Small Steps

July 21, 2019

A little warning: this post is not going to be strictly about art as usual and you’ll understand why if you’re up for reading my little mental prattle today. Just thought you ought to know!

Has anyone ever told you, when something particularly difficult has happened to you, that it was just the way things are meant to be? Do you believe that’s true? Or do you feel a little inclined to smack the messenger? It’s ok … pain, be it physical or emotional, can make you grumpy in a way that cheery, little encouragements just can’t dissipate.

So, yeah, I’ve been a little grumpy this week. My arms are getting worse and I’m not sleeping well because this really worries me. I’m certain I am going to need to take some kind of break to let them heal but being the one full-time person in my business, taking a break can wreck a production schedule. It really makes me appreciate my arms! My arms and hands are my busy little helpers. I can’t do layout without them. I can’t touch up photographs without them. I can’t work with polymer clay without them!

Luckily, I can write without them because of speech-to-text software, as buggy as it can be sometimes. So today I’m mostly going to talk at you, literally, from my end, to save my arms which are taking care of the last tweaks needed to get the magazine files to the printer tomorrow. So, forgive me for the lack of in-depth artistic information and imagery. That takes several hours of research and my mouse finger is about done in.

So, yeah, I’m hoping you’ll indulge me as I share with you what has been on my mind, you know, from one creative to another. I know many of you are small business owners or super-solopreneurs trying to make a living or supplementing your income with your art, with no additional support. If you couldn’t upload to your online shop, schlep all those boxes to the art fair, or pack up those orders, who would? There is certainly nobody who can design and make your artwork for you so if you lose the ability to do so, even for a short time, what in the world would you do?

This, of course, is where my brain has been going, worrying about the situation with my arms. To calm my worries, I’ve been telling myself that whatever I’m going to need to do to heal is going to be a necessary thing in my life, not a barrier or a hurdle or any type of calamity. I do think we end up where we need to be when we do not struggle against what we know in our gut to be the right course of action. I think that we do become tuned into the things that we need when we acknowledge the need for change. We often just don’t see opportunities or understand what is possible until we are ready for them.

So, I am wondering, if I need to take a break, what can I do with that time? And, in the process of pondering this, it has struck me is that I have not had the opportunity, in the nearly 10 years I’ve been doing polymer centric publications, to ask myself what I would do if I could not do print production. And, yes, my thoughts have gone there because although I am hoping the doctor is going to advise a reasonable break of three or four weeks, I’ve done some research and know there’s a possibility that my tendinitis has progressed into something that’s going to take much longer to heal from. And just asking myself those questions has revealed to me that I’ve not really reviewed what I’m doing and why for quite a long time. And maybe this is happening now because that is what I need– to take an honest view of my life.

I am sure I am not the only one who could use a little internal review. Have you had the opportunity to ask yourself recently if you’re happy doing what you’re doing? And I’m talking careers, relationships, living situations, as well as a creative life. Do we continue to do what we do out of inertia or because we love it or because we just don’t have time to stop and think about it?

I know it’s hard to carve out time to take a good honest look at our lives on a regular basis, but shouldn’t that be a priority? I know couples whose anniversaries are not just a time to go out to dinner and celebrate but, rather, are a time to discuss and assess the relationship. They asked each other “Do you want to stay with me another year?” I know one couple that’s been doing that for over 30 years. After that long, it seems silly to ask but I do think it wonderful that they take the time out to pose the question so that if they are at all unhappy maybe they can do something about it before becomes a problem. Maybe, we should all be doing that with every aspect of our lives. Maybe right after the busy season or on New Year’s Day – whenever in your life you know you will have some downtime each year – we can ask ourselves, “Am I happy with my life and how I am living it?”

Is it me, or does the prospect of asking that sound downright scary? What if the answer is no? I get a little twist in my stomach thinking about it. Is that because I’m afraid to of the truth or afraid of the prospect of needing change?

I’m not sure. But I am going to take the time to ask myself that question this week when I get to take a breather from production. So, if the answer is “no”, then that is the first step towards making necessary changes. I can already say that I’m not happy about the physical pain I often find myself in so I do know I will be working on that. But none of us should be afraid to ask ourselves such a question. If a change needs to be made, it doesn’t have to be drastic and it doesn’t have to be immediate. You can start by making just teeny tiny changes towards it.

