of the Day: Go crazy with color. Use color directly from the packet, choosing the brightest ones you have. Try using more of the colors you tend to steer away from. Create or design a piece with the color itself as inspiration. Let the things and memories that these colors remind you of be the source for imagery, form, texture and lines.
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Although I’ve been so buried over here under the enthusiasm of readers and the many orders for the Polymer Journeys book as well as getting ready for the Summer issue and picking up slack while my key staff is in the process of moving or settling into a new home, my better half has regularly been dragging me away from work to help with the new home project, a large fish tank. I thought setting this up would be more like a chore but I have to say, it’s actually quite a creative process, picking out fish with an appropriate mix of sizes, colors, textures and temperaments as well as plants and structures for the fish to play around and hide under. The tank is like a canvas with a whole composition to work out. With two artists on it, our conversations have sounded more like we are working on a collaborative painting than creating an underwater environment so it’s been quite the relaxing and creative escape.
I also seem to be spotting more and more fish in the streams of art going through Flickr, on Pinterest and in my Facebook searches. (It’s been a little creepy actually … like the computer knows what I’ve been up to when I’m away from it!) So I’ve pulled a few favorites to share this week.
I absolutely adore the work of Gera Scott Chandler and spotted her hand in this Halibut Bowl as soon as I saw it. Her intense colors and the surprised expressions of the silly fish make me smile every time I look at it. The circular texture of the bowl emulates a flow of water and, with the saturation of these colors, it collectively gives the bowl a very energetic and fun feel.
Gera has a beautiful new site here. There isn’t a gallery but if you want to get this bowl for yourself, it is up for sale! You can keep up with her latest creative endeavors (including lots of fish!) on her Facebook page as well.
Inspirational Challenge of the Day: Bring your outside life into your studio. What has been going on in your family or social world, or with you personally that you can pull visuals from or create visuals for. If you’ve been spring gardening, bring a texture you’ve seen in the plants or the landscape into a piece of your art. If you have a lot of abstract things going on, imagine what colors, shapes or textures could represent it and create work around the visuals you conjure up in your mind.
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Last, but certainly not least, in this two week tour of our “best of” chosen artists for the Polymer Journeys 2016 book, we have Melanie Muir who is our sole representative of Scotland in the book. I think the draw Melanie’s work has is in its clean sophistication. She is so precise and has honed her particular set of techniques to absolute perfection.
Her mokume, although organic and flowing, has a feel of precision as well. The clean lines in her mokume come from a stamp or texture impression technique like the one you’ll find in the tutorial by Angela Barenholtz in our Winter 2015 issue of The Polymer Arts magazine.
Her large necklaces are lovely, of course, but I am partial to her pendants where the focus is on the mokume design, framed and centered so that the intricacies of the pattern grab your attention all by themselves. I love the color choices in this one, a bit autumnal using white to set up the saturation of the color. I found this little beauty while wandering around Melanie’s Facebook page.
Her precise shapes also generally come from a set of tools–her own shape templates. Because, like so many of our amazing polymer artists, Melanie applies her talents in more than one area, in this case, the creation of textures and templates. If you haven’t seen her offerings, you can find them on her site here and you can also purchase them on Etsy.
Inspirational Challenge of the Day: Focus on perfection. Create a small piece using a technique you’ve worked with before but maybe have not been doing for very long, and try to create the most perfect version of it. This may take a little forethought and patience to figure out how best to handle the material so it is not marred or defaced with finger prints to finish it well. You might want to take such additional steps as multiple curings or refrigerating to let the work rest between manipulations. See what you learn from examining and changing up the way you work. Can you develop more careful steps in your process or do you even want to?
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I saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.
I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.
Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color.
Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!
Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement. You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.
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