The Party is in Full Swing. Come join us!

 

What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.

 

What’s This Podcast All About?

This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.

Now what the heck does that all mean? Well, let’s look at what this is and what this is not…

 

It IS…

… a way to consistently feed your muse

… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.

… focused on creating a more fulfilling, joyful, and meaningful artistic journey.

… a conversation that goes both ways with lots of opportunities for you to be heard.

 

It is NOT…

… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.

… focused on “how-to” or the latest tools and materials.

… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.

 

I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.

I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.

 

Come Join the Conversation

If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)

And join me on social media!

Instagram https://www.instagram.com/thesageartspodcast/

Facebook https://www.facebook.com/TheSageArtsPodcast

And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course.  I hope you’ll join me there, on The Sage Arts podcast!

There are new artists and creatives joining every day with tons of great things to say…

 

“Just what I needed!” 

“I just binged-listened … and I can’t wait for more!” 

“There is so much validity in your presentation…” 

“Looking forward to all the thinking and creating that they prompt.” 

 

 

Taste test on my RSS website: https://rss.com/podcasts/thesagearts/

Or on the podcast home website: https://thesagearts.com/

Or start with this episode:

Layers of Texture

August 28, 2014

80111609_oI can’t give credit to the person who sent me this artist as I only have the email address it was sent from and a query back hasn’t received a response yet, but this was too good to pass by. (If you sent me this, write me back with your name!)

Astrid Brefort was the artist referred to and these fun, graphic pendants were what was sent in consideration of this week’s reader’s choice posts. It looks like texture, both tactile and visual in this piece, are what have been drawing readers lately. And layers! Here form created with layers again plays a role in enlivening the piece. Layers create depth and complexity while the halting swirl of the lines and the bright color contrast of the two colors bring visual energy against the white background. It’s simple elements brought together to create a vibrant and fun piece.

Astrid is one of those highly exploratory artists I occasionally talk about. If you take a look at her blog, she has been trying a little bit of a lot of things lately with great results. Go have fun poking around all the fun stuff on her blog and in her shop.

 

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Layers of Form and Texture

August 27, 2014

14632460808_d8031d3039_o

Today’s reader’s choice comes to you thanks to the talented Randee Ketzel who kindly sends me cool stuff on regular basis. This piece by Olga Ledneva caught her attention due to the layering and the perfectly applied application and juxtaposition of elements.

Yesterday, we got started talking about how the impact of texture can be enhanced by form, but it can be taken one or two steps further by adding lines and contrast to the mix. These forms are created by lines, both curved and straight, which, along with color value, provides dynamic contrast in what is a fairly well controlled composition.

The meticulous finish and balance of elements is key in the work Olga does. See more of her pieces on her Flickr page.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Marrying Form and Texture

August 26, 2014

Nikola MorseToday’s artistic inspiration was sent to me by reader Fran Harkes who only sent this to me yesterday, but it tied in so well to our first piece this week that I thought I just needed to share it right away.

These fantastic little pendants were created by Britain’s Nicola Morse. The reason I wanted to tie them in to yesterday’s post is that in both cases we are looking at some pretty, but simple, textures made so much more exciting and intriguing because of the forms they are shaped into.

It’s definitely easy to see how it worked in yesterday’s pieces because they were monochromatic beads, so texture and from was what it was all about. But, these pendants have the added bonus of some really intense colors. If you imagine the pieces from yesterday and today as flat, you can see how much of their appeal they would lose flattened. Shape helps make them.

As it turns out, the beads from yesterday have an available tutorial.  You can go here to learn to make those organic stamped beads. (Thank you to both Randee Ketzel and Sue Hammer for sending the tutorial link.) So, does anyone know if there is a tutorial related to today’s pieces? These hollow shapes would be so much fun to work with.

In the meantime, Nicola’s website has some other fun stuff to ponder, especially her approach to a faux ceramic look. Enjoy!

Thank you Fran, for such a great find!

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Rustic Cups

August 25, 2014

2014_0814ALLast week, I asked readers to send in images of work they felt should be featured and shared on the blog. That’s what we’re doing this week.

