Curling a Bouquet
April 10, 2013
Inspirational Art
As complex as I like to work, I do so enjoy beautiful little things borne of simplicity. Katerina Kubova looks to spend a fair amount of time carefully curling small, bright colorful bits of clay and gathering them into simple but beautiful little bouquets.
Simple designs may seem to make creating a nice piece easier but in fact the simplicity makes getting it done well all the more important. With the complexity and dazzle of a more intricate design or treatment of the clay, the workmanship, color choices, and form will stand out. If you want to work simple, you must do it very, very well. That is why pieces like this work. There is obvious care and consideration and that is what makes them noteworthy.
Reading Weather in the Swirls
April 9, 2013
Inspirational Art
For me, swirls and curls represent, more than anything, the liveliness of Mother Nature, especially the drama of changing weather which is very much the theme here for us today in Colorado.
I grew up in Los Angeles where I think they pay Mother Nature to stay away as much as possible. Here at the foot of the Rocky Mountains we get all kinds of weather, often several wide variations in the same week if not in the same day. Yesterday it was warm enough for shorts and sunbathing but by evening we were getting blizzard warnings. It can be rather exciting and amazing to see clouds spilling over the mountain peaks in billowing curls, the swirl of leaves and dust on the sidewalks as the storm builds then the twisting fall of the snow as it comes down. Quite inspiring I have to say.
This piece of Daniela D’Uva‘s (same piece, four views) also reminds me of the power of weather. It could be seen as the icy blue of a harsh winter wind or the swirling pools on the side of a rushing river.
The repetition of the curling lines, echoed in the winding wire creates nonstop movement, the motion becoming an element of repetition unto itself. The near saving grace here, that which might keep us from being overwhelmed, are the three almost too small beads of blue. A touch larger or with more contrast and the beads would provide a solid resting point for the eye. I’m not saying it needs that, not if Daniela wants us to feel a little overwhelmed and lost here. It is certainly matching the crazy weather outside my window today.
Daniela is quite the master of polymer and wire work as well as completing some of the most interesting ‘back sides’ in polymer jewelry. If you’re stuck inside or just want a break from work, take a minute or two to look over the gorgeous work on her Flickr pages.
The Journey of The Broken Telephone
April 6, 2013
Inspirational Art, Polymer community news
For those of you who followed the blogging I did from Synergy, you may remember Dan Cormier’s Broken Telephone Project. We couldn’t reveal much then because Dan and partner Tracy were going to roll out the series on The Cutting Edge Facebook page and who was I to spoil the surprise.
Well Dan has now revealed all the beautiful brooches, their creators and his thoughts on the project and related subjects. The conversation he’s started on his wrap-up post (posted on both Facebook and Flickr) is very important and I would encourage you all to take a minute to read it.
While there, take a look at all the gorgeous pieces that came out of the project.
I was lucky enough to get a close-up look of each of these brooches as I helped pin them on Tracy who became a walking exhibition on the last night of Synergy 3. I’ve held back photos of this unique exhibit until the roll-out was complete. Tracy was easily the best adorned lady of the evening!
Outside Inspiration: Diminutive in Nature
April 5, 2013
Inspirational Art
For many of us, nature is the ultimate inspiration. The forms, textures, and colors we see when outdoors provides endless ideas. But there is more inspiration in nature than meets the eye.
Meet Rob Kesseler. Rob has a serious fascination with nature but he doesn’t stop at just what is before him. He zooms in with his camera and on his computer to find the smallest of elements from which to draw inspiration for his varied art work. Here we have a commonly feared and dreaded inhabitant of the outdoors … pollen. But how gorgeous it is up close and no where near one’s respiratory system.
Rob actually works in a wide range of materials from photography to ceramics and a myriad of things in between. From his website: “… his most recent work reflects current desires to exploit the benefits for collaboration between artists and scientists. Over the past decade he has worked extensively with botanical scientists at Kew exploring the creative potential of microscopic plant material.” Now that’s getting close up and personal! It’s also very intriguing to see how he transforms what he sees into various types of art work. Peruse his site here.
With the changing of the seasons, we have a lot of opportunity to observe some very intricate and beautiful transformations. Head out with a camera fitted with a macro lens or go old-fashioned and just take a strong magnifying glass and a sketch book and spend an afternoon inspiration hunting in the great but tiny side of the outdoors.