The idea of making minuscule little changes comes from something I read about a process called the Kaizen method. This was developed primarily for use in business to create more efficient procedures. It seems to be rooted in the idea that you aim to create change through a series of very small steps. The Idea is that when we are faced with a big change, it’s scary and daunting and we tend not to get started working towards it because of that. But if you just change one very small thing every day, or every week, something so minuscule it would be silly to say you couldn’t do it, you will be making progress towards the change you want or need and will eventually, almost effortlessly, get there.

So, what if we took an honest look at what we’re doing with our lives and a close look at the things that don’t make us happy or causes pain and do just one teeny-tiny little thing today to put us on the path to the change that we need? And better still, tell someone you’re going to do it. Because if you say something like “I’m going to massage my arm for thirty seconds every morning before I get to work, no matter how busy I am,” (Yeah, that was mine early this week …) to your spouse or your best friend, how in the world can you tell them that you couldn’t take thirty seconds out of your day to do that? And if you reward yourself as well (I sat by the pond and watched our pretty fish while I did it), you’re even more likely to do it.

Okay, I know you don’t read this blog for motivational self-help talk but this was on my mind and if it’s on my mind as a person trying to figure out how to live a creative life and survive it, I figure it’s going to strike a chord with a few of you as well. I hope you didn’t mind.

There is a direct artistic process correlation buried in these ideas. For one, you really should ask yourself on a regular basis if you’re happy doing the kind of work that you’re creating. For instance, I’ve been antsy to get back to doing some fiber work, not just polymer, but being entrenched in polymer art day in and day out, it’s rather hard for me to think in terms of fiber design but if I get a break, I think it may do just that. And then I’ll combine the polymer, I’m sure.

And taking tiny steps… You can do incredible things one tiny bit at a time. Take a look at the Cynthia Toops and Chuck Domitrovich pin opening this post. She drops in one little chip of polymer at a time – a tedious procedure, I’m sure. But I’m also sure that as the image emerges, Cynthia becomes more and more motivated to complete the piece. And the result is gorgeous. I can only imagine how satisfying it is to complete such an intense piece. And that’s what change would be like, done one teeny tiny step at a time.

And really, our life is not made up of big events and monumental changes. It is primarily made up of all the small steps, the minor decisions, the little nudges, and all the little utterances we put out there. The small steps are what get us to the big and momentous occasions. So, hurrah for all the teeny tiny steps we make. Let’s try to keep the ball going in the right direction.

I’ll let you know next week what the doctor says. Don’t worry… I promise I will not disappear. There is nothing I would rather do than inspire the artistic and creative in people. If I need any help, I’ll let you know. I do tend to post calls for content and assistance on my personal Facebook page so if you’re at all inclined, you’re welcome to friend me there at www.facebook.com/s.sagebray

In the meantime, I hope you have a beautiful, creative, and inspired week!

 

 

Tile Talk

May 12, 2019

Do you ever stop to ask yourself if what you create makes you happy? It seems like a silly question since creating is usually passion driven so being able to feed that passion should make you happy, right? But have you ever found yourself creating something because you believe it is the kind of thing other people would like but later realize that you don’t enjoying making it?

I found that happened a lot when I was a selling artist. You get wrapped up in what you think the market would want, what you think will sell best at the next show, and you’d be just making things for the money and not because it’s what you want to make. Other times we think that in a particular material, like polymer clay, it is best used for certain forms such as jewelry and home decor. But as we all know, polymer can do almost anything and yet 85% of it being created and shared online is jewelry. Jewelry is pretty fun stuff to make, sure, but if you enjoy polymer, just keep in mind you don’t have to make jewelry.

I myself have been moving away from jewelry. A pendant or pair of earrings are oftentimes still the best items to create to show off a polymer technique for a magazine article or tutorial but more and more, I create objects without an end goal in mind and am really enjoying just making little objects and samples of techniques. Last year, I started to see patterns and connections between them and eventually started putting them in shadow boxes. You can see an example of one of my “specimen” boxes in the latest Polymer Journeys book, if you’re curious. I’m also trying to devise a class for doing it. It’s so much fun!

But when I have to create jewelry because I am vetting an article for the magazine or want to make a gift, I have lately found that I don’t look forward to the engineering of it – figuring out how it is going to hang, what stringing material will work best, what findings I need, as well as worrying about comfort and durability. I find I don’t want to think about those things when I create and it’s not out of some kind of laziness, it’s just not what I want to spend my mental and creative energy on, and I’m good with that. I just really want to follow creative paths that make me happy right now.

