Signs of Spring … the cover of the Spring Issue, “Shape & Form”
February 11, 2017
Inspirational Art, The Polymer Arts magazine news
You may have seen this in the newsletter that went out a day or so ago but I didn’t want anyone to miss out on the beautiful art work we were so lucky to get for the cover of the upcoming Spring issue, “Shape & Form”. Due to popular demand, we decided to do a kind of “back to basics” set of themes for 2017 although I was a little worried about how that would work for people interested in contributing but as it turns out, the design categories have really got people excited and we’ve ended up with some really unique technique tutorials, interviews, and overview articles along with all the usual eye candy and tips and tricks articles you love to find in The Polymer Arts.
This lovely collection of platters you see here are the work of Angie Wiggins whom Lindly Haunani interviewed for our “Color Spotlight” section. Angie has a unique way of choosing and setting up her color palettes for the year, a process she shares in the article and the success of which we can see in the work.
The Spring issue and this intriguing interview will be out at the end of February. Print renewal notices were sent out by email this past Wednesday and we’ll be sending out digital renewal notices this coming week but if you aren’t sure about your subscription status, you can take a peek at your account here. If you don’t have an account or that page can’t answer your questions, you can find more information and the correct person to contact here.
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Decked Out Art Deco Bottle
February 9, 2017
Inspirational Art
Here is another way to cover a bottle, this time with the careful layering of sheeted and extruded clay. Beth Petricoin leans on the clean planes and lines of machined clay to help create a well finished and precise design. Her choice of art deco for inspiration works well with the sheets and extruded snakes since the era is marked by crisp shapes and balanced patterns.
And lucky us … Beth documented her process, making it look so very easy, even though I know it had to take a lot of patient application, not to mention a lot of clay. This old liquor bottle is quite large–16″ (a little over 40 cm) tall–and she used 7+ blocks of clay to complete it. I think it would be hard to find someone who would not agree that it was an effort well worth the time and clay.
Take a look at the process on her blog here. Her polymer work can also be found in her Etsy shop and her Flickr photostream.
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Tastefully Ornamented
February 7, 2017
Inspirational Art
You know how you start out looking for one particular thing but end up with somewhere completely different? That’s how I came upon this week’s theme.
I was going to do something pre-Valentine’s but something not having to do with hearts. I thought, maybe, flowers but I was overwhelmed by the many floral-ized polymer pieces out there so then I thought about vases because our valentine’s flowers need to go into something special. The self-imposed problem there was that sophisticated examples were a little hard to find. This landed me on a quest for sophisticated vases, which led me to all kinds of sophisticated vessels and the one thing I noticed is that there is a penchant to make the pieces quite complex or just covered top to bottom in color and pattern. So I decided we should look at uncomplicated designs that would be easy to create with little more than a bit of planning and patience to show how accessible a lovely, polymer covered vessel project can be. So, yeah … this has nothing much to do with Valentine’s Day. Oh well.
I am sure most all clayers have covered a bottle or two in their day. They are easy and inexpensive to acquire and make a great canvas to work on. This example of a tastefully ornamented bottle, subdued and yet feeling gussied up for a special occasion, was created by Jayne Ayre of Kismet Clay Designs. Jayne is an accomplished fantasy sculptor who makes regular forays into polymer covered objets d’art.
This design is actually a little unusual for her, if the Pinterest page I found this on is to be the measure, but I think it is one of her most successful covered vessels. Whereas her pieces are often adorned with medieval and steam punk style embellishments with regular and balanced placement, this piece is decorated in a free-flowing design, accented with a trail of varied polymer dots that meander casually about. The base layer brings in the color and an enticing aged look and texture so that the stamped clay laid over it doesn’t need to be complicated by color or too much of anything else, really. The one gather of flowers and leaves from this view works as a nice focal point for a simple, grounded design.
