Mosaic Flow
February 24, 2019
Inspirational Art, The Polymer Arts magazine news
Are you familiar with something known as the flow state? This is that space you get in where you are lost in your own little world because you are so wrapped up in what you are doing. It happens quite commonly when people are working on creative projects and it’s a really good thing for you, both because it dissipates stress and because it increases your level of “feel-good” chemicals like serotonin and dopamine. It’s also defined as an “optimal state of consciousness where we feel our best and perform our best.” Now, who wouldn’t want that?
I bring this up because I want to talk about mosaics. I think a lot of people look at all those tiny pieces and think, “That looks like a ton of work!” And, yeah, there might be a lot of steps to putting a mosaic together, but the technique is also one that really gets you deep into a flow state. It can be kind of like doodling but with little pieces.
It would not be a hard thing to start on. Most of us have access to tons of tiny pieces, either through leftover canes, unused polymer sheets, or failed projects we haven’t had the heart to toss out. Just slice up those canes, cut up those sheets, and/or start chopping up those cured elements and you have all you need to start creating mosaics. Of course, you can make pieces specifically for mosaics from fresh clay, too!
Mosaics have been on my mind these last couple weeks because, while working on the latest book, Polymer Journeys 2019, it became quite apparent that one of the bigger trends making a splash right now is polymer mosaics and so I thought we ought to take a closer look at this not so new but definitely interesting and flexible technique. (By the way, today is the last day to get the Pre-order Sale pricing on Polymer Journeys 2019! Go to the website to get it at 30% off the cover!)
Mind you, being the insanely creative and exploratory artisans and crafters that they are, polymer enthusiasts aren’t just slapping together any old standard expectation of a mosaic. They are mixing mediums, trying out every shape in the book, using three-dimensional forms, and generally just pushing the boundaries of what the mosaic technique is. Gotta love polymer crafters!
So, let’s take a look at what some people are doing as of late and we’ll end with suggestions for getting into the mosaic flow yourself.
Different Kinds of Bits & Pieces
One of the folks who, at least initially, takes a classic approach to the art form of mosaics but certainly adds her own flavor to it, is Christi Friesen. She cuts out squares of polymer, lays a base to adhere them to and then arranges the pieces in pleasing and energetic patterns. But of course, Christi can’t leave well enough alone — she has to add bling and embellishments of all kinds! She’s been mixing in glass, wire, charms, beads, and probably a bunch of other things I will never be able to identify, to create her whimsical tiles, vessels and jewelry. Can’t you just sense the depth of the flow state she must have been in creating this beautiful maelstrom?
You could say that Claire Fairweather is classically inspired too, but her work has a twist to it. That twist is a commitment to circles used to create these wonderful images of graduated color and varied texture. Using round elements instead of squares and straight-sided shapes that join neatly together, leaves more open space but it’s one that has a fairly regular rhythm that flows in and out of the carefully placed circles. This gives the imagery more orderliness and a softer look as you can see in the many sides of her mosaic globe below. (Be sure to jump over to her blog to get the rundown on what each side is showing.)
Keep in mind that a mosaic piece does not have to be all mosaic. Large swaths can be made up of other types of polymer elements such as textured, silkscreen, impressed, or hand tooled layers or forms. A lot of Susan Crocenzi’s work, especially earlier in this decade, consist of entire halves of her pieces being a kind of polymer landscape, surrounded by glass mosaics or a mix of mosaic mediums. Here is just one example below but you can find more on her website too.
For all of you mad caners out there, here is an example of how beautifully energetic a piece can be just by arranging thick cane slices on a simple form. This bib necklace is a yet-to-be-hung creation by Ivy Niles, who makes some of the most impressive canes. You can see how much more impressive they are when working together in this off-center mandala type pattern.