To that end (and because I’ve spent so much time in tile stores lately), I’ve decided I might just focus on tiles for a while. They are a very freeing form. A tile is just a canvas for 3D materials. You can do whatever you want on them. You can make them any size, any shape, and can attach whatever you want or attack it however you want. I think we really should all give ourselves the freedom to play with this form, to let ourselves be free to create from the heart with a material we love. At the end of a session of tile making, you may find you are really looking forward to creating necklaces or making beads or covering vases. But I am going to suggest you give a tile a try here and there to just let yourself create freely. Doing this can help with your designs in other forms.

To that end, of course, I’m going to share some tiles this weekend. I am going to share a lot of non-polymer ones because I think, if you’ve spent any time online, you’ve probably seen your share of polymer tiles these last few years, especially with the Fimo 50 year challenge a couple of years back and with the common inches exchanges (inches are just tiny tiles). So, I’ve got a quite a mix for you but it is all art that can translate to polymer even if it is in another material.

 

Laying it All Out

The opening image of this post is a photo from a class conducted by Laurie Mika. She is well-known for her colorful and intricate collage/mosaic pieces which, by the way, she teaches at various events. This collection of student work was from a polymer clay tapestry class she taught at the SAMA (Society of American Mosaic Artists) conference in Nashville just a few of weeks ago. They are all just lovely. There is no high-end technical skill needed to put these types of things together which makes them ideal for exploring color and texture and just letting yourself go. (You can check Laurie’s workshop schedule on her website.)

Jael Thorp caught my eye some years back with her “clay doodles”, including the one below. I thought they looked like zentangles for clayers. Can you imagine the flow state she must’ve been in to create this? You can just get so completely lost in this kind of work and that is a big part of why people find tiles such a wonderful creative outlet.

Check out this post with her various doodles from some years back. She went on to refine her technique, making beautiful beads and home decor with the same type of application. You can find them on her Flickr photostream.

 

Let’s move from polymer to ceramics now. It is a rare thing in ceramics that can’t be replicated in some fashion in polymer so I find ceramic art quite inspiring. Here is one of my favorite tile makers in ceramics, Chris Gryder, who has gone a bit more three-dimensional of late but his tile compositions are timeless.

In this composition, each tile is its own separate piece but he’s connected them all with these lines that he creates through the grid of tiles. So, really, you can make a whole bunch of tiles without worrying about what they’re going to end up as, and then, if you want to put them together as a composition because they have a similar or complementary set of color palettes, textures, or motifs, you can use lines that flow throughout to visually connect them for a larger composite composition. This approach would allow you to just make tiles as the muse directs and then you can later make them into a larger wall piece.

If you like this piece, go browse through his website or his Instagram page for more fantastic inspiring wall compositions in tile.

 

Keep in mind, just because tiles start out flat, they are not two-dimensional and you can create extremely three-dimensional pieces on them. Here’s one example with some very organic forms and textures created by Lauren Blakey, another ceramic artist.

 

And here’s another three-dimensional example in glass by Shayna Leib.

As you can see, tile work is open to all types of materials so keep that in mind as you sit down to tile. Mix in anything that your heart and muse desires. Mix and match mediums, embed oddball trinkets you’ve kept for, as yet, unknown reasons, and just keep an open mind.

After pulling these examples for you, I realized that all the examples are squares here. You don’t have to create square tiles to play with but that is the more common form. However, if you’re not feeling square, try a free form shape or an oblong one or maybe, because today is Mother’s Day, create a big heart for all the mothers out there. Happy Mother’s Day to all you amazing women!

Here’s a heart from Tina Ruppert of Wisecrackin’ Mosaics on Etsy. Pick a favorite shape and a bunch of canes or other scraps of clay and you can do something along these lines as well.

 

Getting Squared Away

I’m going to leave you with these thoughts and hopefully some curiosity about playing around with a tile or two, in whatever form and techniques interest you. If you need some jumpstart tutorials, here are a few places you can go:

Sara Evans has a video about her tile making process here – https://www.youtube.com/watch?v=9FAxYwgJfLo

If you want to do something tile like but still want it to be something functional when done, maybe you would like this polymer clay tile box tutorial –

https://mermaidsden.com/blog/2015/02/12/polymer-clay-tile-box

Or have fun with one of our true masters of polymer clay tiles, Chris Kapono, with her very detailed and yet tremendously fun tile project in the Polymer Arts Projects book which you can purchase and download digitally if you need it immediately or order the print edition from our website.