Pushing the Switchplate
April 4, 2013
Inspirational Art
I have never been very fond of hand-decorated switch plates, not because I have anything against switch plates but because, unfortunately, they aren’t usually created with any real consideration. The switch plate is a blank canvas that so much could be done with yet most covered switch plates have no composition, focal points, lines of movement, balance of elements, or anything else that would make them art rather than just simple decor. I think the covered switch plate has to date been a lost opportunity.
Here however we have a clayer that has played with the open canvas much more than is usualy seen. Florida’s Tammy Baker works with multiple elements rather than cover the plate with a continuous pattern and even breaks out of the switch plate’s boundaries.
This is the direction I would love to see decorative polymer arts head. Mind you, there is room for improvement here, in the composition primarily. Where does your eye continuously go when looking at this? The bottom right? There are two ‘pointing’ elements on this piece–the wrist of the hand and the upper left corner element–that direct you down and right but unfortunately, the heavy grouping in the bottom right doesn’t have any significance or order and doesn’t have any additional directional elements to move the viewer further around the piece. This makes the pieces seem a bit chaotic. However, the colors and mix of textures are rich and pleasing, and the hand breaking the upper border, and thus the orderly confines of the canvas, helps to balance the chaos of the interior elements some.
Tammy’s other switch plates (you can see them on her Etsy site) also play with the broader possibilities of having this wide open canvas. Some work, some could use further consideration but regardless, she’s exploring the possibilities and that, more than anything, is what differentiates an artist from a crafter.
Swirling Color
April 3, 2013
Inspirational Art
Being brave with color can be a bit frightful. When do know if you’ve gone too far? I think the trick with bold color is to not hold back. If you’re going to go bold, go all the way.
Here is such an example. Randee Ketzel has no fear of color. Take a close look at her color choices here. Three bright, warm colors and then just one soft, cool color. Why does the powder blue work here? Well, it creates a dynamic contrast against all the warm, bright tones. A very brave choice indeed.
Randee experiments quite a bit with color as well as techniques. You can check out here experiments and resulting work on her Flickr page as well as grab yourself some of her tutorials on her Etsy shop.
In Awe of New Hope
March 30, 2013
Inspirational Art
Easter, whether one partakes of its religious or more secular traditions, is really about hope. Between the observance of the rising of the Christian savior and the association with ancient agricultural societies’ Spring celebrations, its traditions focus on the promises and optimism of the coming year. The colors are light and bright and the symbolism is, well, young. Baby bunnies, little chicks, and of course, all the sweet young children we tend to focus on … especially us doting aunts, uncles and grandparents.
I am so in awe of sculptors that can capture that very unique look and expression of innocence and hope in children. Cynthia Malbon is one such artist. She can imbue her art dolls with a visage that nearly breaks your heart. Here is one of a child slightly older than the majority of her body of work shows on her sites, but this child’s open expression is just so precious, not to mention amazingly realistic.
If you can handle a serious overload of adorableness, take a look at Cynthia’s SmugMug page. You might also want to check out her blog with process photos on some of her posts show her amazing talent in more detail.
Outside Inspiration: Wood with Spirit
March 29, 2013
Inspirational Art
Yes, it’s true … on Fridays I usually bring you something that is not polymer. And believe it or not, I am being true to form. As much as it might seem that this below should be polymer, it is not. It’s wood and the stunning creation of Liv Blåvarp, a Norwegian born artist whose has received a tremendous amount of recognition in the USA over the last few years.
Here is an excellent article with numerous examples of her work. As she says in the article, “… the recurring theme in my artistic practice is to create structures that seem alive.” I think we’d all agree that she manages that tremendously well in this piece. Truthfully, there hasn’t been any of her work that I’ve seen that doesn’t do this. She repeatedly gives one the impression that her pieces could get up and slink off or fly or even rise up like a proud peacock just gently prodded.
She does not seem to have a website, but the article and these couple of pages I’m listing here will give you the opportunity to really delve into the beauty of this incredible work. Enjoy!
Simple Sculpting, Intricate Results
January 23, 2013
Inspirational Art
Mind you, its not me calling the process Natalija Pap used to create these splendid pieces below ‘simple’. Maybe it wasn’t Natalija either but the Google translator. This is how Google translated the introduction to her Live Journal entry: I finally seduced simply sculpting technique … It’s super! Show most recent work (much). They call ‘fungi’ “
Don’t you just love these translations? They are so entertaining! But art, at least, does not need translation and we can appreciate the work and vision of these “fun-gi” pieces without translation.
