Rippling Wings
January 12, 2017
Inspirational Art
Apparently I am not the only one who likes moths! The first post this week knocked the meter off the scale and was shared, liked and viewed thousands of times. We also got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. I’ve added it to the post which you can see here. (Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!)
So how about a few more moths this week? This beautiful fluttering thing is the creation of Iryna Limanska who makes all kinds of flora and fauna inspired wearable pieces.
The attraction here is partly the delicate colors but mostly the rippling edges of the moth wings which gives it a lively and energetic look. Those ripples are a bit of artistic license, however, as the moth she refers to in the listing–the Actias Luna moth–doesn’t ripple like this or have colored edging. I don’t think there are any moths with this kind of rippled edge to its wings, none I could find. But as artists, this is exactly what I think we should be doing–creating something not seen before.
Not that it is inartistic to recreate nature in exact detail but since we can alter what nature has already shown us, why would we not? This is where self-expression has a chance to come out in quiet but insistent ways. It is an opportunity to show others how we interpret what we see or how we’d like to see it.
Irvna does a lot of this altering nature in small ways in her work. Check out the flower petal skirts on her ballerina silhouettes and her succulent boutonnieres, all listed in her Etsy shop.
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The Ethereal Moth
January 10, 2017
Inspirational Art
I don’t know what it is, but moths seem to be popping up all over the place in the polymer-sphere. They are pretty amazing too. This one was hard to miss. The translucent wings and choice of colors that are smoothly graduated in beautifully executed detail make this moth feel quite ethereal. Even the fluff and strands on the head are finely wrought clay with careful attention paid to the progression of grays. It’s a wonderful piece but unfortunately, I don’t have the artist to credit. It showed up on Pinterest with a link to a polymer group page on www.vk.com but with over 11,000 members, I have no idea whose it could be.
I can’t tell you how many pieces I pass up for features in the blog because there is no artist listed and initial searching leaves me no clues. Which means we are all without further knowledge of these artists. You can help change this.
If you like something so well that you save it, be sure there is a link to the source of the image’s information, not just the website’s homepage. You can ensure you are doing this by grabbing the web address of the post, article, or particular page you found the image on in the notes of the image on the social media site you save it to. If the address is just the website home page, you can usually click through on the post’s title or the “more …” link at the bottom of it to find the particular page with the artist’s information in whatever form the posting person has it.
Let’s give credit where credit it due. Not to mention giving us a chance to find out whose work we are admiring. As usual, if anyone knows who created this, chime in. I know I would like to see what other wonderful things they are creating!
UPDATE: We got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!
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Illusionary Color
January 7, 2017
Inspirational Art
Since this week seems to be about juxtaposed color that causes visual shifting, I thought I’d check in on Sandra Trachsel of Koniz, Switzerland who creates some of the most splendid three-dimensional looking cane layouts. Her pieces are visual illusions of space and movement, all created with changes in shades and values of color and how they line up.
Here is one of her pieces from about a year ago. She calls this Necklace Artichoke which, as it is with a lot of her pieces, was inspired by a quilt pattern, this one from quilter Sylvia Schäfer. Although the cane work looks very much like the sample quilt, this arrangement and repetition takes it a step beyond. The variation in the side and background colors of the beads adds to the energy and dimensional feeling. If you try to look at the necklace as a whole, the beads then look to glow from their centers. It’s a beautiful adaptation of the original pattern.
Even though a lot of Sylvia’s canes come quite directly from quilt patterns, her precision and choices as she reinterprets them in polymer is quite inspiring. Take a look at her collection of pattern dominant work on her Flickr photostream.
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Changing Things Up
January 3, 2017
Uncategorized
Well, here we are … first post of 2017 and I find myself, again, focused on how to make this a year full of useful information and inspiration for everyone who so kindly drops in on my mental meanderings. To that end, I have decided to make a couple tweaks.