I opened with a discussion about doing what makes you happy and hope it gives you some food for thought. If you want to hear a couple of transformative stories in that vein, please be sure to get your copy of The Polymer Studio Issue #2, recently released, which starts and ends with stories about finding one’s happy place with one about Christine Dumont’s studio complete with a visual tour, and the other about Donna Greenberg’s focus moving from jewelry to large wall art. Check out the Issue #2 Sampler if you haven’t seen the new issues yet.

 

We’re daily trying to find are happy place over here as our house has continued to be demolished more and more, beyond what we (or our contractor) expected even. Old plumbing can be a tricky thing! If it would just warm up here, it wouldn’t be so bad. A cold Southern California in May is just weird.

I’d share progress shots of the house but it’s pretty much just down to studs and busted up concrete floors. Oh… And a large trench across the whole of the front yard for a new drain line. I’m thinking about making it into a moat. Like a habitrail (if you remember those hamster houses) for our pond fish. They could just swim circles around the house! Okay, probably not but gotta have fun with all this bedlam, even if it’s just dreaming up nonsense like that!

I hope you all have a wonderful Sunday and Mother’s Day! I’m off to have mimosas with the family’s fabulous females myself! Enjoy the day and your coming week!

Mosaic Flow

Are you familiar with something known as the flow state? This is that space you get in where you are lost in your own little world because you are so wrapped up in what you are doing. It happens quite commonly when people are working on creative projects and it’s a really good thing for you, both because it dissipates stress and because it increases your level of “feel-good” chemicals like serotonin and dopamine. It’s also defined as an “optimal state of consciousness where we feel our best and perform our best.” Now, who wouldn’t want that?

I bring this up because I want to talk about mosaics. I think a lot of people look at all those tiny pieces and think, “That looks like a ton of work!” And, yeah, there might be a lot of steps to putting a mosaic together, but the technique is also one that really gets you deep into a flow state. It can be kind of like doodling but with little pieces.

It would not be a hard thing to start on. Most of us have access to tons of tiny pieces, either through leftover canes, unused polymer sheets, or failed projects we haven’t had the heart to toss out. Just slice up those canes, cut up those sheets, and/or start chopping up those cured elements and you have all you need to start creating mosaics. Of course, you can make pieces specifically for mosaics from fresh clay, too!

Mosaics have been on my mind these last couple weeks because, while working on the latest book, Polymer Journeys 2019, it became quite apparent that one of the bigger trends making a splash right now is polymer mosaics and so I thought we ought to take a closer look at this not so new but definitely interesting and flexible technique. (By the way, today is the last day to get the Pre-order Sale pricing on Polymer Journeys 2019! Go to the website to get it at 30% off the cover!)

Mind you, being the insanely creative and exploratory artisans and crafters that they are, polymer enthusiasts aren’t just slapping together any old standard expectation of a mosaic. They are mixing mediums, trying out every shape in the book, using three-dimensional forms, and generally just pushing the boundaries of what the mosaic technique is. Gotta love polymer crafters!

So, let’s take a look at what some people are doing as of late and we’ll end with suggestions for getting into the mosaic flow yourself.

Different Kinds of Bits & Pieces

One of the folks who, at least initially, takes a classic approach to the art form of mosaics but certainly adds her own flavor to it, is Christi Friesen. She cuts out squares of polymer, lays a base to adhere them to and then arranges the pieces in pleasing and energetic patterns. But of course, Christi can’t leave well enough alone — she has to add bling and embellishments of all kinds! She’s been mixing in glass, wire, charms, beads, and probably a bunch of other things I will never be able to identify, to create her whimsical tiles, vessels and jewelry. Can’t you just sense the depth of the flow state she must have been in creating this beautiful maelstrom?

You could say that Claire Fairweather is classically inspired too, but her work has a twist to it. That twist is a commitment to circles used to create these wonderful images of graduated color and varied texture. Using round elements instead of squares and straight-sided shapes that join neatly together, leaves more open space but it’s one that has a fairly regular rhythm that flows in and out of the carefully placed circles. This gives the imagery more orderliness and a softer look as you can see in the many sides of her mosaic globe below. (Be sure to jump over to her blog to get the rundown on what each side is showing.)

 

Keep in mind that a mosaic piece does not have to be all mosaic. Large swaths can be made up of other types of polymer elements such as textured, silkscreen, impressed, or hand tooled layers or forms. A lot of Susan Crocenzi’s work, especially earlier in this decade, consist of entire halves of her pieces being a kind of polymer landscape, surrounded by glass mosaics or a mix of mosaic mediums. Here is just one example below but you can find more on her website too.

