Mosaic Flow
February 24, 2019
Inspirational Art, The Polymer Arts magazine news
Are you familiar with something known as the flow state? This is that space you get in where you are lost in your own little world because you are so wrapped up in what you are doing. It happens quite commonly when people are working on creative projects and it’s a really good thing for you, both because it dissipates stress and because it increases your level of “feel-good” chemicals like serotonin and dopamine. It’s also defined as an “optimal state of consciousness where we feel our best and perform our best.” Now, who wouldn’t want that?
I bring this up because I want to talk about mosaics. I think a lot of people look at all those tiny pieces and think, “That looks like a ton of work!” And, yeah, there might be a lot of steps to putting a mosaic together, but the technique is also one that really gets you deep into a flow state. It can be kind of like doodling but with little pieces.
It would not be a hard thing to start on. Most of us have access to tons of tiny pieces, either through leftover canes, unused polymer sheets, or failed projects we haven’t had the heart to toss out. Just slice up those canes, cut up those sheets, and/or start chopping up those cured elements and you have all you need to start creating mosaics. Of course, you can make pieces specifically for mosaics from fresh clay, too!
Mosaics have been on my mind these last couple weeks because, while working on the latest book, Polymer Journeys 2019, it became quite apparent that one of the bigger trends making a splash right now is polymer mosaics and so I thought we ought to take a closer look at this not so new but definitely interesting and flexible technique. (By the way, today is the last day to get the Pre-order Sale pricing on Polymer Journeys 2019! Go to the website to get it at 30% off the cover!)
Mind you, being the insanely creative and exploratory artisans and crafters that they are, polymer enthusiasts aren’t just slapping together any old standard expectation of a mosaic. They are mixing mediums, trying out every shape in the book, using three-dimensional forms, and generally just pushing the boundaries of what the mosaic technique is. Gotta love polymer crafters!
So, let’s take a look at what some people are doing as of late and we’ll end with suggestions for getting into the mosaic flow yourself.
Different Kinds of Bits & Pieces
One of the folks who, at least initially, takes a classic approach to the art form of mosaics but certainly adds her own flavor to it, is Christi Friesen. She cuts out squares of polymer, lays a base to adhere them to and then arranges the pieces in pleasing and energetic patterns. But of course, Christi can’t leave well enough alone — she has to add bling and embellishments of all kinds! She’s been mixing in glass, wire, charms, beads, and probably a bunch of other things I will never be able to identify, to create her whimsical tiles, vessels and jewelry. Can’t you just sense the depth of the flow state she must have been in creating this beautiful maelstrom?
You could say that Claire Fairweather is classically inspired too, but her work has a twist to it. That twist is a commitment to circles used to create these wonderful images of graduated color and varied texture. Using round elements instead of squares and straight-sided shapes that join neatly together, leaves more open space but it’s one that has a fairly regular rhythm that flows in and out of the carefully placed circles. This gives the imagery more orderliness and a softer look as you can see in the many sides of her mosaic globe below. (Be sure to jump over to her blog to get the rundown on what each side is showing.)
Keep in mind that a mosaic piece does not have to be all mosaic. Large swaths can be made up of other types of polymer elements such as textured, silkscreen, impressed, or hand tooled layers or forms. A lot of Susan Crocenzi’s work, especially earlier in this decade, consist of entire halves of her pieces being a kind of polymer landscape, surrounded by glass mosaics or a mix of mosaic mediums. Here is just one example below but you can find more on her website too.
For all of you mad caners out there, here is an example of how beautifully energetic a piece can be just by arranging thick cane slices on a simple form. This bib necklace is a yet-to-be-hung creation by Ivy Niles, who makes some of the most impressive canes. You can see how much more impressive they are when working together in this off-center mandala type pattern.