This is the kind of object that won’t necessarily grab your attention when you walk into a room but rather, it will make you smile when you discover it’s existence among a small collection of common liquor bottles and wine. Well, that is where I would put it. A bit of decorative elegance in among the labels to surprise and delight my thirsty guests.
Jayne also covers wine and martini glasses, ‘potion’ bottles, and capped jars. You can find these tucked in among her fantastical creatures on her Pinterest board and her blog.
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The Ethereal Moth
January 10, 2017
Inspirational Art
I don’t know what it is, but moths seem to be popping up all over the place in the polymer-sphere. They are pretty amazing too. This one was hard to miss. The translucent wings and choice of colors that are smoothly graduated in beautifully executed detail make this moth feel quite ethereal. Even the fluff and strands on the head are finely wrought clay with careful attention paid to the progression of grays. It’s a wonderful piece but unfortunately, I don’t have the artist to credit. It showed up on Pinterest with a link to a polymer group page on www.vk.com but with over 11,000 members, I have no idea whose it could be.
I can’t tell you how many pieces I pass up for features in the blog because there is no artist listed and initial searching leaves me no clues. Which means we are all without further knowledge of these artists. You can help change this.
If you like something so well that you save it, be sure there is a link to the source of the image’s information, not just the website’s homepage. You can ensure you are doing this by grabbing the web address of the post, article, or particular page you found the image on in the notes of the image on the social media site you save it to. If the address is just the website home page, you can usually click through on the post’s title or the “more …” link at the bottom of it to find the particular page with the artist’s information in whatever form the posting person has it.
Let’s give credit where credit it due. Not to mention giving us a chance to find out whose work we are admiring. As usual, if anyone knows who created this, chime in. I know I would like to see what other wonderful things they are creating!
UPDATE: We got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!
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A Fitting Start
January 5, 2017
Inspirational Art
At first I couldn’t figure out what Carol Blackburn had done here and could only stare at this in wonderment. But then, I was looking at the image on my phone as Randee Ketzel had forwarded it to me and I have to immediately check out anything Randee sends my way. On closer examination (and on a full size computer screen), I realized that these are sheets of Skinner blended clay fitted together using interlocking tabs. Carol refers to them as Dodecahedra and mentions in the thread of comments on her Facebook page that she plans to make earrings out of them so I guess they aren’t too big. I sure would love to see them in person. It’s her color combinations that really make these work with all cool or all warm colors on each one, making the variety of color relate.
Carol does like to play with sheets of clay, much like paper and in ways related to paper art but the durability and embedded color add an aspect you just can’t get in paper. You can see what I mean by jumping over to her website. If you are on Facebook, jump over to Carol’s page and check out the comments and conversation.
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Close Color Calls
December 14, 2016
Inspirational Art
Our Color Spotlight section of the Winter 2016 issue of The Polymer Arts was graced by Donna Kato, interview by Lindly Haunani. How amazing is that combination?! Donna let us in on her colored pencil experiments and her reasoning behind her approach. Although colored pencil on polymer is not new, it is always fascinating to see into the workings of an artistic mind and since this section focuses on color choices and inspiration, we got a peek at how this master choose colors for her explorations.
One piece that I was sent to consider including was this beautiful necklace you see here. We ended up focusing so much on the pencil work that there really wasn’t a place for this in the article but it certainly deserves a bit of attention. Each section of the necklace deals with one basic hue in two different values. The disparate placement offsets the regularity of each hue showcased in the same shape and the relative dark to light hue being basically the same within each color set. The delicious saturated colors don’t hurt it at all either.
The most active page to see what Donna has been up to in her own art looks to be her Facebook page although you can see some of her more honed work and learn from her wisdom by going over to check out her classes on CraftArtEdu.
Inspirational Challenge of the Day: Let’s play with color hue. Pick 2-3 colors–they can contrast, be analogous (next to each other on the color wheel) or simply be your favorites. Choose two variations of each color–different saturation (how pure a hue it is), values (dark or light), or tints/shades (additions of white/black.) Now use just these to create a new piece.