If you really like the idea of doing mosaics don’t relegate your sources of inspiration to the work of polymer artist’s, as unique as they may be. Take a look at what glass and tile mosaic artists are doing these days as well (just type “mosaic art” into your favorite browser or an image-centric site, like Pinterest or Instagram) if for no other reason than there is some amazing and gorgeous work out there to enjoy. Here is a gorgeous piece by Francis Green in what seems to be a rare piece of wall art. This woman will mosaic anything she can get her hands on! She kinda reminds me of some unbridled polymer artist with their canes. Just take a look at her website.
The How-Tos of Mosaics
So, are you itching to try some mosaics now? Here are a few places you could start:
- If you want to start with something classic, even, and orderly, check out this straight-forward mosaic tile tutorial by Korrina Robinson on her blog.
- Prefer a more open and visually textural approach that is flexible enough to use any type of clay sheets or even canes? Take a look at this mosaic vase by Kathy Koontz on the Sculpey website.
- If you’re ready to really dive in, might I suggest you invest in this great tutorial on micromosaics and faux glass by Pavla Čepelíková. The opening image of this post shows examples of some of the things she’ll teach you to make in this downloadable PDF.
- If you want to use mosaic as a way to diminish your pile of scrap clay and cured bits, take a look at Christi Friesen’s mosaic video tutorial here. You can also have fun creating mosaics Antoni Gaudi style on an unusually formed box with Christi in the Polymer Art Projects – Organic book (go to our website to get your copy!)
- And if that’s not enough, Christi sells mosaic kits on her website where you can also find tons of other embellishments and bobbles to assist in your mosaic flow. Just click here!
- I even have some exciting mosaics for you to look forward to too … We just found out that Staedtler/Fimo is going to sponsor Ann and Karen Mitchell, the Masters of liquid polymer clay, to create a mini mosaic tutorial for the next issue of The Polymer Studio magazine. This is a changeup to Karen’s tiny micromosaic technique published in The Polymer Arts back in the Fall of 2015.
Whew! I got into a flow a bit there myself writing excitedly about all this fun stuff. I hope you’ll give mosaics a try if you have not already, or at least give yourself some time to just get lost in your craft today. It’s good for the brain and the soul and you never know what will come of it later in your creative journey!
How to Make It Your Own
April 25, 2018
Inspirational Art
I know I just featured Katie Way in February, but this is such a great example of taking a technique and making it your own that I didn’t want to pass by this opportunity. This seemed particularly apropos after an incident came up a week or so ago that I was consulted about involving a student submitting something to a contest that they created either in a class or based on a class. The problem was not in taking something that was learned in a class and creating from that knowledge but using the design choices that the teaching artist used. So, let’s just review what that means. In a way, it’s very simple – you can replicate technique, but you cannot use the design decisions of another artist.
I think part of the issue is that there is some confusion as to what’s is technique and what is design, so let me try to define that.
Technique is how you manipulate the material including how you apply texture, the process of forming/sculpting, the mixing or application of color treatments, the creation of mechanisms or use of materials for constructing the piece, etc. In other words, it’s about the process of creating.
Design is about the specific choices you make about how something is going to look. So, your choices about the type of texture (not how you apply it), the shapes you create (but not how you create them), the colors you choose (but not the source of the color), and the arrangement of your construction (but not the mechanisms used to put pieces together), are all design choices. If the majority of your choices are based on someone else’s examples, then you’re in danger of copying their design. Changing the color or shape is simply not enough, nor is it fair to the artist that inspired you and, equally so, it’s not fair to you and your creative growth to skip the exploration of what a piece could be by not making the design decisions yourself.
In the piece we see here, Katie Way took a class with Alice Stroppel and made a piece that is uniquely her own. You can see the influence of both artists in this work. The big, bold cane work shows Alice’s influence, but the color choices and all those bulls-eye circles are absolutely Katie. I would’ve known this was Katie’s right away, but it would’ve taken me a few moments to realize where her change in technique came from if she hadn’t made note of her influencer. And that’s really how it should be.
You can absolutely copy the work of the teaching artist in class as a way to learn. Most of them do prefer that. But when you go home, don’t make that same basic piece ever again. Have enough confidence and belief in your artistic self to work out your own designs. It is far more fulfilling to create from your own sense of aesthetic and ideas than to simply be successful with someone else’s design.
