A Fitting Start
January 5, 2017
Inspirational Art
At first I couldn’t figure out what Carol Blackburn had done here and could only stare at this in wonderment. But then, I was looking at the image on my phone as Randee Ketzel had forwarded it to me and I have to immediately check out anything Randee sends my way. On closer examination (and on a full size computer screen), I realized that these are sheets of Skinner blended clay fitted together using interlocking tabs. Carol refers to them as Dodecahedra and mentions in the thread of comments on her Facebook page that she plans to make earrings out of them so I guess they aren’t too big. I sure would love to see them in person. It’s her color combinations that really make these work with all cool or all warm colors on each one, making the variety of color relate.
Carol does like to play with sheets of clay, much like paper and in ways related to paper art but the durability and embedded color add an aspect you just can’t get in paper. You can see what I mean by jumping over to her website. If you are on Facebook, jump over to Carol’s page and check out the comments and conversation.
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Changing Things Up
January 3, 2017
Uncategorized
Well, here we are … first post of 2017 and I find myself, again, focused on how to make this a year full of useful information and inspiration for everyone who so kindly drops in on my mental meanderings. To that end, I have decided to make a couple tweaks.
I’m going to have just one Inspirational Challenge a week, at the end of the week, so those who were feeling bad that they couldn’t do all three each week (not that I expected that myself!), will feel some of the pressure come off and we’ll have the weekend to work on them.
The other thing is to prioritize studio time in my schedule for myself. This will greatly be assisted by the fact that as of next week, I will finally have the space for a dedicated and properly equipped studio in California, the state I will now be calling home as I move into our new house. I still have my space in Colorado but will be there only once a quarter or so. Not traveling nearly every month will certainly help with getting more time in the studio too.
To further assist in my New Year’s resolution to find more studio time in my day, I might change up the posts a bit, as long as I can still give you great content. Just want to see what I can do with very short formats. Then, after the move I’ll put together a survey and get your input on what you’d like to see in the blogs, newsletters, magazines and books. If you have specific ideas that you think I should put to a vote in this survey, write me directly at sbray(a)thepolymerarts.com before the 14th of January.
In the meantime, let’s look at some clever designs this week that take common or familiar ideas but give them an interesting tweak. These beads are, I believe, variations on using the same striped sheets of clay but arranged in different patterns. It is hard to believe these could all be from the same initial pattern but look at each piece closely and you’ll see a bargello like concept used to arrange each one. It’s rather fascinating to identify what Jana Honnerova did here. It’s rather like some kind of brain puzzle. But it brings to mind what we can get out of pushing our arrangements.
Jana’s hallmark seems to be taking one thing and seeing what else can be done with it, both with her own techniques and the techniques she has learned from others. See whose influences you can identify in her work and what she does to change up the approach of other artists on her Flickr photostream.
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Fragility and Strength
December 30, 2016
Inspirational Art
Although New Year’s Eve allows for all kinds of bling and shimmer to be pulled out and showed off, sometimes the most impressive statement is understatement. That’s what I think this strong but delicate piece from jewelry designer Kayo Saito is about.
I imagine this necklace it is quite large so it will show off size wise for certain, but I think the organic shapes in semi-translucent fabrics draw the eye for its juxtaposition in the fragile look of the forms within their strong directional orientation and dense composition. Both the fragility and strength are unwavering which makes it quite a sophisticated and intriguing piece.
I know … I just posted two items in a row this week that weren’t actually polymer. But in both cases, they could easily have been polymer with the same impact. It doesn’t matter what material a piece is made from, only that it is done well and that it inspires. Right? Art is inclusive, not exclusive. Just go take a look at Kayo’s website to see more inspiring, strong and sometimes frail looking work in fabrics and metal.
I also picked this piece because I think its characteristics represents how many of us feel as we head into 2017. There is a lot of uncertainty in the world right now. We don’t know what our leaders are going to do and we don’t know how the conflicts across the world will play out in the coming months or what it will mean for us. This has left many people feeling frail and exposed. But the issues that have arisen have also given many, many people a new sense of direction as well as a swelling sense of responsibility and need to speak out and be heard. We may feel vulnerable, we may even appear frail, but I think a lot of people today are actually strong and resilient. We have already been through some seriously trying times this past decade and we have, for the most part, bounced back. I think recent experiences show that whatever comes this new year, we can meet it with strength, ingenuity, and compassion. A bit more creativity and beauty in the world won’t hurt either.