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Layering on the Holiday Cheer
December 9, 2016
Inspirational Art
Let’s look at some slightly different ball ornaments today, ones not done in polymer but in an application that could certainly inspire polymer variations.
This beautiful collection of ‘quilted’ ornaments were created by Angela Sofy of Angels Handmade Craft on Etsy. The layers look to be ribbons, rather than fabric, which has been carefully pinned down onto a styrofoam ball to create the mesmerizing patterns. I could imagine doing something similar with cut shapes of clay layered in carefully set patterns. I even thought I might try this following a mandala like application (see the Fall 2016 issue of The Polymer Arts for an article creating polymer mandalas.) How fun that would be and how relaxing during this crazy time of year.
Angela also uses decoupage to add old-time images on the other side of many of these which brings up another point … an ornament doesn’t have to be the same all the way around. Two different techniques (or three or four!) or images can adorn parts of a piece. It’s a round blank canvas so you can do whatever you like.
Angela creates many, many wonderful versions of these along with silk flowers and folded paper decor. Take a look at her Etsy site and dig up some new ideas, if not buy a few of her beauties for yourself. She is in Romania so I am not sure how long it would take to get here but, personally I would love to get these in my mailbox any time of year!
Inspirational Challenge of the Day: Try a patterned ornament or other festive decor. Cut out a bunch of shapes and then just let intuition take over and enjoy the process.
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In the Midst of Leaves
November 21, 2016
Inspirational Art
So after a week of autumn color and a week of mostly translucent autumn, I am moving from Fall colors (I promise I am!) into leaves! There are tons of leaf motifs popping up out there and this beautiful bowl by the one and only Emily Squires Levine was on the top of my list for found leaf motif. (That has a ring to it!)
Emily has been branching out (pun intended … couldn’t help myself!) with some new designs this that are more of an extension of what she’s been doing than a departure. I am sure, with the In the Forest project, more trees and forest imagery will be popping up in her work and many more polymer artist’s pages as well.
I found these on Emily’s Facebook page where you can view more of her latest work. You can also stop by her website while you are off wandering through the leaves and such.
As for me, this will be a particularly busy week with the holiday, house buying paperwork (it’s like a second job!), getting the Winter issue off to the printer and, last but not least … in a non-traditional move that has more to do with logistics, health insurance, and moving residency to California before the end of the year, my beau and I will be tying the knot tomorrow, at least on paper. The official celebration is a month away but the fact that there will be no turning back after tomorrow does give one pause. Unless it’s the guy you should have married 3 decades ago. So yeah, don’t mind me this week. I may be a bit distracted.
Inspirational Challenge of the Day: Can we just say … get through the week, make time to relax and play, and enjoy your families. Sound good?
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Halloween Calls for Fun
October 31, 2016
Inspirational Art
I love Halloween. So much of it is about imagination and creativity in how we celebrate it. I also like that there is a day we recognize what scares us and face the darker things in life because the shadows in our world are what makes us see the bright times for the blessings that they are. And Halloween is just so darn fun!
So is this guy: Rich Webber. I need to thank Anke Humpert for bringing his work to my attention. I am not sure most or any of his work is created in polymer clay but it really doesn’t matter. It’s the artist’s imagination and humor that makes the colorful clay come alive. Enjoy this collection of his playful and sometimes morbid creatures but do jump over to his Instagram page or watch some Shaun the Sheep TV shows or the movies to see his directorial work or DC’s Worlds Funnest episodes for which he was the creator.
Inspirational Challenge of the Day: Go enjoy the holiday. Do something fun and silly and enjoy your child side!
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Are you familiar with something known as the flow state? This is that space you get in where you are lost in your own little world because you are so wrapped up in what you are doing. It happens quite commonly when people are working on creative projects and it’s a really good thing for you, both because it dissipates stress and because it increases your level of “feel-good” chemicals like serotonin and dopamine. It’s also defined as an “optimal state of consciousness where we feel our best and perform our best.” Now, who wouldn’t want that?