The very first person to chime in was Sue Hammer who sent me a link to Rebekah Payne’s website. I’ve actually had a couple of Rebekah’s images in my files, and it was fun to see that Sue had the same type of wildflower impressed ‘inside out’ beads, as Rebekah calls them, suggested for the blog.

These beads get their texture from tiny wildflowers molds. I am not certain how she developed the hollow cup with the texture on the inside, but I sure am curious. An outside mold and an inside mold used at the same time to impress the clay? That’s one idea.

No matter how it’s done, it’s wonderful to see such rustic and organic texture in a complex, but also very organic, looking shape. It feels completely natural that this texture should appear on such a form. This is true of much of the work Rebekah does. You can see this on her blog and in her Etsy shop.

I’m still taking suggestions for this week’s posts and maybe, next week’s as well. If you have a piece you’ve seen that you think we really need to share, it’s reader’s choice! Send links or images directly to me at sbray@thepolymerarts.com.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.`   

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Rainbow Turned into Flowers

August 23, 2014

OLYMPUS DIGITAL CAMERAHopefully you’ve been having a fun week, but now for a fun weekend, right? How about something colorful and versatile to try in the studio?

These flower cup beads are created by starting with a rectangular, extruded cane then form a cup over a large ball stylus tool. I just like the stepping away from using circular extruded shapes for extruded canes. There is absolutely no reason not to make extruded canes with any shape you have available for your extruder. This long rectangular shape is particularly fun because of the striations you can make. You will see this in the bead on the first page of the tutorial that I am giving you. And why not reform the cane into long teardrops or flatten them out a little more and roll then into a rainbow jelly roll? Extrude a few and see what you can come up with!

On Poly Cat’s pages , you’ll find the Rectangular Rainbow Extruded Cane being used to create a bead, then there’s the flower cup bead steps you use the cane slices with as well.  Pop the URLs for any of these links into Google translate if you want to read them in English, and your browser doesn’t automatically translate them for you. If I understand the translation correctly, the techniques she uses are inspired by others, and she has links and references to those sources so you have even more to check out if you like.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Outside Inspiration: Carnival in Glass

August 22, 2014

carnavaleOkay, so I don’t have another snail for you. I went back and looked at fun stuff that I had collected to share, and this certainly fills the bill. Plus, I just feel like a splash of colorful fun is needed today.

These are glass beads created by Australia’s Regis Teixera. This is all lampwork glass. There is a great mix of colors from bright and saturated to pastel and earth-tones,  but I think the unlimited palette works primarily because the mix is only happening on half of each bead. The frosted translucent halves have color peeking in from underneath, but the space is a resting place between the very active and colorful sections of the other beads.

In any case, it’s beautiful fun and definitely a mix of color and visual texture we can consider translating to polymer. Just the frosted translucent versus colored half of the bead has me considering how to do something like that.

More color and fun beads are to be found on Regis’ Magma Beads site to help move your Friday along.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Ron’s Snail

August 21, 2014

10615638_10203212719731741_8874124703509213618_nI wasn’t planning a snail themed week, but I think I will try to find more for the rest of the week. Maybe. In any case, here’s one more today for you.

If you are lucky enough to be heading to the IPCA retreat in Ohio, find Ron Lehocky and get yourself one of his beautiful heart pins. He’s been adding nautilus images to them along with his usual beautiful abstract compositions. Obviously, this here is not a heart (he does make other things!), but a beautiful piece it is. It’s still a pin but Ron provides a chain and method to convert it into a pendant as well.

I’m not sure what method Ron is using here but this kind of conversion can be done with any pin that has a straight pin as the attachment. You use a short bit of hollow metal tubing or even a bit of a drinking straw, thread a chain through it and then put the straight pin through and close it. Ta da! You have a pendant.

If you do not have a Ron Lehocky heart pin yet, go to the Kid Center website or Ron’s Facebook page to get information on how to buy your own while supporting a great cause. As of this week Ron has created 27, 276 heart pins with every penny paid for them going to the Kid’s Center. Amazing work and amazing generosity.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Started with Snails

August 20, 2014

Fossie-hornrainbowpend

Kristie Foss is definitely an explorer type of artist. Her blog is full of her exploits in polymer and the many different variations she gets from playing with a technique, surface treatment or form.