I’m going to have just one Inspirational Challenge a week, at the end of the week, so those who were feeling bad that they couldn’t do all three each week (not that I expected that myself!), will feel some of the pressure come off and we’ll have the weekend to work on them.
The other thing is to prioritize studio time in my schedule for myself. This will greatly be assisted by the fact that as of next week, I will finally have the space for a dedicated and properly equipped studio in California, the state I will now be calling home as I move into our new house. I still have my space in Colorado but will be there only once a quarter or so. Not traveling nearly every month will certainly help with getting more time in the studio too.
To further assist in my New Year’s resolution to find more studio time in my day, I might change up the posts a bit, as long as I can still give you great content. Just want to see what I can do with very short formats. Then, after the move I’ll put together a survey and get your input on what you’d like to see in the blogs, newsletters, magazines and books. If you have specific ideas that you think I should put to a vote in this survey, write me directly at sbray(a)thepolymerarts.com before the 14th of January.
In the meantime, let’s look at some clever designs this week that take common or familiar ideas but give them an interesting tweak. These beads are, I believe, variations on using the same striped sheets of clay but arranged in different patterns. It is hard to believe these could all be from the same initial pattern but look at each piece closely and you’ll see a bargello like concept used to arrange each one. It’s rather fascinating to identify what Jana Honnerova did here. It’s rather like some kind of brain puzzle. But it brings to mind what we can get out of pushing our arrangements.
Jana’s hallmark seems to be taking one thing and seeing what else can be done with it, both with her own techniques and the techniques she has learned from others. See whose influences you can identify in her work and what she does to change up the approach of other artists on her Flickr photostream.
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Fragility and Strength
December 30, 2016
Inspirational Art
Although New Year’s Eve allows for all kinds of bling and shimmer to be pulled out and showed off, sometimes the most impressive statement is understatement. That’s what I think this strong but delicate piece from jewelry designer Kayo Saito is about.
I imagine this necklace it is quite large so it will show off size wise for certain, but I think the organic shapes in semi-translucent fabrics draw the eye for its juxtaposition in the fragile look of the forms within their strong directional orientation and dense composition. Both the fragility and strength are unwavering which makes it quite a sophisticated and intriguing piece.
I know … I just posted two items in a row this week that weren’t actually polymer. But in both cases, they could easily have been polymer with the same impact. It doesn’t matter what material a piece is made from, only that it is done well and that it inspires. Right? Art is inclusive, not exclusive. Just go take a look at Kayo’s website to see more inspiring, strong and sometimes frail looking work in fabrics and metal.
I also picked this piece because I think its characteristics represents how many of us feel as we head into 2017. There is a lot of uncertainty in the world right now. We don’t know what our leaders are going to do and we don’t know how the conflicts across the world will play out in the coming months or what it will mean for us. This has left many people feeling frail and exposed. But the issues that have arisen have also given many, many people a new sense of direction as well as a swelling sense of responsibility and need to speak out and be heard. We may feel vulnerable, we may even appear frail, but I think a lot of people today are actually strong and resilient. We have already been through some seriously trying times this past decade and we have, for the most part, bounced back. I think recent experiences show that whatever comes this new year, we can meet it with strength, ingenuity, and compassion. A bit more creativity and beauty in the world won’t hurt either.
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Dressing up the Christmas Tree
December 23, 2016
Inspirational Art
Although I really want to go with a winter white holiday theme, it was hard not to go into a purely Christmas piece with amazing work like this floating across my monitor as I look for eye candy for you. But whether you do Christmas or not, it is hard not to appreciate the decorative impact of something as unique as this Christmas tree dress.
I’m not sure if this is more a tree or a gown. Maybe it could be worn although it would be quite difficult to get around in. I do know this was made for a client’s home by Legare Simpson at A Ribbon Runs Through It. Legare got into making these when, not finding anything she liked, she tried making wreath’s for herself. What she made impressed others who asked her to make them wreaths and the passion just grew from there.