If you really like the idea of doing mosaics don’t relegate your sources of inspiration to the work of polymer artist’s, as unique as they may be. Take a look at what glass and tile mosaic artists are doing these days as well (just type “mosaic art” into your favorite browser or an image-centric site, like Pinterest or Instagram) if for no other reason than there is some amazing and gorgeous work out there to enjoy. Here is a gorgeous piece by Francis Green in what seems to be a rare piece of wall art. This woman will mosaic anything she can get her hands on! She kinda reminds me of some unbridled polymer artist with their canes. Just take a look at her website.
The How-Tos of Mosaics
So, are you itching to try some mosaics now? Here are a few places you could start:
- If you want to start with something classic, even, and orderly, check out this straight-forward mosaic tile tutorial by Korrina Robinson on her blog.
- Prefer a more open and visually textural approach that is flexible enough to use any type of clay sheets or even canes? Take a look at this mosaic vase by Kathy Koontz on the Sculpey website.
- If you’re ready to really dive in, might I suggest you invest in this great tutorial on micromosaics and faux glass by Pavla Čepelíková. The opening image of this post shows examples of some of the things she’ll teach you to make in this downloadable PDF.
- If you want to use mosaic as a way to diminish your pile of scrap clay and cured bits, take a look at Christi Friesen’s mosaic video tutorial here. You can also have fun creating mosaics Antoni Gaudi style on an unusually formed box with Christi in the Polymer Art Projects – Organic book (go to our website to get your copy!)
- And if that’s not enough, Christi sells mosaic kits on her website where you can also find tons of other embellishments and bobbles to assist in your mosaic flow. Just click here!
- I even have some exciting mosaics for you to look forward to too … We just found out that Staedtler/Fimo is going to sponsor Ann and Karen Mitchell, the Masters of liquid polymer clay, to create a mini mosaic tutorial for the next issue of The Polymer Studio magazine. This is a changeup to Karen’s tiny micromosaic technique published in The Polymer Arts back in the Fall of 2015.
Whew! I got into a flow a bit there myself writing excitedly about all this fun stuff. I hope you’ll give mosaics a try if you have not already, or at least give yourself some time to just get lost in your craft today. It’s good for the brain and the soul and you never know what will come of it later in your creative journey!
How to Make It Your Own
April 25, 2018
Inspirational Art
I know I just featured Katie Way in February, but this is such a great example of taking a technique and making it your own that I didn’t want to pass by this opportunity. This seemed particularly apropos after an incident came up a week or so ago that I was consulted about involving a student submitting something to a contest that they created either in a class or based on a class. The problem was not in taking something that was learned in a class and creating from that knowledge but using the design choices that the teaching artist used. So, let’s just review what that means. In a way, it’s very simple – you can replicate technique, but you cannot use the design decisions of another artist.
I think part of the issue is that there is some confusion as to what’s is technique and what is design, so let me try to define that.
Technique is how you manipulate the material including how you apply texture, the process of forming/sculpting, the mixing or application of color treatments, the creation of mechanisms or use of materials for constructing the piece, etc. In other words, it’s about the process of creating.
Design is about the specific choices you make about how something is going to look. So, your choices about the type of texture (not how you apply it), the shapes you create (but not how you create them), the colors you choose (but not the source of the color), and the arrangement of your construction (but not the mechanisms used to put pieces together), are all design choices. If the majority of your choices are based on someone else’s examples, then you’re in danger of copying their design. Changing the color or shape is simply not enough, nor is it fair to the artist that inspired you and, equally so, it’s not fair to you and your creative growth to skip the exploration of what a piece could be by not making the design decisions yourself.
In the piece we see here, Katie Way took a class with Alice Stroppel and made a piece that is uniquely her own. You can see the influence of both artists in this work. The big, bold cane work shows Alice’s influence, but the color choices and all those bulls-eye circles are absolutely Katie. I would’ve known this was Katie’s right away, but it would’ve taken me a few moments to realize where her change in technique came from if she hadn’t made note of her influencer. And that’s really how it should be.