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Soutache Sashay
December 28, 2016
Inspirational Art
If you aren’t into a lot of bling, you can add a little energy to your outfit with some moving adornment. These soutache and tassel earrings would be mesmerizing on the dance floor this new year’s eve, or at any upcoming special occasion.
Designs in soutache are easily translated into polymer. From the spirals and loops to the integration of beads, browsing through a collection of soutache jewelry offers a lot of ideas for some fancy polymer pieces. And adding tassels like Anna Lipowska Lianne has done with her sashaying soutache would be a lovely addition when you want graceful movement in your jewelry.
Anna is also expert in adding just a dash of color or even going a little geometric. Take a look at her collections on her website and her Facebook page.
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Diamond Rivers
December 26, 2016
Inspirational Art
Now that we have gotten through the heaviest of the holiday season and family members will be packing up and heading back home, its time to think of the coming year. And about New Year’s Eve! This is the time for celebrating with friends and wrapping up the year in style. It’s also the one time of year where everyone can find an event to go all blinged out to.
Even polymer, plastic based as it is, can be crafted with some serious sparkle and sophisticated bling. These rivers of crystals through frosty river rock like beads come in a full shimmer set of necklace earring and a ring. The soft round shapes keeps it from being an overly serious set of adornment but the generous sparkle will bring even a jeans and sweater outfit up several notches.
The set was created by Blanka Procházková, an artisan whose work has the marks of influence from a range of polymer artists, this set included, many of whom she has taken classes with. Her approach and designs have a slightly different angle on what others have done, showing her exploration although not her particular voice, not yet. There are definite hints though and she’d be one to keep an eye on. You can do so by jumping over to her Flickr photostream or her website.
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Dressing up the Christmas Tree
December 23, 2016
Inspirational Art
Although I really want to go with a winter white holiday theme, it was hard not to go into a purely Christmas piece with amazing work like this floating across my monitor as I look for eye candy for you. But whether you do Christmas or not, it is hard not to appreciate the decorative impact of something as unique as this Christmas tree dress.
I’m not sure if this is more a tree or a gown. Maybe it could be worn although it would be quite difficult to get around in. I do know this was made for a client’s home by Legare Simpson at A Ribbon Runs Through It. Legare got into making these when, not finding anything she liked, she tried making wreath’s for herself. What she made impressed others who asked her to make them wreaths and the passion just grew from there.
She makes all kinds of wreaths but it’s her dresses and suits–created for other seasons as well–that really grab the spotlight. I wish I had time to make something so amazing for the house but maybe next year. In the meantime, enjoy her gorgeous array of tree dresses, flower suits and unique wreaths on her website.
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Wintery Bling
December 21, 2016
Inspirational Art
Here’s the look of winter without the below zero temperatures so many weathered this past weekend in the mid and northern United States. Just the right amount of icy color without the icy temperatures!
The mint and pale gray greens on white in these shimmering earrings by Florida’s Irene B are about as wintry feeling as one can get without stepping out into the real thing. The greens really do it as they contrast just a bit with the pearl whites to really make these stand out not to mention that those colors are exactly what you get in freshly frozen ice and under deep, wet snow piles.
These were sold on Etsy back in 2012 and there isn’t much more on them or the artist as her shop seems to be shuttered up right now. The shop notes don’t say whether it’s closed for the season or has been for a while. The set was too beautiful to pass up even without further information but if anyone knows the scoop on this artist, write me and I’ll add it here.
In the meantime, stay warm and cozy. I am heading off into for a chilly drive across Utah today and into the gorgeous Colorado mountains. There is sure to be snow but let’s hope it is only the stuff that has already fallen and will sparkle at us from under a blue, blue sky.
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Adorable Holidays
December 19, 2016
Inspirational Art
Like many of you, I will be traveling this week so I am going to keep things light and brief but stay with the feel of the upcoming season by featuring a few simple but surprising pieces.
This adorable jackalope (as we call these rabbits with antlers in the Southwest) was created in ‘velvet clay’ by Evgeny Hontor with such an endearing look. Decorating the likeness of animals with symbols and marks appears in many cultures throughout the ages with no reason to stop the tradition in modern days. We do still like to celebrate the animal spirits that capture our attention and inspire us.
Although not a reindeer, this little guy felt very wintry and celebratory so I thought it was a great way to start out a Monday. Back to wrapping things up for our little holiday trip but if you want to immerse yourself in more cuteness jump over to Evgeny’s Etsy store for more adorable and beautiful creatures.