There are a number of applications using small pointy tools here. It’s possible i’ts all done with the same tool–the texture on the flowers and background, the pin-points, the decorative dots, and the dashes around the edges–but the variation is delightful.
These pieces had to take a fair amount of time and patience so I wouldn’t call it simple because the effort put into these really was not. However, if you break down the steps of many techniques, they are pretty simple. The question is, what is done with those simple steps. Much beauty and intricacy can come from the simplest things.
If there was a shape that could represent state of the world today, what would you say that is? Chances are, you’re thinking of something that works as an icon or symbol rather than something as simple as a circle or octagon. Abstract shapes are something I touched upon only briefly in the article about shape and form at the beginning of the month. They are most commonly created for things that we are already familiar with, many of which are considered universal. Some have been with us for ages such as stars, teardrops, and hearts, but simplified shapes will pop up whenever a quick method of communication that is not language dependent is needed or preferred.
For instance, right now, a square with half circles on the ends, often with a few horizontal lines in the square, represents a medical mask. Such an icon may have meant nothing to you at the start of this year but it’s hard not to recognize it for what it is now.
That is the power of abstract shapes. With minimal characteristics, these shapes represent an object if not an entire concept. For this reason, I suggest you to not use them too frivolously. If you pop a heart shape on something, it should be because your intention necessitates calling on the viewer’s emotions rather than just putting it on to be cute. Now, I’m not saying that using hearts to be cute is a bad thing but realize that people will see it as an emotional expression. And I say emotional, not love, because the heart represents a base positive emotion associated with love, caring, and happiness but if your heart shape has a hole in it, is cracked or torn, or is jet black, the viewer will start thinking of things like loneliness, sadness, or even animosity.
Not all abstract shapes have such a wide range of potential meaning but many can elicit a similar or even stronger reaction, such as the shape of a cross or particular types of star shapes, depending on the context in which it’s used.
If you want to use abstract shapes but do not want to be so obvious or bring up the more common associations, you might find it useful to combine abstract shapes or to use them in unexpected ways. This approach to the use of abstract shapes can make for a much more subtle or complex statement which means your viewer will probably react more viscerally even with a readily recognized shape since its associations won’t be so blunt.
Here are just a few examples of abstract shapes where the association with them has been toned down.
Here, Elsie Smith overlays the impression of leaf forms on heart shapes showing just how perfectly they fit together. Pairing these makes the heart a gentle emotional background to the focus on, and apparent love of, nature’s intricate leaf formations.
This next one is a really good synergy of recognizable abstract shapes. Speaking in terms of the silhouette of the piece below as well as the focal point of the opening image, we could see a sunburst, a starburst, or a flower shape. Since Zuda Gay Pease was primarily creating flowers at the time she created this, we can assume her intention was for it to be a flower, but the energy of all those many pointed tips makes it come across as celestial. So, we get a combined association – the femininity and beauty of the floral shape with the energy and excitement of bursting light. It’s quite an impressive mix.
It’s interesting that practically all types of celestial bodies have a recognizable abstract shape (or variations of them.) There is probably nothing quite so common in abstract celestial shapes as a crescent moon. Our association with it can be fairly wide ranging from simply symbolizing the quiet and dark of night to embodying the ebb and flow of life.
In this example, I found it very curious that the lines on these crescents appear to be sun symbols with all their brilliant energy, and the bright blue ends of the crescent, visually truncating the shape, make us less likely to think crescent moon than simply an angular and curvy shape. The moon and its mysteries therefore become a quiet background to the louder energy of the colors and lines. I really like this contrast of concepts here as the sun and the blue color brings in a liveliness while the unconscious reaction to the moon shape is a quiet but divergent undertow. (Unfortunately, the Etsy shop from which this was saved is no longer available, so I am not sure who created it. If anyone knows, I would be ever so grateful if you would send me their name so I can update it.)
Is this making sense? I don’t think it’s hard to grasp the general idea of how iconic an abstract shape can be so I’m going to keep this short today. It’s also been a busy week getting all your accounts fixed up and so I should get off this computer. I challenge you to look around at the way abstract shapes are used in art work, be it your own or other people’s pieces.
Go Forth and Be Free… to be Inspired, For Free!
If you haven’t heard yet, starting in June (this next weekend) I will be posting the upcoming Virtual Art Box content previously planned for the VAB membership project on this blog so everyone can read it for free. I wanted readers, regardless of budget right now, to have access to these discussions, lessons, and exercises so we can all work on our art and increasing our skills and enjoyment together as well as give me the opportunity to take my work load down a notch or take breaks when necessary without being unfair to paid subscribers.