Okay, getting off my soapbox now. If you’re intrigued by Alice’s cane mapping class, go to her website to check out where she will be teaching next. And if you’ve somehow missed Katie’s work, check out her Etsy shop and her Instagram page.
Variation on Time
December 1, 2017
Inspirational Art
I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
The Complexity of Time
November 29, 2017
Inspirational Art
In my search for clock inspiration, I veered a bit off the polymer path, but then again, I kept running into pieces that I thought were polymer but were not. Of course, pieces like this splendid celestial clock by Natalya Polekh could be created in a very similar fashion with polymer. Large textured sheets and fun with alcohol inks and mica powders could produce similarly stunning results so I took a closer look.
Natalya looks to be a well-known mixed media artist in Eastern Europe and Russia and when I say mixed, I mean all kinds of things. Her primary materials look to be various types of acrylic paint, dimensional and pearling paints, 3D gel, embossing paste, and glass and metal accents of different types. She works in texture, mosaics and layered media that is applied in such a way that knowing the materials is rather superfluous. She creates a beautiful complexity of texture and motif with shine and shimmer applied in abundance but always in a tasteful and often intriguing manner.
She does much more than clocks although she has done quite few of them. Take a look at her shop for more clock and textural ideas as well as very well priced tutorials on how she creates this work. Her VK.com page has more images.
Peeking Through Layers
November 3, 2017
Inspirational Art
A lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.
The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.
Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.
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A Peek at a Letter
November 1, 2017
Inspirational Art
Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.
The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.
Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.
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A Spooky Peek
October 30, 2017
Inspirational Art
Being that tomorrow is Halloween, I could not help but get in one last spooky bit of polymer creativity. The thing that makes something truly scary is the stuff you can’t see, or so I have always felt. The bogeyman under the bed, the creature in the closet, the shape of some beast in the bushes … just the hint that something is there allows our imagination to run wild. And in the dark and the shadows, our imagination comes up with some pretty scary stuff!
So, seeing the pair of eyes staring out from the forest in this polymer illustration by Korrina Robinson, what are you thinking is in there? You know I was thinking those eyes need to be glow in the dark and then I would so want this to be a light switch plate because how freaky would that be in a shadowy room to have to reach into that to get the light on and banish the very fears it invokes? Can you hear your inner voice saying, “Don’t do it! You’ve seen this seen in the movies and someone always loses a hand!”
Okay … enough with trying to spook you all. Especially since I think I am very much spooking myself in the process. But isn’t it neat how our imaginations can add so much to what we look at? And isn’t it great that polymer clay allows us to create any such thing our imagination comes up with?
For those of you who celebrate this holiday in which we face and often embrace our fears, have a very safe and happy Halloween.
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Vessel Unexpected
October 25, 2017
Inspirational Art
I was going to start off a week of spooky ghoulishness but I have to delay that for one more post as I wanted to take the opportunity to share a beautiful piece recently created by the ever-surprising Beth Petricoin. The glass vessel you see here, accompanied by a similarly styled neckpiece was part of an entry for a decorated table contest in a local town. I choose this image so you could see the work but it is best displayed in a darker setting when the side-sitting vessel and the necklace both are lit up by hidden LED lights.
Beth did not win the contest which was a disappointment for her but if originality and hard work had been what they were primarily grading on, it would have been an easy winner I think. But as she says in her post, it is easier to have your work appreciated by fellow artisans and this, unfortunately, was not really an art contest. But I thought we all could sure show our appreciation for the beautifully applied and finished work as well as the ingenuity of the design, especially in regards to its function as an eye-catching table centerpiece.
I won’t go on too long about this as Beth has written at length about the event and the piece. I do hope it gets a few creative wheels turning with some pondering on larger polymer pieces and maybe a few of you will now want to keep an eye out for more unique shapes for polymer-covered decor. Do jump over to her blog to see the lit up images and to read about how she created these beauties.
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Exploring Points
October 18, 2017
Inspirational Art
Last week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.
One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.
Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.