Inspirational Challenge of the Day: We’re going to take a break from challenges this week as for many of us there will be little time. But let the post inspire you as you see fit if you get yourself some studio time.
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Encouraging Stories
December 16, 2016
Inspirational Art
Our profiled artist for the Winter 2016 issue is the delightfully enigmatic and poetic Alev Gozonar whose work is far less defined by the material than by the stories she has such an overwhelming desire to tell. She works predominantly in polymer if you are looking at the last few years but she takes many detours and one may even wonder if she’ll be wandering back this way at moments.
In the article we feature and discuss her pointillistic cane wall pieces but that is only one part of this ever exploring artist. The work you see here is water-color on paper with little wire and polymer people pushing up the painted shapes to reveal the white and words behind the painting. There is an obvious metaphor of revealing the ideas behind the work but the struggle of the little guys also brings to the forefront the idea of just how hard it is to convey one’s meaning. And, if you know Alev’s work, you know there has got to be a story in this — probably something personal or close to her. In any case, the muted color palette is just beautifully harmonious each open shape just begs you to examine it. I find it an irresistibly intriguing piece and did so wish we had room to discuss some of her pieces like this. But that is both the beauty and the shortcoming of a magazine format –you only have so much time to delve into the most interesting subjects.
Think of the articles as an introduction to subjects and ideas that serendipitously fall into your lap and do go investigate the most interesting ones further. If Alev’s stories and inspiration sparks your interest, go take a look at her beautiful website, especially the section on her book which you can read online (the English is next to the Turkish so don’t let the show of foreign words turn you away).
Inspirational Challenge of the Day: Pick up a magazine or scroll through Pinterest, Flickr, Instagram or whatever you have handy. Find something that really grabs you and do a bit of investigating. Keep a notepad or sketchbook nearby and start making notes on what you find inspiring. After you’ve done this, go play in the studio and let that inspiration help you start on your next project. If you detour from the inspiration, that’s fine. Just let it get you started and see where it takes you.
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Are you familiar with something known as the flow state? This is that space you get in where you are lost in your own little world because you are so wrapped up in what you are doing. It happens quite commonly when people are working on creative projects and it’s a really good thing for you, both because it dissipates stress and because it increases your level of “feel-good” chemicals like serotonin and dopamine. It’s also defined as an “optimal state of consciousness where we feel our best and perform our best.” Now, who wouldn’t want that?
I bring this up because I want to talk about mosaics. I think a lot of people look at all those tiny pieces and think, “That looks like a ton of work!” And, yeah, there might be a lot of steps to putting a mosaic together, but the technique is also one that really gets you deep into a flow state. It can be kind of like doodling but with little pieces.
It would not be a hard thing to start on. Most of us have access to tons of tiny pieces, either through leftover canes, unused polymer sheets, or failed projects we haven’t had the heart to toss out. Just slice up those canes, cut up those sheets, and/or start chopping up those cured elements and you have all you need to start creating mosaics. Of course, you can make pieces specifically for mosaics from fresh clay, too!
Mosaics have been on my mind these last couple weeks because, while working on the latest book, Polymer Journeys 2019, it became quite apparent that one of the bigger trends making a splash right now is polymer mosaics and so I thought we ought to take a closer look at this not so new but definitely interesting and flexible technique. (By the way, today is the last day to get the Pre-order Sale pricing on Polymer Journeys 2019! Go to the website to get it at 30% off the cover!)
Mind you, being the insanely creative and exploratory artisans and crafters that they are, polymer enthusiasts aren’t just slapping together any old standard expectation of a mosaic. They are mixing mediums, trying out every shape in the book, using three-dimensional forms, and generally just pushing the boundaries of what the mosaic technique is. Gotta love polymer crafters!
So, let’s take a look at what some people are doing as of late and we’ll end with suggestions for getting into the mosaic flow yourself.
Different Kinds of Bits & Pieces
One of the folks who, at least initially, takes a classic approach to the art form of mosaics but certainly adds her own flavor to it, is Christi Friesen. She cuts out squares of polymer, lays a base to adhere them to and then arranges the pieces in pleasing and energetic patterns. But of course, Christi can’t leave well enough alone — she has to add bling and embellishments of all kinds! She’s been mixing in glass, wire, charms, beads, and probably a bunch of other things I will never be able to identify, to create her whimsical tiles, vessels and jewelry. Can’t you just sense the depth of the flow state she must have been in creating this beautiful maelstrom?