You can absolutely copy the work of the teaching artist in class as a way to learn. Most of them do prefer that. But when you go home, don’t make that same basic piece ever again. Have enough confidence and belief in your artistic self to work out your own designs. It is far more fulfilling to create from your own sense of aesthetic and ideas than to simply be successful with someone else’s design.
Okay, getting off my soapbox now. If you’re intrigued by Alice’s cane mapping class, go to her website to check out where she will be teaching next. And if you’ve somehow missed Katie’s work, check out her Etsy shop and her Instagram page.
Variation on Time
December 1, 2017
Inspirational Art
I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
The Complexity of Time
November 29, 2017
Inspirational Art
In my search for clock inspiration, I veered a bit off the polymer path, but then again, I kept running into pieces that I thought were polymer but were not. Of course, pieces like this splendid celestial clock by Natalya Polekh could be created in a very similar fashion with polymer. Large textured sheets and fun with alcohol inks and mica powders could produce similarly stunning results so I took a closer look.
Natalya looks to be a well-known mixed media artist in Eastern Europe and Russia and when I say mixed, I mean all kinds of things. Her primary materials look to be various types of acrylic paint, dimensional and pearling paints, 3D gel, embossing paste, and glass and metal accents of different types. She works in texture, mosaics and layered media that is applied in such a way that knowing the materials is rather superfluous. She creates a beautiful complexity of texture and motif with shine and shimmer applied in abundance but always in a tasteful and often intriguing manner.
She does much more than clocks although she has done quite few of them. Take a look at her shop for more clock and textural ideas as well as very well priced tutorials on how she creates this work. Her VK.com page has more images.
Peeking Through Layers
November 3, 2017
Inspirational Art
A lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.
The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.
Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
A Peek at a Letter
November 1, 2017
Inspirational Art
Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.
The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.
Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
A Spooky Peek
October 30, 2017
Inspirational Art
Being that tomorrow is Halloween, I could not help but get in one last spooky bit of polymer creativity. The thing that makes something truly scary is the stuff you can’t see, or so I have always felt. The bogeyman under the bed, the creature in the closet, the shape of some beast in the bushes … just the hint that something is there allows our imagination to run wild. And in the dark and the shadows, our imagination comes up with some pretty scary stuff!
So, seeing the pair of eyes staring out from the forest in this polymer illustration by Korrina Robinson, what are you thinking is in there? You know I was thinking those eyes need to be glow in the dark and then I would so want this to be a light switch plate because how freaky would that be in a shadowy room to have to reach into that to get the light on and banish the very fears it invokes? Can you hear your inner voice saying, “Don’t do it! You’ve seen this seen in the movies and someone always loses a hand!”
Okay … enough with trying to spook you all. Especially since I think I am very much spooking myself in the process. But isn’t it neat how our imaginations can add so much to what we look at? And isn’t it great that polymer clay allows us to create any such thing our imagination comes up with?
For those of you who celebrate this holiday in which we face and often embrace our fears, have a very safe and happy Halloween.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Vessel Unexpected
October 25, 2017
Inspirational Art
I was going to start off a week of spooky ghoulishness but I have to delay that for one more post as I wanted to take the opportunity to share a beautiful piece recently created by the ever-surprising Beth Petricoin. The glass vessel you see here, accompanied by a similarly styled neckpiece was part of an entry for a decorated table contest in a local town. I choose this image so you could see the work but it is best displayed in a darker setting when the side-sitting vessel and the necklace both are lit up by hidden LED lights.
Beth did not win the contest which was a disappointment for her but if originality and hard work had been what they were primarily grading on, it would have been an easy winner I think. But as she says in her post, it is easier to have your work appreciated by fellow artisans and this, unfortunately, was not really an art contest. But I thought we all could sure show our appreciation for the beautifully applied and finished work as well as the ingenuity of the design, especially in regards to its function as an eye-catching table centerpiece.