She makes all kinds of wreaths but it’s her dresses and suits–created for other seasons as well–that really grab the spotlight. I wish I had time to make something so amazing for the house but maybe next year. In the meantime, enjoy her gorgeous array of tree dresses, flower suits and unique wreaths on her website.
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Wintery Bling
December 21, 2016
Inspirational Art
Here’s the look of winter without the below zero temperatures so many weathered this past weekend in the mid and northern United States. Just the right amount of icy color without the icy temperatures!
The mint and pale gray greens on white in these shimmering earrings by Florida’s Irene B are about as wintry feeling as one can get without stepping out into the real thing. The greens really do it as they contrast just a bit with the pearl whites to really make these stand out not to mention that those colors are exactly what you get in freshly frozen ice and under deep, wet snow piles.
These were sold on Etsy back in 2012 and there isn’t much more on them or the artist as her shop seems to be shuttered up right now. The shop notes don’t say whether it’s closed for the season or has been for a while. The set was too beautiful to pass up even without further information but if anyone knows the scoop on this artist, write me and I’ll add it here.
In the meantime, stay warm and cozy. I am heading off into for a chilly drive across Utah today and into the gorgeous Colorado mountains. There is sure to be snow but let’s hope it is only the stuff that has already fallen and will sparkle at us from under a blue, blue sky.
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Adorable Holidays
December 19, 2016
Inspirational Art
Like many of you, I will be traveling this week so I am going to keep things light and brief but stay with the feel of the upcoming season by featuring a few simple but surprising pieces.
This adorable jackalope (as we call these rabbits with antlers in the Southwest) was created in ‘velvet clay’ by Evgeny Hontor with such an endearing look. Decorating the likeness of animals with symbols and marks appears in many cultures throughout the ages with no reason to stop the tradition in modern days. We do still like to celebrate the animal spirits that capture our attention and inspire us.
Although not a reindeer, this little guy felt very wintry and celebratory so I thought it was a great way to start out a Monday. Back to wrapping things up for our little holiday trip but if you want to immerse yourself in more cuteness jump over to Evgeny’s Etsy store for more adorable and beautiful creatures.
Inspirational Challenge of the Day: We’re going to take a break from challenges this week as for many of us there will be little time. But let the post inspire you as you see fit if you get yourself some studio time.
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A Journey of Exploration
December 12, 2016
Inspirational Art
As many of you are aware, our Winter 2016 issue, themed “On the Surface”, came out weekend before last. Despite some head-spinning challenges in our schedule, we still pulled off a an issue that readers are finding particularly inspiring. My apologies to those folks that lost entire mornings and afternoons as they read the issue cover to cover instead of getting work done or running intended errands. So glad you found it so worthwhile!
The success of this issue was in no small part due to the wonderful contributing artists who gave us so much to look at and so much to think about. Even so, our artists have a much broader range of talent than any single article can even begin to show so this week, we’ll look at what else these talented folks have been up to, starting with Debbie Crothers who gave us the article on Surprising Variety showcasing some unexpected materials to use in polymer surface design.
Debbie has been on a journey of exploration in polymer since we first met online some 8 years ago. She is always coming up with an amazingly wide range of techniques and textures. You are more likely to see her fun treated beads on her Facebook page than completed pieces but lately it’s been the other way around with some stunning results, such as this beauty using an image transfer and crackle technique to throw textural accents into the mix of smooth shapes. I have to admit that the sunset colors are what first grabbed me but then you spend some time looking over the detail and you kind of fall in love with the whole piece.
Debbie has also been a busy girl herself, showing off her brand new website this month. You can find the way to her thoughtful blog there as well as links to her classes, videos, and upcoming workshops. For a retrospective of her work, past and present, jump over to her Flickr photostream to see the interesting journey she’s been on.
Inspirational Challenge of the Day: Look back through whatever history of your work you have available to you. Where have you been with your work and where are you now? As we approach the new year, let this review help you shape ideas on where to go this coming year. Spend some time just making notes, a goal list or just sketching to help move you along on the next step of your journey.