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I like things with a little wear and tear, it’s true. The reason being is that things with dents, dings, scars, and worn out spots also have stories and usually interesting ones. It’s true that you can’t ask the worn down and beat up chair you find at the thrift store who had so neglected it but one can imagine what it might have been through including how it persevered through the years to sit there before you asking to be loved.
Patina is kind of like metal’s mark of perseverance. In the face of the many elements in our world, metals will persist, reacting to salt in the air or the acidity of water by producing an alternate finish. The metal loses some of its composition in the process and eventually this will break it down but it will hold out until the last and, in the meantime, we get to admire its struggle and the beautiful reactions that result from it.
I found this little piece of lively patina on the Flickr photostream of Christina Butler. It’s polymer with metal paints and patina solutions, similar to Swelligant. The patina represents something aged but then what kind of object would have layers so bent and twisted? What story did Christina have in mind when creating this? It shows disintegration with two perfectly round and shiny spots, as if saying that regardless of what has been lost, something beautiful will always survive. Well, that’s the start of my story for it at least.
Speaking of stories … you may note that Christina has been quite inactive on Flickr and her Etsy shop has been on vacation since 2014. Sometimes our artists just fade off and we can only guess at what happened in their lives to move them away from the art we see. But in Christina’s case, we actually do know. She and her partner Jay took over daily operations at Poly Tools in 2014, a company her mother started in 1999. Not shutting down the shop tells us that she has not given up on her own art work but has a lot of focus elsewhere. Luckily, we can still catch up with her on Facebook when not detoured by the offerings over at the Poly Tools website.
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What a weekend! There was lots of heavy lifting as I continued to get my new home and studio set up in California and in the background, I’m thinking about the news of yet another craft magazine closing down while here at TPA we are ramping up plans for a new periodical (see the TPA newsletter for this news and check out the links to the sale I Love 2 Craft is having on our book and back issues), all this while hoping we don’t get washed away the heavy deluge of rain here. I have to say, I’m thoroughly worn out. And yet here is a new week to greet us with much left to do!
Perhaps that is why I found myself collecting images of work with scratches and dings and wonderful worn textures. I kind of feel the same way. However, there is beauty even in the worn out and scratched up.
These simple bell forms, created by Katya Tryfonoava, are elevated, rather than diminished, by a cacophony of scratches. The lines, emphasized by what I assume is rubbed in black paint, show energy as well as give the beads texture and contrast. This is quietly balanced by consistently sized and evenly placed dots marching around the higher slopes.
Katya’s simple shapes and hand crafted texture seems to be at the heart of her desire to combine the modern with folk art. As she says in her Flickr profile, “My goal is to empower modern styles with the inner truth, the energy and wisdom of generations that are naturally embedded in the traditional art. This is what I define as a largely overlooked link between the old and new cultures, worlds, ways of life. I don’t want to simplify the contemporary art to primitive, but I want to bring to it character, spontaneity, energy, living vibrations, expression and passion, which are inherent in folk art, to fill the contemporary shapes with new meaning.”
See where her goals have taken her by perusing her wide array of exploratory pieces on her Flickr photostream.
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Journal covers are very much like blank canvases, which means you can do anything you desire on them. Your medium is probably the only thing that will constrict you, but then you aren’t restricted to one medium, are you? Polymer is amazing and will always be my go to material but I wouldn’t ignore other wonderful options, especially since so many other mediums work so well with polymer.
Here is a journal cover that has no polymer on it but most of the materials used are quite familiar to polymer clayers and could be combined with it to create looks inspired by this texture rich cover. Gabrielle Pollacco uses an insanely wide array of paints, inks, powders, sprays, stencils, stamps and a few other things to create this cover. Sometimes, too many materials is like too many ingredients in a recipe … going overboard can really muck things up. But Gabrielle brings it all together here by limiting her palette and sticking with a weathered look as her thematic motif.