You could say that Claire Fairweather is classically inspired too, but her work has a twist to it. That twist is a commitment to circles used to create these wonderful images of graduated color and varied texture. Using round elements instead of squares and straight-sided shapes that join neatly together, leaves more open space but it’s one that has a fairly regular rhythm that flows in and out of the carefully placed circles. This gives the imagery more orderliness and a softer look as you can see in the many sides of her mosaic globe below. (Be sure to jump over to her blog to get the rundown on what each side is showing.)
Keep in mind that a mosaic piece does not have to be all mosaic. Large swaths can be made up of other types of polymer elements such as textured, silkscreen, impressed, or hand tooled layers or forms. A lot of Susan Crocenzi’s work, especially earlier in this decade, consist of entire halves of her pieces being a kind of polymer landscape, surrounded by glass mosaics or a mix of mosaic mediums. Here is just one example below but you can find more on her website too.
For all of you mad caners out there, here is an example of how beautifully energetic a piece can be just by arranging thick cane slices on a simple form. This bib necklace is a yet-to-be-hung creation by Ivy Niles, who makes some of the most impressive canes. You can see how much more impressive they are when working together in this off-center mandala type pattern.
If you really like the idea of doing mosaics don’t relegate your sources of inspiration to the work of polymer artist’s, as unique as they may be. Take a look at what glass and tile mosaic artists are doing these days as well (just type “mosaic art” into your favorite browser or an image-centric site, like Pinterest or Instagram) if for no other reason than there is some amazing and gorgeous work out there to enjoy. Here is a gorgeous piece by Francis Green in what seems to be a rare piece of wall art. This woman will mosaic anything she can get her hands on! She kinda reminds me of some unbridled polymer artist with their canes. Just take a look at her website.
The How-Tos of Mosaics
So, are you itching to try some mosaics now? Here are a few places you could start:
- If you want to start with something classic, even, and orderly, check out this straight-forward mosaic tile tutorial by Korrina Robinson on her blog.
- Prefer a more open and visually textural approach that is flexible enough to use any type of clay sheets or even canes? Take a look at this mosaic vase by Kathy Koontz on the Sculpey website.
- If you’re ready to really dive in, might I suggest you invest in this great tutorial on micromosaics and faux glass by Pavla Čepelíková. The opening image of this post shows examples of some of the things she’ll teach you to make in this downloadable PDF.
- If you want to use mosaic as a way to diminish your pile of scrap clay and cured bits, take a look at Christi Friesen’s mosaic video tutorial here. You can also have fun creating mosaics Antoni Gaudi style on an unusually formed box with Christi in the Polymer Art Projects – Organic book (go to our website to get your copy!)
- And if that’s not enough, Christi sells mosaic kits on her website where you can also find tons of other embellishments and bobbles to assist in your mosaic flow. Just click here!
- I even have some exciting mosaics for you to look forward to too … We just found out that Staedtler/Fimo is going to sponsor Ann and Karen Mitchell, the Masters of liquid polymer clay, to create a mini mosaic tutorial for the next issue of The Polymer Studio magazine. This is a changeup to Karen’s tiny micromosaic technique published in The Polymer Arts back in the Fall of 2015.
Whew! I got into a flow a bit there myself writing excitedly about all this fun stuff. I hope you’ll give mosaics a try if you have not already, or at least give yourself some time to just get lost in your craft today. It’s good for the brain and the soul and you never know what will come of it later in your creative journey!
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I know I just featured Katie Way in February, but this is such a great example of taking a technique and making it your own that I didn’t want to pass by this opportunity. This seemed particularly apropos after an incident came up a week or so ago that I was consulted about involving a student submitting something to a contest that they created either in a class or based on a class. The problem was not in taking something that was learned in a class and creating from that knowledge but using the design choices that the teaching artist used. So, let’s just review what that means. In a way, it’s very simple – you can replicate technique, but you cannot use the design decisions of another artist.
I think part of the issue is that there is some confusion as to what’s is technique and what is design, so let me try to define that.
Technique is how you manipulate the material including how you apply texture, the process of forming/sculpting, the mixing or application of color treatments, the creation of mechanisms or use of materials for constructing the piece, etc. In other words, it’s about the process of creating.
Design is about the specific choices you make about how something is going to look. So, your choices about the type of texture (not how you apply it), the shapes you create (but not how you create them), the colors you choose (but not the source of the color), and the arrangement of your construction (but not the mechanisms used to put pieces together), are all design choices. If the majority of your choices are based on someone else’s examples, then you’re in danger of copying their design. Changing the color or shape is simply not enough, nor is it fair to the artist that inspired you and, equally so, it’s not fair to you and your creative growth to skip the exploration of what a piece could be by not making the design decisions yourself.