So, you can look forward to some in-depth article length discussions and ideas with a bit more juice to it than the blog usually has along with ideas on how to work with and apply the concepts if you so desire. Take it like a free class or just let the ideas sink in and enjoy the art. It’ll be here for you, starting next weekend.
Supporting Free Content
I am glad to have your support, in anyway you can provide it, to help me produce this content for free. Your supportive emails are always appreciated but if you want to help me keep the lights on, making purchases on the website is one of the best ways to do so since it gets you (or a lucky giftee) something to enjoy as well giving the contributing artists further exposure all while helping to keep me in busines.
If you have everything you want from the website at the moment, I have provided a donation option here for those who have asked and can afford to toss me a little something to help me, in particular, pay my tech guy and allow me much needed doses of dark chocolate!
So … until next weekend!
Read More
How often have you heard that you need to hone your artistic voice? It’s a bit of a catch phrase in the art world, a nebulous goal that sounds like it will herald your arrival into the art world as a “real artist”. Well, although I am one of those who talks about artistic voice a lot, I thought I’d put the record straight and just say … you don’t need to develop a unique artistic voice to create meaningful work.
It’s true. The need to develop a creative voice isn’t for everyone as it rather depends on why you create. Some people simply enjoy the process of creating or have an intense passion to acquire new and better skills. If that’s you, then fabulous! Go at it and don’t worry about a unique voice. Just create what you like but don’t copy (or don’t sell or teach those pieces if you do.) Do hone your skills so the work goes more smoothly and so you can enjoy your creative time that much more.
If however, you are one of those who have something to say or something they need to pull from inside themselves and put out into the world, then having a particular voice, versus just muddling around with the styles and inspiration of artists you admire, is rather important. Your particular voice is a pathway to self-expression and sharing your vision with the world. Even so, I don’t think you should put undue pressure on yourself to find that voice. I know… I sound rather contradictory, but the fact is, if you put in the work, learn the skills, follow your true passions, and work with a particular intention always in mind, your voice will come out of its own accord.
I don’t know why people go on about the need to be unique so much. We all are unique already! There is no one else in the world quite like you so there is no reason to try to be, or create, something that will make you more unique than you already are. If anything, we need to lose those crippling preconceptions of ourselves and how we need to be or act in order to find a more authentic sense of self. (That would be a discussion for another time, though!)
So, keep in mind, a discussion of creating a unique voice has nothing to do with becoming a unique person. Rather, it is about determining what, if any, mode of expression you want to explore in order to share yourself, your passion, and your vision with the world.
Voices Calling
Who do you know of that seems to create with that kind of authentic voice? Think on that for a second. Then ask, why does their work come across as unique and personal or as a passionate mode of self-expression?
Asking myself those questions, I just have dozens and dozens of artists that come to mind and probably as many reasons why. I really believe that polymer clay draws some very unique people due to its broad range of possibilities which leaves so much room for expression as well as room to reach into the realm of other materials and approaches.
For instance, is there anyone else that you’ve seen that does the range of work that Wendy Wallin Malinow does? It’s really different, a bit macabre (or sometimes more than a bit), and utterly fascinating. What I personally really love about her work is that she creates in absolutely whatever medium fits her purpose. Polymer clay is one she returns to time and again, but really, no material is off limits to Wendy.
Here is a collection of nests of by Wendy that I got a photo of at the Racine Museum in 2017. The upper left one is cut from copper, the one on the right (if memory serves me well) is created from polymer and paint, and the third is a detailed pencil drawing. Wendy seems to explore ideas and materials simultaneously, but lets the project determine the possible material, not the other way around. That distinction can be so necessary when feeding your own voice as, ideally, you don’t want to restrict your options simply because you identify with one material more than others.
Wiwat Kamolpornwijit also comes to mind as a really authentic voice, primarily because his artwork developed out of pure exploration while learning the material for a purely charitable reason. He had not set out to be a jewelry artist but was merely looking for a way to raise money for a cause he deeply believed in. But then the need to raise money continued and so the creating never stopped. His distinctive look came out of a natural progression in his process as he picked up skills and developed ideas out of a self-imposed necessity. As I understand it, he never aimed to create a distinctive voice, it just manifested itself from all the work he put into his craft and from letting his curiosity lead his designs. The result is that his award winning work is always easily recognizable. Below is a collection of his pieces from the Smithsonian Craft show in 2018.