She seriously looks like she is having way too much fun in this video tutorial that she recorded of her full process for creating this cover. I now have a new list of products to find and try so if you watch this, you have been warned that it may result in a bit of frenetic online shopping! Also … the music she uses may get stuck in your head and have you bopping about the rest of the day. It’s not a bad thing. Just wanted to give you a head’s up so you are ready to defend yourself with the mute button if bopping is not appropriate at the time.
Weekly Inspiration Challenge: Create a journal cover for your goals and plans book. Try some new materials to really make it interesting. If you’ve not covered a journal or sketchbook before and find covering a pristine new book on your first try to be a bit too much pressure, create on a separate sheet of clay that can be glued to the journal later or, if you like it as is, can be a bit of inspiration to frame. A sheet of raw clay, cured between two tiles to keep it perfectly flat can be a great ‘canvas’ to work on.
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Not only is today’s journal cover an inspiration for what you can do with your own decorative journal cover, it’s a beautiful example of ‘painting’ with polymer.
England’s Monika Duchowicz actually does do a bit of acrylic painting on this along with the polymer applications but it doesn’t come across as painted. I would guess most of the painting is in the moss on the stone and in the water which is beautifully rendered and in a way that polymer would not be able to emulate in such a seamless fashion. With a successful background in painting, it’s no wonder that the water and its complex reflections look so real.
Journals are a primary form for Monika, especially these painterly ones. You can view more of her journals as well as wearable art in her Etsy shop and on her website which is in Polish and English although some pages are just one or the other. You can always drop the URL of a page or parts of text into Google Translate if you come upon text that needs translating. .
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I’m sorry we are a little late posting this week. We had a few technical and timing difficulties but we are back on track now. Speaking of which … how many of you are still on track with your new year’s resolutions or plans for 2017? It can be so exciting to come up with the plans and goals but actually getting them done can be another matter. There are a number of things you can do to help keep on track but I think, the most important thing is to write it all down. There is something about having our ideas written out in black and white that makes us feel more committed to them, that makes them concrete and real in a way that an idea just floating around in our head does not.
So I was thinking that having a pretty journal to write those ideas in would be highly encouraging. Not only will you want to use a beautifully decorated journal, you are also far less likely to shove it in a drawer and forget about it. Write your goals, and the steps you need to take to reach them, in a beautiful journal and leave it where it can be admired as well as remind you of its contents. Of course, I’d encourage you to create your own beautiful journal cover and so, this week, we’ll focus on journal cover inspiration.
When talking journals and polymer, it is almost obligatory to show off a journal by Aniko Kolesnikova. Here is a gorgeous peacock cover she created last year. I love that it’s not just a polymer composition attached to the front but that it flows across the entire cover, including the back and spine, so that all the sides are connected. It’s still quite functional with less decor on the back so it will lay flat and be comfortable to write in but remains beautiful from any side.
Although a profusion of scattered crystals can so easily come across as garish, the be-jeweled feathers work in this cover as the bright and abundant plumage blends with them. The beautiful labradorite is also well integrated although I have a feeling that it really pops in person as reflected light and colors would change within its layers as it is moved about.
Aniko has over a dozen views of this particular piece on her Flickr photostream so you can more closely examine all the details. Of course, you can also see her other journals there, on her website and on her Mandarin Duck Facebook page.
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For a last look at moths this week, I thought I’d share this work by Cheryl Lee Myers of Elemental Urchin. This is probably not polymer clay but rather two-part epoxy clay. I say that because for one, I found that she paints these all on a black base that looks very much like epoxy I’ve used and, two, she never mentions polymer.
I did wonder if her decision not to specify the type of clay she uses was because she is very much into nature and mother earth so she didn’t want to see the word polymer or epoxy in her nature-centric listings. I personally don’t see that as a problem but not everyone understands the choices we make as artists, even when us tree-huggers create in plastic and such. I have a lot of thoughts on that subject and I’ll be talking about that at this summer’s Synergy 4 in Pennsylvania which, by the way, opened registration this week so hop over to get signed up and start making your travel plans!