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Would you call yourself a selfish person? I doubt very many of us would think that way about ourselves. Yet, as artists, we often find ourselves “stealing” time away from others or other things to do what we love, reveling in it when we have it. Is that selfish? I mean, it is more about us than anyone else, isn’t it?
Yes, it is about us, and that is as it should be. In the requested comments for last week’s giveaway (scroll down to see the winner and this week’s giveaway), participants mentioned some version of the “me time” aspect of getting to sit down and create more than anything else. I mean, I know we create because it is something we enjoy, regardless of what anyone else thinks, but I just love that so many people acknowledged and celebrated it. We should!
I strongly believe that everyone should have something of their own, something they can turn to in order to express themselves or at least put something out into the world that would not have existed without their desire to create it. The art we create gives us purpose, exercises a uniquely human part of our brains, and helps us to love ourselves. Not to mention that we deserve the joy we get from it!
But, by definition, that is selfish—doing something because it’s what we want. I wish our society would get over the idea that doing something for ourselves is bad. I think not doing things for yourself is self-negligence. Why is that not a commonly understood thing?
This also highlights the bigger, contradictory world that we inhabit. We live in such strange societies where selflessness and humility are expected or requested, and yet we are also pushed to strive for excellence in what we do. How do we reach excellence without focusing on ourselves? And then there is this silliness where we are not supposed to acknowledge when the work we do is good or that we’re proud of it. If we do, others may think we’re being arrogant or grandiose.
So, do we strive to be great and then pretend that we’re mediocre? We talk about contrast being good in art, but this is so not the right kind of contrast!
I’ve long found the dichotomy of these contradictory but societally prescribed behaviors beyond aggravating as well as having the potential to be debilitating. I think that is why it made me so happy to see so many people acknowledging their creative hours as me-time, self-care, and a time of wonderfully selfish joy. Keep it up, I say!
Now, let’s talk about the good kind of contrast in art.
Design Refresh
Let’s look at the beautiful brooch by Lyne Tilt that opened this post. What do you notice first about this? There’s a lot going on in this little space, isn’t there? What are the three things that jump out at you as far as design elements?
I’m going to say color, shape, and texture. Did you come up with the same three? There is also a lot going on with marks and size. So, any combination of those would be spot on.
How about design principles? What do you think is the number one principal used in this design? Sure, we could refer to scale and proportion considering all the different sizes of the layers, or we could talk about focal point or even just key in on the centered composition. But the one thing this has in spades is contrast.
Obviously, there is color contrast in all the major color characteristics—she has a vibrant trio of warm colors contrasting the cool of the blue and cyan; color values range from the dark blue and deep red to the moderate orange to the light yellow and pale polished silver; and, if you check your CMY color wheels, you’ll see that the color of the bottom layer is a blue-cyan whose complementary AND split complementaries are the yellow, orange, and red that you see in the upper layers.
But doesn’t a color palette have to have at least one common characteristic between all the colors? Well, ideally, yes, and this does. Here it’s saturation. These are not muted colors. The orange may be slightly tinted (has some white in it) but not enough to feel it’s gone off base from the saturated characteristic that ties them all together.
Now, look at the contrast in the textures. The top and bottom layers might have the same texture, but the rest are vastly different. There are even different materials—metal and clay. But they work together pretty well, don’t they? Why?
The textures work together in part because they are all drastically different—the wide variety is part of the charm of this piece. But, like color, they need something to tie them together.
Did you notice that the textures are applied to the entire layer from one edge to another? Thier differences are connected because the application on each layer is the same. That does seem to be enough to allow them to exist in the same piece and not have it feel completely chaotic.
The shapes, on the other hand, are not completely different but they are not the same either, right? They are all some version of a hand cut circle, but some of them are definitely more oval. I think pulling back on the amount of contrast between the shapes also helps to rein in the potential chaos all this dramatic contrast and color and texture could fall into. The centered composition also adds a bit of calm to the piece.