I bring this up because I want to talk about mosaics. I think a lot of people look at all those tiny pieces and think, “That looks like a ton of work!” And, yeah, there might be a lot of steps to putting a mosaic together, but the technique is also one that really gets you deep into a flow state. It can be kind of like doodling but with little pieces.
It would not be a hard thing to start on. Most of us have access to tons of tiny pieces, either through leftover canes, unused polymer sheets, or failed projects we haven’t had the heart to toss out. Just slice up those canes, cut up those sheets, and/or start chopping up those cured elements and you have all you need to start creating mosaics. Of course, you can make pieces specifically for mosaics from fresh clay, too!
Mosaics have been on my mind these last couple weeks because, while working on the latest book, Polymer Journeys 2019, it became quite apparent that one of the bigger trends making a splash right now is polymer mosaics and so I thought we ought to take a closer look at this not so new but definitely interesting and flexible technique. (By the way, today is the last day to get the Pre-order Sale pricing on Polymer Journeys 2019! Go to the website to get it at 30% off the cover!)
Mind you, being the insanely creative and exploratory artisans and crafters that they are, polymer enthusiasts aren’t just slapping together any old standard expectation of a mosaic. They are mixing mediums, trying out every shape in the book, using three-dimensional forms, and generally just pushing the boundaries of what the mosaic technique is. Gotta love polymer crafters!
So, let’s take a look at what some people are doing as of late and we’ll end with suggestions for getting into the mosaic flow yourself.
Different Kinds of Bits & Pieces
One of the folks who, at least initially, takes a classic approach to the art form of mosaics but certainly adds her own flavor to it, is Christi Friesen. She cuts out squares of polymer, lays a base to adhere them to and then arranges the pieces in pleasing and energetic patterns. But of course, Christi can’t leave well enough alone — she has to add bling and embellishments of all kinds! She’s been mixing in glass, wire, charms, beads, and probably a bunch of other things I will never be able to identify, to create her whimsical tiles, vessels and jewelry. Can’t you just sense the depth of the flow state she must have been in creating this beautiful maelstrom?
You could say that Claire Fairweather is classically inspired too, but her work has a twist to it. That twist is a commitment to circles used to create these wonderful images of graduated color and varied texture. Using round elements instead of squares and straight-sided shapes that join neatly together, leaves more open space but it’s one that has a fairly regular rhythm that flows in and out of the carefully placed circles. This gives the imagery more orderliness and a softer look as you can see in the many sides of her mosaic globe below. (Be sure to jump over to her blog to get the rundown on what each side is showing.)
Keep in mind that a mosaic piece does not have to be all mosaic. Large swaths can be made up of other types of polymer elements such as textured, silkscreen, impressed, or hand tooled layers or forms. A lot of Susan Crocenzi’s work, especially earlier in this decade, consist of entire halves of her pieces being a kind of polymer landscape, surrounded by glass mosaics or a mix of mosaic mediums. Here is just one example below but you can find more on her website too.
For all of you mad caners out there, here is an example of how beautifully energetic a piece can be just by arranging thick cane slices on a simple form. This bib necklace is a yet-to-be-hung creation by Ivy Niles, who makes some of the most impressive canes. You can see how much more impressive they are when working together in this off-center mandala type pattern.
If you really like the idea of doing mosaics don’t relegate your sources of inspiration to the work of polymer artist’s, as unique as they may be. Take a look at what glass and tile mosaic artists are doing these days as well (just type “mosaic art” into your favorite browser or an image-centric site, like Pinterest or Instagram) if for no other reason than there is some amazing and gorgeous work out there to enjoy. Here is a gorgeous piece by Francis Green in what seems to be a rare piece of wall art. This woman will mosaic anything she can get her hands on! She kinda reminds me of some unbridled polymer artist with their canes. Just take a look at her website.