But regardless of the reason Cheryl doesn’t mention the type of clay she uses, the idea of recreating natural elements combined with actual natural elements is something I thought might inspire a few readers who haven’t tried it yet. She also changes up what nature has given us, much like our artists from earlier this week.
Cheryl’s textures and painted wings–see the moths wings with what look to be lily pads and stars in them?–are visually rich as is the dominant purple color palette. The light touch of metallic powder and the shine of the stones create an alluring combination but one not quite like what we’d find in the wild but obviously it exists in this artist’s mind!
I found Cheryl’s work on Instagram but you can also take a look at her work in her Etsy shop.
Inspirational Challenge of the Week: Find something in nature and recreate it … your way. Change or add to what nature has already done and make it your version.
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Apparently I am not the only one who likes moths! The first post this week knocked the meter off the scale and was shared, liked and viewed thousands of times. We also got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. I’ve added it to the post which you can see here. (Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!)
So how about a few more moths this week? This beautiful fluttering thing is the creation of Iryna Limanska who makes all kinds of flora and fauna inspired wearable pieces.
The attraction here is partly the delicate colors but mostly the rippling edges of the moth wings which gives it a lively and energetic look. Those ripples are a bit of artistic license, however, as the moth she refers to in the listing–the Actias Luna moth–doesn’t ripple like this or have colored edging. I don’t think there are any moths with this kind of rippled edge to its wings, none I could find. But as artists, this is exactly what I think we should be doing–creating something not seen before.
Not that it is inartistic to recreate nature in exact detail but since we can alter what nature has already shown us, why would we not? This is where self-expression has a chance to come out in quiet but insistent ways. It is an opportunity to show others how we interpret what we see or how we’d like to see it.
Irvna does a lot of this altering nature in small ways in her work. Check out the flower petal skirts on her ballerina silhouettes and her succulent boutonnieres, all listed in her Etsy shop.
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I don’t know what it is, but moths seem to be popping up all over the place in the polymer-sphere. They are pretty amazing too. This one was hard to miss. The translucent wings and choice of colors that are smoothly graduated in beautifully executed detail make this moth feel quite ethereal. Even the fluff and strands on the head are finely wrought clay with careful attention paid to the progression of grays. It’s a wonderful piece but unfortunately, I don’t have the artist to credit. It showed up on Pinterest with a link to a polymer group page on www.vk.com but with over 11,000 members, I have no idea whose it could be.
I can’t tell you how many pieces I pass up for features in the blog because there is no artist listed and initial searching leaves me no clues. Which means we are all without further knowledge of these artists. You can help change this.
If you like something so well that you save it, be sure there is a link to the source of the image’s information, not just the website’s homepage. You can ensure you are doing this by grabbing the web address of the post, article, or particular page you found the image on in the notes of the image on the social media site you save it to. If the address is just the website home page, you can usually click through on the post’s title or the “more …” link at the bottom of it to find the particular page with the artist’s information in whatever form the posting person has it.
Let’s give credit where credit it due. Not to mention giving us a chance to find out whose work we are admiring. As usual, if anyone knows who created this, chime in. I know I would like to see what other wonderful things they are creating!
UPDATE: We got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!
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Since this week seems to be about juxtaposed color that causes visual shifting, I thought I’d check in on Sandra Trachsel of Koniz, Switzerland who creates some of the most splendid three-dimensional looking cane layouts. Her pieces are visual illusions of space and movement, all created with changes in shades and values of color and how they line up.
Here is one of her pieces from about a year ago. She calls this Necklace Artichoke which, as it is with a lot of her pieces, was inspired by a quilt pattern, this one from quilter Sylvia Schäfer. Although the cane work looks very much like the sample quilt, this arrangement and repetition takes it a step beyond. The variation in the side and background colors of the beads adds to the energy and dimensional feeling. If you try to look at the necklace as a whole, the beads then look to glow from their centers. It’s a beautiful adaptation of the original pattern.
Even though a lot of Sylvia’s canes come quite directly from quilt patterns, her precision and choices as she reinterprets them in polymer is quite inspiring. Take a look at her collection of pattern dominant work on her Flickr photostream.
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