Let’s take this week to consider the design principle of contrast. Would your pieces benefit from more contrast, or do you need to rein some of that in? Remember, it all depends on your intention. There are no wrong levels of contrast, at least not in art.
Last Week’s Giveaway
Drum roll please…
This last week’s randomly chosen winner is Eloise B! I’ve spoken to her and her clay is already on the way. Congrats Eloise!
This Week’s Giveaway
Thank you to everyone who participated in last week’s giveaway through comments on the post. As mentioned above, it really made me happy to see all the fantastic, positive and self-caring observations. I also hope it gave you a moment to focus on and appreciate what you love so much about creating.
So, let’s do this again.
The Goodies:
- This week I have a selection of Sculpey clays in 2 new Soufflé colors, 3 new Premo colors, and 2 big 8 oz. blocks of clay stash basics—Sculpey III in Pearl and Silver. That’s 26 ounces of fresh clay along with a three-piece set of Sculpey silkscreens.
- Or if outside the US, I have a $25 Tenth Muse certificate, since it would be such a gamble to ship clay outside the US.
How to Win:
- Put a comment in the blog comments* (below), telling me what type of contrast you enjoy creating most in your own work, or the type of contrast you wish you used more of. And, yes, if you want to share pictures, you can do so by including a link. Just don’t put more than one link in or it may spam filter the comment.
- Note: It can take some time for the comment to appear if you’ve not commented before since, due to annoying spamming, I have to approve it .
- Giveaway winners will be chosen by random—it will NOT be based on your answers. I do hope you’ll give it some thought anyway. The answers could be helpful to you as well as interesting for the rest of us.
- And let’s say you can only win once this month so we can spread the love around.
- Get your comments posted by Wednesday March 17th at midnight Pacific time to get in for the raffle.
- I’ll announce the winner here on the blog next weekend!
I’ll put together yet another pack of goodies for a giveaway in next weekend’s post, so stay tuned here!
You can support this blog by buying yourself a little something at Tenth Muse Arts or, if you like…
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We are going to be dropping in on some big names this week and next to see what they are up to and what they have to inspire us with.
First up: Bonnie Bishoff. Her focus on jewelry these last couple years has been a journey through a variety of styles as she moves from working primarily in veneers on furniture with her partner J.M. Syron to smaller and more intimate work. But regardless of the style, her quietly strong and confident sense of color and pattern mark each piece like a signature. These lovely earrings are paired almost solely by color scheme although they do work within a limited set of variations in composition, visual texture and shapes. Each variation relays a slightly different mood, adjusted through the level of contrast in value and hue. The subtlety of this communication is what really brings home how masterful her color work is.
You can see what I mean by looking at the body of her work. You can do so by jumping onto her Instagram page and the website she shares with J.M. Syron.
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Happy Monday, fellow polymer enthusiasts. I’m not sure how this week is going to turn out as I have not had time to put together a full-fledged theme so we’re gonna go with “things that caught my eye” for now.
I’m sure you can understand why this piece by Marion Le Coq aka Fancy Puppet, might have caught my eye. They are fun and refreshing pieces, wonderfully finished and composed. She connects all her elements with repetition of motifs, colors, or other things. For example, the leaf off the apple is reflected in the leaf addition on the back and hanging leaves. The carrot’s colors are reflected in its layered pieces behind it, and its crisscross of lines reflect the crisscross of the plaid.
I’m guessing the plaids and dots are silkscreen but the secret is probably available on her YouTube page where she has dozens of tutorials and review items. She’s also quite busy elsewhere online. You can find her on Instagram, Facebook, Canal blog, and Etsy.
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I recently realized that I don’t think I’ve ever talked about the lowly squiggle. But who doesn’t like a well-done squiggle? I guess it’s hard to take it seriously with such a silly-sounding name but the sound of the word itself describes it so well.
I myself am very fond of squiggles and apply them throughout my work, primarily as accents, but some people take the squiggle to wonderfully elevated levels as the central theme of their piece.