The How-Tos of Mosaics
So, are you itching to try some mosaics now? Here are a few places you could start:
- If you want to start with something classic, even, and orderly, check out this straight-forward mosaic tile tutorial by Korrina Robinson on her blog.
- Prefer a more open and visually textural approach that is flexible enough to use any type of clay sheets or even canes? Take a look at this mosaic vase by Kathy Koontz on the Sculpey website.
- If you’re ready to really dive in, might I suggest you invest in this great tutorial on micromosaics and faux glass by Pavla Čepelíková. The opening image of this post shows examples of some of the things she’ll teach you to make in this downloadable PDF.
- If you want to use mosaic as a way to diminish your pile of scrap clay and cured bits, take a look at Christi Friesen’s mosaic video tutorial here. You can also have fun creating mosaics Antoni Gaudi style on an unusually formed box with Christi in the Polymer Art Projects – Organic book (go to our website to get your copy!)
- And if that’s not enough, Christi sells mosaic kits on her website where you can also find tons of other embellishments and bobbles to assist in your mosaic flow. Just click here!
- I even have some exciting mosaics for you to look forward to too … We just found out that Staedtler/Fimo is going to sponsor Ann and Karen Mitchell, the Masters of liquid polymer clay, to create a mini mosaic tutorial for the next issue of The Polymer Studio magazine. This is a changeup to Karen’s tiny micromosaic technique published in The Polymer Arts back in the Fall of 2015.
Whew! I got into a flow a bit there myself writing excitedly about all this fun stuff. I hope you’ll give mosaics a try if you have not already, or at least give yourself some time to just get lost in your craft today. It’s good for the brain and the soul and you never know what will come of it later in your creative journey!
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Have you ever made a polymer ring? It’s not one of the most popular jewelry forms in the medium which seems a little strange because they’re fairly easy to make. Maybe it’s a durability question – will the polymer ring stand up to the knocking and scraping rings have to go through? I’m not sure how they would fare if worn day in and day out but I, myself, have several polymer rings which still look as good today as the day I made them and the unusual and fantastic things you can do with polymer make them a really eye-catching piece of adornment that you’ll get lots of questions about an attention for.
There are so many different types of polymer rings you can make. You can wrap clay onto a form such as small glass bottles, sockets (for socket wrenches), and short bits of metal pipe (try pipe connectors.) You can skip the ring construction and just apply polymer to a metal ring blank. They come as bands with open channels that you can put canes and veneers in, or with a blank bezel for cabochons or sculptural elements. You can also simply create a block of clay that you punch a hole into for the finger to go through. Alternately, you can free-form the ring by hand, cure it, and then carve it into the shape and size you need. There are so many ways to make rings!
The one downside about rings, especially if you are selling them, is that you will need different sizes. Making a selection to show the style but then offering custom-made rings is one way around this but the other way is to just make simple rings that you can create a lot of and only in three or four popular sizes. This way you have those smaller inexpensive, impulse buy items to sell at your fair booth or online. And rings are easy items to sell especially at an inexpensive price point. They’re fun little bits of adornment and you don’t even really need them to match your outfits!
But if you want to create and sell one-of-a-kind rings, choose an average ring size and keep the band thickness and style wide enough to either sand down to create a larger size or add a layer of clay to create a smaller size. There are also adjustable ring blanks if you just need a base for attaching your polymer forms and elements onto.
So now that I have you thinking about rings, let’s take a look at some great polymer ring creations to further get your inspiration going.
Let’s start with one of those ring blank ideas. Here Janine Müller shows how creative you can get with a ring bezel. It doesn’t need to be a solid polymer cabochon. It can be layered or carved or hand-tooled or drilled. I’m not sure what her approach is here but the take away here is that you can try your own preferred surface treatments to create a unique ring in a bezel blank.