I won’t go on too long about this as Beth has written at length about the event and the piece. I do hope it gets a few creative wheels turning with some pondering on larger polymer pieces and maybe a few of you will now want to keep an eye out for more unique shapes for polymer-covered decor. Do jump over to her blog to see the lit up images and to read about how she created these beauties.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Exploring Points
October 18, 2017
Inspirational Art
Last week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.
One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.
Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
At my new house we have a big koi pond just outside my studio door. The waterfalls on it are a most wonderful sound to work to but I had never dealt with any kind of yard garden feature before and we were left with a murky mess so it wasn’t so lovely to look at. We knew there were fish in there but we could hardly see them so we weren’t sure what we had. I did a ton of research and finally, last week, hit upon the one thing that cleared it up (it was a pea gravel filter, in case there are any pond owners out there struggling with algae bloom as well) and now I’ve been gazing at my clear water and six beautiful koi including two that are as big as a loaf of bread. They are amazing.
This purple journal cover by Wojciech Chowaniec is as amazing as the fish it glorifies. I wish I had a purple colored koi but the look on this fish reminds me of the large one in our little school. Although the purple next to the shimmering blue is half the drama, the curve and active arrangement of the fins along with the riotous ripples of the water add a lot of energy to this as well.
Did you notice that the fish is not all purple? There is actually more silver than purple and the fins look to be bronze. But it’s the purple that pops. However, like our piece yesterday, the other colors around the purple is what gives the color so much liveliness.
Creating dramatic and energetic covers in polymer is what Wojciech does. He actually tends towards the macabre and fantasy based themes but this certainly shows off his skill with both bas-relief sculpture and color. You can check his other work out in his Etsy shop.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
I don’t think I have ever done a week on a specific color but that’s what we are going to do this week and purple is my choice. I don’t know if it is all the purple blooms coming out in this nice Spring weather we are having or just my penchant for it, but I’ve been seeing a lot of beautiful purple pieces popping up on Pinterest in particular. These aren’t all new pieces. It just seems that purple is on more than a few people’s minds.
It is not hard to combine other colors with purple and arrive at a beautiful and majestic combination since purple will pretty much make any palette majestic if it takes center stage. Take this nicely balanced–both in colors and in the way the shapes are hung–necklace by Julie Picarello. The purple does dominate but take a close look at the other colors she has here. Yellow is not surprise since it is purple’s complement but there is also a touch of orange, mauve and magenta. They are subtle blends so none of those stand out but they allow contrast with the purple to allow the darker color a richer feel than it would have on its own.
Julie is, of course, a master at choosing colors for her signature mokume techniques. For inspiring color combinations, take a look at more of her work on her website and Flickr pages, and check out her book, Patterns in Polymer.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
We’ll wrap up the week with this curious creature that is somehow very beautiful, sympathetic, and magical all at the same time.
This is actually a felted figure with a polymer face, and real crystals embedded in its back, created by Genriette of the Secret Jar shop on LiveMaster. Ichchi, the Keeper of the Mountain Caves she calls it which really makes you stop and wonder about the story Genriette had in mind. Luckily, she gives us the story in her listing. Mind you, this is a Google translation so it’s a little odd at points. You have to do a little interpreting of your own but it sparks the imagination nonetheless. :
“The spirit that dwelleth in the snowy mountains. But do not think that he was as cold as the furry giants. It’s not like that at all. The spirit of quiet mountains, as if the wind whisper quiet as the evening for your window, and soft, like feathers. Ichchi afternoon sitting in his cozy cave and snowflakes cut out from the clouds, and the night creeps in the world and looking at the stars. Sometimes he is, as he himself would be a Star. I would have illuminated the way people and pointed the way to the north. Once Spirit became lonely mountains, and he came to our workshop. Looking for a friend. It promises to teach climbing to the most distant peaks.”
I really like that this artist works in a myriad of craft mediums including cold porcelain, resin, wood, wire, and wax along with felt and polymer as seen here. Obviously her medium does not define her work but rather, she uses whatever is fitting for what she wants to create. This does require building a lot of different skills but an artist with many skills is far less restricted in what they want to make.