 

For all of you mad caners out there, here is an example of how beautifully energetic a piece can be just by arranging thick cane slices on a simple form. This bib necklace is a yet-to-be-hung creation by Ivy Niles, who makes some of the most impressive canes. You can see how much more impressive they are when working together in this off-center mandala type pattern.

If you really like the idea of doing mosaics don’t relegate your sources of inspiration to the work of polymer artist’s, as unique as they may be. Take a look at what glass and tile mosaic artists are doing these days as well (just type “mosaic art” into your favorite browser or an image-centric site, like Pinterest or Instagram) if for no other reason than there is some amazing and gorgeous work out there to enjoy. Here is a gorgeous piece by Francis Green in what seems to be a rare piece of wall art. This woman will mosaic anything she can get her hands on! She kinda reminds me of some unbridled polymer artist with their canes. Just take a look at her website.

The How-Tos of Mosaics

So, are you itching to try some mosaics now? Here are a few places you could start:

Whew! I got into a flow a bit there myself writing excitedly about all this fun stuff. I hope you’ll give mosaics a try if you have not already, or at least give yourself some time to just get lost in your craft today. It’s good for the brain and the soul and you never know what will come of it later in your creative journey!

 

Light As an Art Medium

September 28, 2018

I felt really bad I could not fit the colorful images of this fabulous lantern into Claire Fairweather’s gallery pages, so here you go. The first image in the upper left is the piece lit with white room light, with the following images showing Claire’s intention to combine it with colored light from within the vessel.

Claire uses bullseye cane slices with a center of translucent clay to create a simple yet dramatic pattern through which an electric candle can emit colored light. Her choice of a light-changing LED candle adds a whole other aspect to the look and feel of this polymer-covered sphere and was sure to be integral to Claire’s intention with this piece, which is why I felt so bad about not being able to fit it into the layout. But at least I can share it here.

Although you may not think of light as an art medium, it definitely can be. Anything that adds color and contrast is a medium you can use to increase the impact and look of your work. And with all the ways we can use translucent polymer, light—especially colored lights—should certainly be considered a possible addition to the work if it can functionally be done.

All of Claire’s work deals with the formation of texture and images created through a mosaic-type approach but she explores the outer reaches of what a mosaic can be, using things like this lantern and the mirror you would see in the gallery pages. You can take a look at more of this work of hers on her website and her blog.

New Homes

June 4, 2018

At the end of this week, Creative Journey Studios, the ultimate polymer-related destination and a must-have on every polymer enthusiast’s bucket list, is having a grand reopening celebration at their new digs in Milton, Georgia, just north of Atlanta. The move from Buford was a monumental project for our dear Ellen Prophater and Sue Sutherland who are at the core of this fabulous concept and place. I’m sure they are thrilled as well as relieved to finally have a home set up again for the workshops and collection of polymer arts. Creative Journey Studios houses one of the largest collections of historically relevant polymer art in the world. The collection has recently expanded as well, taking up 18 cases just stuffed with amazing artwork.

One of the newest pieces in the collection is this mosaic by Ponsawan Sila, who recently relocated herself and her daughter to Thailand from Indiana, and had to shed many of their belongings in the process. But lucky us, this beautiful piece is permanently housed with our ladies in Milton.

For this coming weekend’s grand opening, held June 5th to the 8th, there will be demos all weekend along with a trunk show for Lindly Haunani on Friday night. The gallery will be showing off new work by quite a number of artists working in both polymer and mixed media. I’ll spend this week and maybe some of next week highlighting recent work by a number of these great artists that the studio supports.

If you’re interested in attending the grand reopening, go to the Creative Journey Studios’ website for further details. If you will have to visit on another day, you may want to look at the workshop schedule and plan to attend one of the amazing workshops they have coming up, conducted by the likes of Donna Greenberg, Jana Roberts Benzon, Julie Picarello and more. Go to this page for the workshop schedule.

Happy Accidents

January 29, 2018

Although they are not always pretty, not at first, happy accidents can lead to wonderful techniques and inspiring design. I keep bumping into pieces recently that came from just such incidents, such as this ripped mosaic technique Cindi McGee happened upon.

This feels like the beginning of a foray into this approach to mosaics for Cindi and I am hoping we’ll see more of what she does with this. I think if larger pieces or more intricate pieces were created, you could have some really amazing visual textures not to mention using up lots of scrap clay!