This pin by Petra Nemravová is an excellent example of the squiggle stealing the show. The organization of these wonderfully unruly squiggles brings a regular rhythm to their organic movement. It reins in the rambling energy that this kind of squiggle contains. The bright array of colors, which could also get out of hand, is held in check by a regular graduation from one color to the next, helping to create an energetic but contained feeling.
Petra is such an advocate of bright colors and cheerful compositions. Enjoy a stroll through her colorful world on her Flickr photostream. She is also the genius mind behind the wonderful selections found in the online polymer shop Nemravka, serving the European polymer and craft communities and beyond.
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I decided this week I would like to talk about work that speaks to me. Well, I don’t mean that I want to talk about me so much as use pieces that do speak to me as examples of what it means when a piece of artwork elicits a response from the viewer.
For various reasons, I ended up thinking and talking a lot about how we define art this past week. I have long felt that art should be defined as work that is made with expression and intention, with a goal of eliciting an intellectual or emotional response. Yes, I know a lot of people will say that it is the individual who should determine what art is to them but I would like to suggest that such a statement is not quite the right phrase. Each of us can determine what is good art or what is bad art—to that I absolutely agree. But shouldn’t a label such as “art” have a more specific definition than just whatever someone thinks is art, or just something that is made by hand, as the definition would seem to be nowadays?
I am guilty of this broad use as well so I’m not pointing fingers, I’m just a big proponent of using language to effectively communicate and I think it would be great if the English language had a well-defined use of the word “art” that allowed us to talk about work born of self-expression versus craftwork or artisan work created from skilled hands.
My definition also brings up the question of what does it mean to elicit a response? It is not as confined a concept as it might sound like so I thought I’d try to define that a little this week.
For a piece of work to elicit a response all it has to do is make the viewer stop and feel something, or stop and think. It could be something as simple as making them smile or as complex as questioning societal norms. It can be positive such as emitting a sense of peacefulness or negative such as work with a high shock value geared to make you appalled or angry. If the piece is made with intention, part of that intention will, consciously or unconsciously, be to communicate with the viewer, and if the artist is communicating then they are attempting to elicit a response. Good art accomplishes this. Bad art is too distracting in its failings to communicate or illicit anything of value.
This piece here feels like a very personal piece for Shannon Tabor who commented on her Instagram post of this that “I’m back to my roots in design with ‘Compass’. My Back To Basics study is over and I’m anxious to get all these design ideas out of my head and onto my clay!”
I can feel her excitement for this new work in the composition and surface treatment of this necklace. There is a buzzing kind of energy from the scratches and the asymmetrical placement of elements but there’s also a reservedness in the basic geometric shapes and the subdued and shaded palette. I found that I was drawn to the contrast between that reserved feeling and that feeling of excitement. It reminds me of that point in time right before things really take off in some exciting new venture, which I love, and so that must be what made me stop and spend time with this piece.
So, you see, Shannon may have been working on something specific to what she wanted to explore but the intention in her skilled design choices allowed me to connect with her emotion, or at least my sense of what her emotion must’ve been. That’s eliciting a response. And to me, that’s what makes it art.
See what else Shannon is up to by following her on Instagram or hopping over to her website.
Read MoreHappy Monday to you all. Business first… preorders for the fall issue of The Polymer Arts is available online now. We don’t have a precise publication date but looks like mid-September. I’ll let you know here on the blog, in our newsletter, and on the website when we know. Again, thank you for your patience with me while I work on healing my overworked joints.
Okay, one more piece of wall art, this time by the inventive Angela Barenholtz. I know it seems like we’ve been talking about wall art for a couple weeks but this will probably be the last for a bit. I picked this one for a couple reasons having little to do with wall art.
For one, it’s a really fun piece with its variety in color, visual texture, and even the long shapes that make up this “polymer quilt.” Creating with a large variety of primary elements makes for energy-infused and eye-catching work. But, the trick is that everything still needs to work together and have some kind of relationship. In this case, the relationship is in the consistency of the type of pieces inserted into this quilt—long and evenly cut strips of visual texture arranged in a square composition. With this much consistency, you can go nuts with the variety of color, texture, and pattern.