Find more of Genriette’s interesting creatures and try to guess their materials before looking at the descriptions in her Livemaster shop or her vk.com pages.
Weekly Inspiration Challenge: Create a piece inspired by a creature of your choosing or create a creature from your own imagination. Even if you don’t usually do this kind of thing, creating a creature will provide you with a studio mascot and more company there if you don’t already have some!
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
I think we’ll stick with inspiring creatures this week. And what creatures are more inspiring to us than those we share our life with? Dogs, cats, birds, fish …we find something in them that we connect with so it’s not surprising that they make their way into our art.
Recently Angela Garrod posted these kindred creatures of hers on Facebook. With a beautifully stylized approach, she captures the look, and even a few good expressions of some of people’s favorite animals, and this while playing with geometric designs. The hand scratched texture keeps the geometric shapes from feeling too stiff and sterile and adds quite a bit to what would otherwise be just simple shapes and lines through which we, somehow, recognize the variety of animals. I don’t know how our brains see that but more so, it is always a wonder how cartoonists and other artists create images with just a few simple lines and shapes and know we’ll see it. The brain is just pretty darn nifty.
Angela has been up to all kinds of cool and curious geometric designs of late. You can see her explorations through her shared photos on Flickr, her Facebook page, and the gallery on her website.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
Nothing like a “Rainbow Coalition” to start the week off and that is what we are fortunate enough to be enjoying today with this enchanting little gather by the ever whimsical Doreen Kassel. The colors of these characters are just so juicy and combined in a most delicious way. Marks were scratched into the surface after painting to energize the forms of this little gang’s broad torsos. Although their body shapes don’t leave room for much movement everything else is in motion from the dancing gestures of the arms to the expressive facial gestures. It is hard not to smile in their presence.
Speaking of which… I could use an energized rainbow coalition of my own as we have lost a couple of contributors for the next issue of The Polymer Arts and could use some imagination and talent to fill in the spaces. The next issue’s theme is ‘Color!’ Would you want to be a part of this delightful next issue? I could use help fleshing out a “ways to design colorful beaded necklaces” article or maybe you have a color-centric or just colorful technique tutorial such as painting with or on polymer.
We also really could use a short personal story, that may or may not have to do with color but would inspire and make people smile, for that last page, the Muse’s Corner section. Do you have any splendid ideas the readers of The Polymer Arts might want? You’ll never know unless you write us!
Please send your article ideas to me using the link on our submission page or write me directly at sbray(at)thepolymerarts.com. Avoid replying to this post if you get it by email as it won’t go to me, taking a day or two to get forwarded, and I would love to see your ideas as soon as possible!
In the meantime, for more color and smiles, take a look at what Doreen is up to on her website or follow her on Instagram.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
So let’s finish up this week on dots and spots with one piece which happens to have many, many ways of using the decorative and often dynamic element.
Shelley Atwood isn’t shy with her details as demonstrated here. Pin-pricks give way to tiny circles which play in the background behind spots of color and details of varying shapes, not just the roundness of the dots we know and love so well. But even the leaf shapes, repeated over and over, create the same kind of effect.
Having four sections doing basically the same thing helps with the suggestion that the leaf shapes should operate as spots rather than a distinctive visual. Even with all the variation, the dots, and spots and marks, all contained within a similarly sized space, balance each other out so you are left to just enjoy the riot of color and the joy of the spot.
Shelley’s work can be found, with all its many marks and delicious details, on her website and on Flickr.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
Oh, the dot. A dot is not really a shape and it doesn’t define anything for us in the way its closest relation, the singularly dimensional line, does. It is just a point in space or on a surface but it will always grab our attention. It marks a point that we feel drawn to investigate. However, when it’s gathered to create a texture or pattern, that draw it has doesn’t expand but acts more like beats in a song. So when you have lots of dots, make a song of it.