Meredith Dittmar is another artist that is definitely on her own path. She too moves between materials, largely polymer and paper, in order to fulfill the needs of her projects and vision. It’s interesting to see though how polymer is sometimes treated like paper in a very flat manner, while other times, paper is rolled and folded to become more dimensional. The piece opening this post is listed as mixed media although I think it is primarily polymer. You can see how some pieces of it could be (and may be) paper. And below, she had to be working with some construction materials as well as paper and polymer, for this huge installation piece at the KAABOO Del Mar 2018 festival in southern California.
These are just a few of the people that have intrigued me over the years with their unique expression and sense of authenticity. By the way, the reason I can make rather certain statements about these artists is because they were all interviewed for articles in The Polymer Arts at some point. You can read more about Wiwat’s intriguing path to art in the Spring 2017 issue, about Wendy’s color approach in the Winter 2013 issue, and get a peek at Meredith’s process and studio in the Summer 2018 issue of The Polymer Arts.
Coaxing Your Authentic Voice
Okay, so I have an idea to help you bring out your authentic voice but it’s going to sound like a sales pitch because, well, it is although that’s not my primary motive. I want to help people find a place of joy, solace, and accomplishment in their personal creative endeavors. That’s my passion! My publications and projects happen to both help you in your creative pursuits and helps me pay few bills so I can keep doing this.
But let’s talk about you now. If the subject of your artistic voice and identifying your passions or the direction of your artwork is important to you, then you really should join us for the March Virtual Art Box. The VAB is not just another publication–it’s a community and virtual classroom with group creativity coaching that focuses on design education and exploration to help you cultivate the creativity and skills that lead to joy and fulfillment in your creative endeavors. The content applies to all professional and aspiring artists who, like the artists above, want to follow an authentic and fulfilling creative path.
So, come join your kindred spirits (from novices to some really well known and accomplished artists) already enthusiastically digging into their Boxes by snapping up the March box, or both boxes for February and March, available without a subscription if you just want to get a taste. Or jump in feet first while getting significant savings on recurring subscriptions. It’s a minor investment in your art and your creative self – less than a couple cups of coffee and it’ll warm you from the inside for longer, too!
As it does look like most of us will be spending a lot of time at home these next few weeks, it seems like a perfect time to put your spare energy into your creative endeavors. If you join VAB, you will also have access to a deep store-wide discount on all publications on the Tenth Muse website (much bigger than the one below even) and on Christi Friesen PDF tutorials as well!
But if you just want good old magazines and books, well, I want to help you out too. So, here …
“Make Your Own Package” Sale: 25% off $29 or more!
The discount is good on whatever collection of single publications, print or digital, that you put together in your cart when they total $29 or more.
Use coupon code: MYOP2529
Offer good through March 31, 2020. Discount doesn’t apply to sale items, packages, or the Virtual Art Box.
Okay, my dears, I am off to clean the studio so, hopefully, I can get some creative time in this week. I hope everyone is staying safe, staying sane, and keeping in touch with loved ones, especially those that can’t get visitors or go out during this crazy period. This too will pass. We got this!
Read More
I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
Read More
In my search for clock inspiration, I veered a bit off the polymer path, but then again, I kept running into pieces that I thought were polymer but were not. Of course, pieces like this splendid celestial clock by Natalya Polekh could be created in a very similar fashion with polymer. Large textured sheets and fun with alcohol inks and mica powders could produce similarly stunning results so I took a closer look.
Natalya looks to be a well-known mixed media artist in Eastern Europe and Russia and when I say mixed, I mean all kinds of things. Her primary materials look to be various types of acrylic paint, dimensional and pearling paints, 3D gel, embossing paste, and glass and metal accents of different types. She works in texture, mosaics and layered media that is applied in such a way that knowing the materials is rather superfluous. She creates a beautiful complexity of texture and motif with shine and shimmer applied in abundance but always in a tasteful and often intriguing manner.
She does much more than clocks although she has done quite few of them. Take a look at her shop for more clock and textural ideas as well as very well priced tutorials on how she creates this work. Her VK.com page has more images.
Read More
Well, it’s that season again. While everyone else is shopping, crafters and artisans like yourself are working madly away on the stock that your audience demands to make their gift giving season the best one to date. For some of us, that audience is a retail account but for many more of us, it’s the far more intimidating circle of friends and family that we fret over. What do we do this year for gifts and surprises that we haven’t already done? Asking myself this question, I came up with a couple of ideas and in researching, clocks really hit a note for me. Any clayer of any level and any specialized set of techniques can create a clock that is both personal and expressive and everyone of every age can appreciate a lovingly created handmade clock.