If you want to try an all polymer ring in a quick and easy but fun form, roll out those clay sheets and try a stacked set like these ingenious mix-and-match rings by Florence Minne-Khou. Clean cuts and a little sanding is about the most difficult aspect of a project like this so there’s hardly any excuse to not try it.
If you like getting sculptural with your work, you can go in a number of directions. Keep it simple but elegant with uncomplicated and cleanly shaped rings. Start by wrapping them around a solid form to start, and then sculpt the clay. These pieces from Angela Garrod are likely created in that fashion.
Or swirl them well into the third dimension with a folded form like this intriguing finger form from Sona Grigoryan.
Or just go completely wild and don’t worry about the functional aspect. Just make something out of this world. Perhaps this rather celestial feeling ring by Donna Greenberg will get you to push the limits of what you can do with a ring form.
If you are primarily a cane clayer, don’t think that rings–even sculptural rings–are not for you. Take note of Jana Roberts Benzon’s creative cane slicing and build up your own gorgeously detailed rings.
Oh, I could keep going with these! Just put “polymer rings” into a search on Pinterest, Instagram, Etsy or Flickr and you’ll see a ton more to get you thinking. But if you want some step by step instructions to help get you started on what could be a really addictive form, try this block cut ring tutorial from Ludmila Bakulina aka Sweety Bijou. This would be good for scraps too!
Okay … going to have to cut and run but I hope I have left you with some exciting possibilities. I’m on the road today but will be back next weekend with more food for thought and pretty things to ponder. Also, don’t forget to pre-order your Polymer Journeys 2019 before the 22nd. Release date is now March 2! Get yours at www.tenthmusearts.com
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I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
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Well, it’s that season again. While everyone else is shopping, crafters and artisans like yourself are working madly away on the stock that your audience demands to make their gift giving season the best one to date. For some of us, that audience is a retail account but for many more of us, it’s the far more intimidating circle of friends and family that we fret over. What do we do this year for gifts and surprises that we haven’t already done? Asking myself this question, I came up with a couple of ideas and in researching, clocks really hit a note for me. Any clayer of any level and any specialized set of techniques can create a clock that is both personal and expressive and everyone of every age can appreciate a lovingly created handmade clock.
Cane-covered clock faces are an easy project for clayers of any skill level. You can buy old clocks at the thrift store, or inexpensive ones at the big box store, or just a clock kit from a craft or hobby store that you put into your cane-covered clay sheets. Here is a fun and colorful, slightly off from the norm, cane-covered clock face for some initial inspiration. Mira Pinki Krispil is quite fond of cane covered decor but she always takes it one step beyond.
I like this piece because of the slight off-centeredness and the imagery in the center. It is more than decorated. The image in its center is intriguing with energetic lines bouncing back and forth through intertwined imagery. It’s just a great visual piece to start with. The fact that it’s a functional clock is a bonus.
Mira creates her colorful piece in south Israel and sells her work on Etsy. You can also see more of her designs by checking in on her Flickr photostream.
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I thought I’d continue to keep it simple this week and still talk a little about line, the theme of the latest issue of The Polymer Arts that came out last weekend.
This simple pendant by Yuliya Zharova uses two elements to tell a story—line and dots. The form of the people here is nothing more thank tall lines with a variation in thick and thin. The dots on the top of this line make up the heads, and the small dots and large gold one somehow become stars and a moon. It’s quite amazing how much can be shown with so little detail. But lines, in particular, can do that. It is a nice reminder of how little we really have to put down to get our viewers to see what we have to convey.
It is also a nice reminder that line has characteristics and qualities of its own. They do not always have to be even. The way the line is formed can convey imagery, as we see here, or emotion. The articles on design and the technique tutorials on using lines and dots and soutache to create emotion and texture will help fill in more on those ideas when you get to reading our latest issue.