I think that is what Julia Zharova is doing here. It’s a song she likes too, so she’s created variations on it. In the top one she lets the dots be simple and smooth but backs them with a lot of organic texture. In the one below, the dots are concave and colored but the background texture is more subdued so that the dots can dance without distraction. It’s a couple of examples of variation on a similar design.
Julia seems rather fond of the dot, which is scattered throughout her beautifully composed and well finished work. Enjoy a break with Julia today with a perusal through her Livemaster shop.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
I’m going to use this to both wrap up my jabbering about the Spring issue of The Polymer Arts and as a segue into talking about a design element that seems rarely discussed … the dot. Or spot. Or point on a surface. Whatever you want to refer to it, dots or spots are an unassuming but strong design element. In polymer, we can give them dimension and form until they take on another life entirely. In Donna Greenberg‘s work, those organic gatherings of points definitely look to be alive.
We were so lucky to have another wonderful article by Donna in the latest issue, The Polymer Arts Spring 2017 – Shape and Form issue. She discusses ways to use your past work to inspire new work. I think most of us have tried going back to something we did before but her suggestions are a bit different and her examples are beautiful. She does a lot of these dot/spot barnacle-like cups in her re-formed work and in her latest vessels too.
Although the form of the ‘spots’ seen here are similar, the way they are used and gathered are not. Look at the one on top. It had an organic feel but the little cups and the spots are placed in a very orderly fashion. The rougher but lacy edge builds a balanced but dynamic tension, pulling away from the inner order. But the platter below is a purely random application with the gathered dots of different sizes flowing in a natural path through and around the piece. It’s less restricted nature also warranted the use of a brighter color, making the piece quite lively and cheerful.
I found these pieces on Donna’s Facebook page but also take a look at her barnacled beauties in the latest issue of The Polymer Arts or hop over to Donna’s website to see more of her dots and spots.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More
I was so excited to have Carol Beal put together an article on lathe turned polymer. She demonstrates what you can do with a fairly inexpensive table top lathe to make intricate but easy polymer beads. But here is the thing that we didn’t have room for … you can make a lot more than beads on a small hobby lathe.
I searched around and found all these things being turned in polymer or a similar material like acrylic. Most would require the you cure and then turn the ‘blank’ as it is call without the functional parts attached so other than ensuring you can take the item apart to add the polymer, you have a pretty wide open field of functional and decorative art objects to explore with this technique:
- Pens (the top turned small item in pretty much any medium
- Bottle stoppers
- Ice cream and coffee scoops
- Every kind of eating utensil you can think of.
- Key chains
- Razor blade handles
- Crochet hooks
- Seam rippers
- Perfume applicators
- Makeup brushes
- Ornaments
- Hair sticks
- T-handle corkscrews
- Spinning tops
- Drawer handles and pulls
- Gauged Ear plugs
- Wands …
… basically any smallish thing with a long handle, long body, or is stout but round can potentially be created from or decorated with lathe turned polymer. I never thought about it but I sure am now.
What you see here are lathe turned acrylic pieces I found linked with Craft Supplies USA’s YouTube pages where they have a bunch of lathe videos for wood and acrylic blanks. However, you can see how easily this could be polymer. All you would need to do is follow Carol’s easy tutorial and once you are comfortable making beads, you could branch out into whatever you like. You would need the lathe of course which can be had for something in the range of $150-$600 dollars, depending on how precise and how serious you get. You can also find these kinds of tools on Craigslist and Ebay, sold by the well-intentioned hobbyist, on the cheap. I would go for new or like-new ones though so you know it is in good shape. These are not toys! That plus a set of woodturning tools which can be had for $30 brand new and you are set to go. I could see this being very addictive!
We could only post a small sample of what Carol has turned out (couldn’t resist the pun!) in lathe turned beads but take a peek at what she has on her Flickr site and in her Etsy shop as well as searching for lathe turned crafts or lathe polymer clay on Pinterest, Flickr, Etsy, and Google images to find even more ideas!
And if you still need to get your copy of the Spring issue, jump over to our website for Carol’s article and much more.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read More