Cane-covered clock faces are an easy project for clayers of any skill level. You can buy old clocks at the thrift store, or inexpensive ones at the big box store, or just a clock kit from a craft or hobby store that you put into your cane-covered clay sheets. Here is a fun and colorful, slightly off from the norm, cane-covered clock face for some initial inspiration. Mira Pinki Krispil is quite fond of cane covered decor but she always takes it one step beyond.
I like this piece because of the slight off-centeredness and the imagery in the center. It is more than decorated. The image in its center is intriguing with energetic lines bouncing back and forth through intertwined imagery. It’s just a great visual piece to start with. The fact that it’s a functional clock is a bonus.
Mira creates her colorful piece in south Israel and sells her work on Etsy. You can also see more of her designs by checking in on her Flickr photostream.
Read More
I thought I’d continue to keep it simple this week and still talk a little about line, the theme of the latest issue of The Polymer Arts that came out last weekend.
This simple pendant by Yuliya Zharova uses two elements to tell a story—line and dots. The form of the people here is nothing more thank tall lines with a variation in thick and thin. The dots on the top of this line make up the heads, and the small dots and large gold one somehow become stars and a moon. It’s quite amazing how much can be shown with so little detail. But lines, in particular, can do that. It is a nice reminder of how little we really have to put down to get our viewers to see what we have to convey.
It is also a nice reminder that line has characteristics and qualities of its own. They do not always have to be even. The way the line is formed can convey imagery, as we see here, or emotion. The articles on design and the technique tutorials on using lines and dots and soutache to create emotion and texture will help fill in more on those ideas when you get to reading our latest issue.
Yuliya’s compositions are almost all some variation online and dots and are all lovely in their understated design. See more of her work in her Etsy shop, Wild Onion Art.
Read More
I know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.
So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.
For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.
Read MoreFirst of all, my apologies for my unsuccessful attempts to post while traveling. My original plan was to have posts all set before I left but technical issues and the need for a last-minute change of service threw that plan out the window. And getting decent internet at hotels is nothing one can depend on! But I will make it up to you this month, I promise.
Now that almost all of you have seen the myriad of photos from the Into the Forest installation that attendees to the opening and talk posted this past week, I invite you to spend some time virtually walking through it. This is a walkthrough of the gallery and installation, from stepping through the front door to wandering from tree to tree, wall to wall, and corner to corner. I apologize that I am no expert videographer and trying to fluidly skirt around the artwork and step unobtrusively through the attendees created a few moments of spinning and diving that might leave some sensitive individuals momentarily dizzy. But all in all, I am thrilled to have captured some of the feel of walking through our polymer forest that night.
In other news … the latest issue of The Polymer Arts, Winter 2017 – Line, has arrived! Digital issues were sent in the wee hours (3 am EST) on Saturday so if you are expecting a digital copy and haven’t seen it, check your spam/junk folder as that is where the errant access emails often land. If you need help, write my assistant Sydney at connect(at)thepolymerarts.com or, if you get this by email, just respond to this email.
Print editions were at the post office as of Thursday so if you are expecting one in print, depending on how far you are from northern Idaho, you will be seeing the new issue in your mailbox in 5-15 business days from then.
If you need to start or renew a subscription or buy the single issue, you can do so at www.thepolymerarts.com/Subscribe.html
Read More
So far this week, we’ve looked at clutches covered in sheets of colored and patterned polymer but that is not, by far, the only way to create a dazzling handbag with polymer. Not all of us are caners and many of us lean toward sculptural elements and tactile texture and a handbag is a great place to lay down such touchable techniques.
You may have seen this handbag in our Spring 2015 – Diversity issue of The Polymer Arts, where Lisa Pavelka shared some of her thoughts and ideas on embellishing with polymer and crystals. This very tactile bag, with a limited cool palette of greens and blues, effortlessly rides that sometimes difficult balance of being both fun and sophisticated. The crystals make it appropriate for a dressy evening but the roiling mix of paisley shapes and abstracted leaves adds that touch of whimsy that makes it work with a pair of jeans when one is just out and about in the afternoon.
This is just one more way you can create an accessory that your customer (or yourself) can use and cherish all throughout the year. If you want more idea on purses a la Lisa Pavelka, take a look at her Pinterest pages as well as shopping on her website where you can get the materials you need to create your own great handbag.
Read More