Yuliya’s compositions are almost all some variation online and dots and are all lovely in their understated design. See more of her work in her Etsy shop, Wild Onion Art.
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I know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.
So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.
For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.
Read MoreFirst of all, my apologies for my unsuccessful attempts to post while traveling. My original plan was to have posts all set before I left but technical issues and the need for a last-minute change of service threw that plan out the window. And getting decent internet at hotels is nothing one can depend on! But I will make it up to you this month, I promise.
Now that almost all of you have seen the myriad of photos from the Into the Forest installation that attendees to the opening and talk posted this past week, I invite you to spend some time virtually walking through it. This is a walkthrough of the gallery and installation, from stepping through the front door to wandering from tree to tree, wall to wall, and corner to corner. I apologize that I am no expert videographer and trying to fluidly skirt around the artwork and step unobtrusively through the attendees created a few moments of spinning and diving that might leave some sensitive individuals momentarily dizzy. But all in all, I am thrilled to have captured some of the feel of walking through our polymer forest that night.
In other news … the latest issue of The Polymer Arts, Winter 2017 – Line, has arrived! Digital issues were sent in the wee hours (3 am EST) on Saturday so if you are expecting a digital copy and haven’t seen it, check your spam/junk folder as that is where the errant access emails often land. If you need help, write my assistant Sydney at connect(at)thepolymerarts.com or, if you get this by email, just respond to this email.
Print editions were at the post office as of Thursday so if you are expecting one in print, depending on how far you are from northern Idaho, you will be seeing the new issue in your mailbox in 5-15 business days from then.
If you need to start or renew a subscription or buy the single issue, you can do so at www.thepolymerarts.com/Subscribe.html
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So far this week, we’ve looked at clutches covered in sheets of colored and patterned polymer but that is not, by far, the only way to create a dazzling handbag with polymer. Not all of us are caners and many of us lean toward sculptural elements and tactile texture and a handbag is a great place to lay down such touchable techniques.
You may have seen this handbag in our Spring 2015 – Diversity issue of The Polymer Arts, where Lisa Pavelka shared some of her thoughts and ideas on embellishing with polymer and crystals. This very tactile bag, with a limited cool palette of greens and blues, effortlessly rides that sometimes difficult balance of being both fun and sophisticated. The crystals make it appropriate for a dressy evening but the roiling mix of paisley shapes and abstracted leaves adds that touch of whimsy that makes it work with a pair of jeans when one is just out and about in the afternoon.
This is just one more way you can create an accessory that your customer (or yourself) can use and cherish all throughout the year. If you want more idea on purses a la Lisa Pavelka, take a look at her Pinterest pages as well as shopping on her website where you can get the materials you need to create your own great handbag.
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I love reversible items. They give you the option of changing up your look without having to have purchased additional accoutrements. So if you are thinking about a polymer-covered clutch, why not cover each side in a different look for versatility?
Katy Schmitt did just that with two distinct looks on this oval clutch. One side uses a yellow into gray blend with reversed swaths of the graduated color, making the purse look like it is glowing from within. This side is simple, understated and yet sophisticated and eye-catching nonetheless. It would make a great accent for that little black dress or even a long pale one.
The reserve side is more pattern and energy than light and glowing. She has kept the feather-like pattern flowing to the right and downward so that even with all that pattern, it looks calm and flowing rather than frenetic. This side of the clutch looks like it would go with you on a summer day outing or to a garden party, should you ever have the occasion to attend one. The two sides make this a year-round handbag option and so twice the bag for your buck.
Reversible pieces can also be a boon to your business. That would be true especially this time of year when people are looking for that knock-out piece for the big party but are hesitant to spend too much. Create work with both a dressy and a casual side so the buyer can envision wearing it more than once, thus better justifying the purchase. And it is always kind of fun to turn a piece over at your craft booth to show them the other side. People just get a kick out that.
For more ideas on covered clutches and more of Katy’s work go to her her Flickr photostream or her website.
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