Have you had any happy accidents lately? I find with polymer that nearly every accident is an opportunity to not just learn about how the material and one’s approach works but to find more techniques and effects. Take a close look at the present Winter cover of The Polymer Arts and Emily Squires Levine’s vase. Do you see the “accident” it had? It got scorched in the oven but you hardly notice because it makes for a natural coloring of the organic color palette. Not that I recommend trying to burn your polymer (burning polymer gives off toxic fumes) but before you get upset that something didn’t work as you wanted it to, ask if it is just leading you down a new path with new ideas.

You can find more of Cindi’s adventurous work through her blog pages and her Instagram account.

The Complexity of Time

November 29, 2017

In my search for clock inspiration, I veered a bit off the polymer path, but then again, I kept running into pieces that I thought were polymer but were not. Of course, pieces like this splendid celestial clock by Natalya Polekh could be created in a very similar fashion with polymer. Large textured sheets and fun with alcohol inks and mica powders could produce similarly stunning results so I took a  closer look.

Natalya looks to be a well-known mixed media artist in Eastern Europe and Russia and when I say mixed, I mean all kinds of things. Her primary materials look to be various types of acrylic paint, dimensional and pearling paints, 3D gel, embossing paste, and glass and metal accents of different types. She works in texture, mosaics and layered media that is applied in such a way that knowing the materials is rather superfluous. She creates a beautiful complexity of texture and motif with shine and shimmer applied in abundance but always in a tasteful and often intriguing manner.

She does much more than clocks although she has done quite few of them. Take a look at her shop for more clock and textural ideas as well as very well priced tutorials on how she creates this work.  Her VK.com page has more images.

 

Memories for a Lifetime

 

I know I showed you a bit of the sample “Into the Forest” installation last week, but I didn’t get in this mosaic created by Julie Eakes for the exhibition that will be installed in November. I think Julie gets the prize for the most intense and biggest piece to go into the installation. I uploaded a fairly large image of this so if you click on the photo, it should open up in a browser window and you can zoom in to see all the individual canes that make up the idyllic scene.

I wish you could zoom in on the screens you see here in the main assembly room as Ellen Prophater presented her talk on mokume gane. Oh, the secrets and the great tips and tricks she gave away during this talk! This kind of thing was happening all over and made the price of this event well worth it on that basis alone. The friendships and conversations, however, they make it priceless.

If you didn’t get to make Synergy and haven’t been to any major events lately or ever, keep them in mind. Save up your pennies and plan to get that time off from work for the next big event you can possibly work into your schedule. They are each an experience you’ll keep with you all life long.

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Loveless Animals

May 11, 2017

Let us allow Jon Stuart Anderson’s cover piece dictate the theme this week … animals full of color and pattern. Although, unlike Jon’s bull on the cover of the upcoming Summer 2017 issue (due out end of May) is a three-dimensional sculpture, this piece is a wall mosaic by Mary Anne Loveless who just so happens to be gracing our pages as well in the gallery section of that same issue.

Even though this is a two-dimensional approach to using canes to create the shape and flow of an animal’s likeness, the mind-set is probably not dissimilar when the artists sit down to work out where the canes will go. What canes and where would they best serve the image of this animal they want to convey? Mary Anne is using mosaic and pointillism to create the form of the seahorse here while Jon uses a three-dimensional form. Does seem pretty different from that aspect but the patterns are what form the details of these animals in both cases.

I really enjoy picking out the individual canes in both cases. I am enthralled by Mary Anne’s choice of color juxtaposition in this. The aqua next to the reds and the beige and peach being the color the blues fade off to like in the chest area. It’s just beautiful.

Mary Anne really likes seahorses, as you will find upon opening her Flickr page which as of this post, is pretty much all seahorses. But she also likes fish and flowers and faeries!  But mostly she loves, and is very good at, pattern and color which you can see in full evidence on her Flickr pages and her Etsy shop.

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Where All Can Your Polymer Go?

June 14, 2012
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Is there anything you can’t embellish with polymer? The possibilities do seem limitless. I have seen every thing from cars to laptops to sunglasses and stairs accented (or covered) with polymer art. Some of these are quite elaborate mixed media affairs but it needn’t be very involved. If you haven’t tried covering something unconventional with polymer, perhaps this chair will give you some motivation to try it out.

This chair by Christy Dickerson is covered with tiles that were formed and baked and then glued to the cross rails and seat supports. This chair went from ordinary to simply eye-catching using a straight-forward process that anyone with the patience to make all the tiles could have tremendous success with.

The Magical Mosaic Chair was found on Helen’s Clay Art blog where you can see it from several different angles .

So, where can your polymer go to add a little beauty and interest in to world?

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