In the piece we see here, Katie Way took a class with Alice Stroppel and made a piece that is uniquely her own. You can see the influence of both artists in this work. The big, bold cane work shows Alice’s influence, but the color choices and all those bulls-eye circles are absolutely Katie. I would’ve known this was Katie’s right away, but it would’ve taken me a few moments to realize where her change in technique came from if she hadn’t made note of her influencer. And that’s really how it should be.
You can absolutely copy the work of the teaching artist in class as a way to learn. Most of them do prefer that. But when you go home, don’t make that same basic piece ever again. Have enough confidence and belief in your artistic self to work out your own designs. It is far more fulfilling to create from your own sense of aesthetic and ideas than to simply be successful with someone else’s design.
Okay, getting off my soapbox now. If you’re intrigued by Alice’s cane mapping class, go to her website to check out where she will be teaching next. And if you’ve somehow missed Katie’s work, check out her Etsy shop and her Instagram page.
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I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
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In my search for clock inspiration, I veered a bit off the polymer path, but then again, I kept running into pieces that I thought were polymer but were not. Of course, pieces like this splendid celestial clock by Natalya Polekh could be created in a very similar fashion with polymer. Large textured sheets and fun with alcohol inks and mica powders could produce similarly stunning results so I took a closer look.
Natalya looks to be a well-known mixed media artist in Eastern Europe and Russia and when I say mixed, I mean all kinds of things. Her primary materials look to be various types of acrylic paint, dimensional and pearling paints, 3D gel, embossing paste, and glass and metal accents of different types. She works in texture, mosaics and layered media that is applied in such a way that knowing the materials is rather superfluous. She creates a beautiful complexity of texture and motif with shine and shimmer applied in abundance but always in a tasteful and often intriguing manner.
She does much more than clocks although she has done quite few of them. Take a look at her shop for more clock and textural ideas as well as very well priced tutorials on how she creates this work. Her VK.com page has more images.
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A lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.
The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.
Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.
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Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.
The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.
Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.
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Being that tomorrow is Halloween, I could not help but get in one last spooky bit of polymer creativity. The thing that makes something truly scary is the stuff you can’t see, or so I have always felt. The bogeyman under the bed, the creature in the closet, the shape of some beast in the bushes … just the hint that something is there allows our imagination to run wild. And in the dark and the shadows, our imagination comes up with some pretty scary stuff!
So, seeing the pair of eyes staring out from the forest in this polymer illustration by Korrina Robinson, what are you thinking is in there? You know I was thinking those eyes need to be glow in the dark and then I would so want this to be a light switch plate because how freaky would that be in a shadowy room to have to reach into that to get the light on and banish the very fears it invokes? Can you hear your inner voice saying, “Don’t do it! You’ve seen this seen in the movies and someone always loses a hand!”
Okay … enough with trying to spook you all. Especially since I think I am very much spooking myself in the process. But isn’t it neat how our imaginations can add so much to what we look at? And isn’t it great that polymer clay allows us to create any such thing our imagination comes up with?
For those of you who celebrate this holiday in which we face and often embrace our fears, have a very safe and happy Halloween.
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I was going to start off a week of spooky ghoulishness but I have to delay that for one more post as I wanted to take the opportunity to share a beautiful piece recently created by the ever-surprising Beth Petricoin. The glass vessel you see here, accompanied by a similarly styled neckpiece was part of an entry for a decorated table contest in a local town. I choose this image so you could see the work but it is best displayed in a darker setting when the side-sitting vessel and the necklace both are lit up by hidden LED lights.
Beth did not win the contest which was a disappointment for her but if originality and hard work had been what they were primarily grading on, it would have been an easy winner I think. But as she says in her post, it is easier to have your work appreciated by fellow artisans and this, unfortunately, was not really an art contest. But I thought we all could sure show our appreciation for the beautifully applied and finished work as well as the ingenuity of the design, especially in regards to its function as an eye-catching table centerpiece.
I won’t go on too long about this as Beth has written at length about the event and the piece. I do hope it gets a few creative wheels turning with some pondering on larger polymer pieces and maybe a few of you will now want to keep an eye out for more unique shapes for polymer-covered decor. Do jump over to her blog to see the lit up images and to read about how she created these beauties.
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Last week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.
One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.
Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.
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