In this one post, you can see the progression of playing with shapes starting with the same clay treatment.  She began with nautilus snail shapes then worked it into a leaf type of pendant and then finally into these intriguing horn shapes. Its rather neat to be able to see the progression of ideas. Makes me want to jump into the studio and see what comes of the scraps on my table!

But alas, that is not for me today. And tomorrow I am in LA for a week just checking in on family and having some time away from it all with a favorite person of mine. I’m going to get started finding items for next week’s blog as of today and my tired brain could so use some help. If any of you have any favorite pieces–of yours or of others–you think we need to share with everyone, send me a link to this fabulous work at sbray@thepolymerarts.com or message us on Facebook at The Polymer Arts. You’ll get a warm thank you mention in the post and a link to your site as well as a lot of gratitude from little ol’ me!

In the meantime, treat yourself to some downtime of your own with a cup of coffee or glass of wine and join Kristie on her blog for a bit of polymer adventuring.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Real Faux Fun

August 19, 2014

moreni faux wavelight

Things have gone a little bonkers over here so apologies for the late posting and any errors here. Due to a family emergency and people being out of town, I do not have my  back-up people to help keep my dyslexic errors in check. Hope you can put up with it for a day! But then these fantastic faux wavelite stones by Ilenia Moreni don’t need a lot of explanation. I had not even heard of wavelite until I saw these and now I’m fascinated by the rock. But honestly–and I hope Mother Nature doesn’t hear this–I think I like Ilenia’s version even better. The visual texture with those strong radial lines so strongly draw the eye. And what’s even more exciting … she has an inexpensive Faux Wavelite tutorial so you can make these yourself! How fun.

Ilenia does a lot of faux work and is quite adept at it. She has even made up a few of her own versions of nature’s creations which is why I was on her Flickr page last week and found these. She’s contributing to the article on pushing faux effects from being realistic to being something that looks like it could exist in nature but has never been seen before. Look for the “Pushing Faux” article in the Fall issue of The Polymer Arts coming out Aug 30th for ideas on how to push your natural faux effects to create beautiful new effects all your own.

You may recall Ilenia was featured in the gallery section of our Summer 2014 issue but she’s been working away and has a ton more fun stuff to drool over. Find more of her work on her Flickr pages and her website.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Colorful Fun

August 18, 2014

marie segal earringsThis is that one week every quarter where my brain just goes to mush. We are taking care of the last details as we get ready to release the fall issue of The Polymer Arts (if you haven’t renewed or pre-ordered your print copy, you will need to do so before the end of today in order to get on the mailing list for the first shipment out. Go here to order), so I have been working non-stop for a couple weeks now and a lack of sleep is catching up with me! I also have a little traveling to do in a few days, so it’s going to be a wacky week. We’ll see how that translates here, but I thought, since “play” (our fall issue theme)  is on my mind, I would add some fun stuff to the queue. These things have not quite fit into our other themes, so we will use this week to just have fun. I will post some pretties that offer you new ideas for you to play with in your studios.

Perhaps, you’ve seen some of these great earrings and flowers Marie Segal has been posting the last week or so on Facebook.  There are just gorgeous colors in her combinations of opaque and translucent canes and, in this case, it looks like a bit of Sutton slice, too. The colors are so juicy, and the disparate visual and tactile textures come together due to how sparely they are all used.

Marie, of course, is one of our pioneers. We owe a lot to her early exploration of the medium and her books. Most recently, she put out a great compendium of techniques called The Polymer Clay Artist’s Guide: A Directory of Mixes, Colors, Textures, Faux Finishes, and Surface Effects This is a great “jumpstart” book; something you can flip through when looking for new ideas that will change up what you’re presently working on or to get you going on your own clay play day.

You can also add a bit more fun to your Monday with a trip through time and Marie’s work on her website here.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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