Each one of these could actually sit on its own—like it could be a pendant or brooch if small enough, or even a pair of earrings. Giving yourself a canvas of a certain size and shape releases you from having to be overly concerned about the bounds of individual elements and construction of the work, particularly if you’re creating jewelry, and you get to play with what you place on that canvas. I imagine a lot of you might find that attractive, being we are so in love with our surface treatments, canes, and textures. How many times have you fallen in love with just the sheet of clay you were working on before it became anything? Creating a simple surface to work with can allow you to present those fantastic results in a fun and easy manner.
Angela is all about surface design and variety. You can see that by looking at her Flickr photostream. She also generously shares her techniques in her published tutorials which you can find on Etsy.
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Guest Blog Post by Teresa Pandora Salgado
Van Gogh admitted to the world, “I am always doing what I cannot do yet, in order to learn how to do it.” Me too, Vincent.
One of the most infuriatingly fabulous things I cannot do is make cane like Jon Stuart Anderson. Jon creates canes in a cunning palette that leans in close and whispers, “Go ahead…take your time…look at me.” And I surely do. And the world does too.
I love the way Jon cruises nimbly past the pedestrian cane crossing. He jaywalks that trodden path without ever touching the ground. Obvious contrast? He doesn’t need it, no matter how much the cane is reduced. Nor does he require new colors. Jon keeps it fresh with precision, composition, and balance. Neat trick.
Jon Anderson is known for his millefiori animals: elephants, turtles, bulls, and birds. You’ll notice the creatures have a flesh and blood sense about them, a beating heart beneath their rich robes. So you look and you look and then, just when you think you know him, Jon takes you to another fork in the road. To the left, skulls, vessels, lights. And to the right, guitars. Ohhh, the guitars.
So, go ahead. Look. Be inspired. Aspire.
See Jon’s work at his website here.
Teresa Pandora Salgado is a polymer clay artist, designer & instructor from Los Angeles, California. She has made 87 YouTube tutorials which have garnered over 2 million hits from viewers in 151 countries. In addition to teaching live workshops on millefiori complex caning across the U.S., Teresa helms the online store, Tiny Pandora Crafting Boutique, which featuresMilll her specialized tools and kits.
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In perusing #the100dayproject on Instagram these past couple weeks, I’ve noticed that veneers are quite the thing to be experimenting with right now. Whether you call polymer sheets you work with surface design, surface treatments, or polymer veneers, it does feel like the clay surface is having a renaissance of exploration.
One of the first of these explorations that I’ve noticed in recent weeks was this piece by Lindly Haunani, which she posted on Facebook. Of course, the queen of color is going to have a showstopper based on her color choices alone, but the subtle texture and the composition of the layout of the veneers, for all the energy of the color and lines, has such a satisfying sense of calm and rightness. There is that obvious sense of intention and deftness of skill that brings refinement to such unquestionably masterful work, even in a piece the artist claims is exploration.
Explore more of Lindly’s work on her website and Facebook page.
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Another great contribution to the Spring issue was in our artists’ gallery. All of our artists are unique in their approach but it is Isabelle, known online as Bellou, whose designs are really standing out.
Isabelle creates bold, contemporary adornments that are polished to a glass-like shine. Her work often has a centered focal point but the balance of the components are set in asymmetric arrangements or are all shaped differently with different treatments. However, in all the disparity there is a common element that brings it together.
This is one of the pieces she sent us that we couldn’t work into the gallery pages. On the one side, there are wide, solid pieces, dense with texture, but on the other side, the space is opened with a series of cut-out shapes that have the same mica shift texture as the other side. The rest of the center piece brings in a grounding energy to the movement of lines and shapes that play across the necklace.
To see more of Bellou’s work, take a look at her shop pages here.
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