The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Random Lines
December 2, 2014
Inspirational Art
Our piece today is not dissimilar from yesterday’s piece, but it’s differences delineate another approach to the simple application of elements.
A large swath of continuous color is halted by a mix of color here as well, only in this vase by China’s Frank Khow (known as Beefball Papa on Flickr),the feel is crowded and energetic instead of being quiet and still. Yesterday’s work was simple and sparse, but today’s is more about abundance. As you can see, abundance doesn’t have to be complicated. In fact, abundance is an easily visible proliferation of one thing, which in this case is a series of revealed extrusions. The draw to this comes from the impact of textural contrast–busy visual texture against a smooth and solid visual texture.
The effect is so strong here that the same busy versus quiet application can be presented with different color combinations or forms, and you’ll still have a similar feel and impact. You can see what I mean simply by visiting Frank’s Flickr photostream where he has several examples of this technique to compare.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Simple Interruptions
December 1, 2014
Inspirational Art
“Just because you can doesn’t mean you should.” You’ve probably all heard this adage and may even find yourself repeating it like a mantra as you sit at your studio table while tempted to add just one more color, one more accent or one more layer. Many, many times, you should really opt for the more simplistic approach. I want to focus on that this week. Let’s talk about simplicity as an approach and see just how beautiful simple can be.
This pendant is one in a series by Belgium’s NiQui that I think is very successful for it’s restraint. The mash of color within this monolithic black form is all about contrast and restriction, which makes what little color there is very strong. The stripes of marbled color break the line of the bar of black very suddenly and certainly, and then pulls your eye immediately to it. Depending on your view, or maybe even how your day is going, you can see that as lines breaking into the solid bar or as color being compressed to nearly nothing by the black. Either way, you probably sense that there is energy and some kind of relationship between the contrasts of no color to a mishmash of it, and the question of what that relationship might be is what holds you there. It may be simple, but it holds the potential for complex ideas.
Simplicity is Nicole’s (NiQui’s) hallmark. If you want to see a lot of exploration in this area, do take a look around her Flickr photostream.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Clean Mokume
November 29, 2014
Technique tutorials
On Polyform’s website, there are numerous free lessons. If you have admired Melanie Muir’s clean mokume technique, you can get the basics and create your own from this great little tutorial on Polyform’s website. It’s nice to see the tutorial emphasize the importance of color contrast–light and dark, but there is also bright and dull, warm and cool and picking from opposite ends of the color spectrum. All of these will give your color palette some level of drama. However, there is nothing at all wrong with choosing analogous colors, colors with similar saturation or value or anything else. It will create a different feel, and the less contrast, the less visual pop and drama you will see. But, we’re not always after that, are we?
So, why not choose a color palette that fits your mood, an outfit or reminds you of a great time or place and try Melanie’s approach? There are some great little tips in this lesson, which makes it worth at least a quick read for anyone into polymer surface treatments. And the resulting sheets or pendants could really get you ahead on creating for your gift giving list!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Shades of Metal
November 28, 2014
Inspirational Art
Alex Horst’s pieces are gorgeous, traditional mokume gane metal work, but being limited to metals doesn’t mean being limited in color. When given a limitation, use it to find new, creative additions and alternatives, like how to gain more color if that is what you want in a piece. Alex brings in color and a range of texture with variations in metal treatments and the addition of complimentary gemstones.
My one complaint… his online images are so small! This is why you are seeing a collage of his necklaces. They are actually each pretty impressive, but how wonderful in a collection like this. Still, as a curious buyer or an artist, it would be immensely helpful to see more detail here. It is an intriguing tease to get a glimpse of the beauty, but as a buyer I might wonder if it’s even worth the time to write and see if there are better images to be had, and so I might not take the time. Keep that in mind if you depend on online sales. Clear, large photos and detail shots can really make the difference between getting that sale or not!
Have you ever wondered how the metal mokume process differs from what we do in polymer? Well, you can see it on Alex’s website, in this step by step outline of his mokume approach. While you are there, take a look at his other jewelry designs. Just beautiful pieces all the way around!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Monochrome Mokume
November 27, 2014
Inspirational Art
I always hesitate to post pieces with little or no color, as they just don’t get that immediate attention that really colorful work does. But, it would be hard not to talk about monochrome, which is another classic color palette that is ideal for mokume. The advantage of monochrome is it’s striking and often graphical nature. As artists, we are forced to look at value, form, line, etc. instead of leaning on color. Now, I know lots of color is one of the fun advantages to creating mokume, but monochrome is a little bit of a challenge and one that can result in amazing pieces.
This pendant by Rebecca Geoffery is just one such example. The fact that she worked with a very controlled approach to line and value works so well for a piece that can’t lean on the impact of color at all. Sure, this could have been done in a really striking set of colors, but I think it might actually have taken away from the beauty of the lines and the repetition. They take front and center in this simple piece, and I think it’s just about perfect as is.
I can’t sign off today without a virtual hug to all my American friends celebrating Thanksgiving today. This is the day we should be contemplating the truly wonderful and blessed advantages, people and opportunities in our life. I am most thankful to you, my many readers, who allow me to blather on about things I love and am so passionate about. Thank you for allowing me to have this as part of my daily life! A very Happy Thanksgiving and a big hug to all my friends and readers across the globe!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Blended Approaches
November 26, 2014
Inspirational Art
This gorgeous brooch, created by polymer and precious metal clay artist Kelly Russell, is actually a combination of techniques, with mokume being one of the primary ones. Do you actually see the mokume as mokume when you first look at it, or do you see the sections as kind of blending together like a series of textures and melding of color?
It’s probably obvious from the length of that second question that I think the choice of components are pretty synergistic so that no one technique stands out. The jewel tones, subdued to bright pastels, run through all the components for cohesiveness. It’s also not that heavy on contrast, but rather sticks with a light to mid-range set of values, which makes it feel calm and serene.
I like that Kelly does not restrict her materials or her techniques in her pieces. She mixes it up while keeping it unified through color palette choices. Take a look a more of her lovely work on her blog and website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Limited Mokume
November 25, 2014
Inspirational Art
Another classic color palette that works really well with mokume is the limited color palette. Limiting the colors to just two or three (and keeping them either analogous or give one a real contrast from the rest) will force you to work with value (how light or dark a color is) and composition. Too much color can be distracting in your composition and overpower your other other design elements.
In this extruded polymer mokume, Jan Montarsi uses a pink and peach color with white. There is very little contrast in the couple of colors. The colors are analogous, and the most value contrast is with the white, which is not a color at all. This minimal color set forces Jan to work with other elements like the intriguing layering and shapes within his pendant here.
The extruded mokume technique offers a lot of opportunity for the exploratory clayer. If you haven’t worked with it, it’s great fun, it can use up scrap clay if you like and creates a more definite and more controllable pattern. For a tutorial on the extruded mokume method, take a look at Kristie Foss’ nice tutorial here. And for more great mokume and beautiful finishes, have fun roaming Jan’s Flickr pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Mokume Color & Contest Winner
November 24, 2014
Inspirational Art
I know we’ve looked at mokume before, but I have quite a few pieces that I’ve been storing up and want to share. Since the question of color palettes came up almost every day last week, let’s look at mokume and the chosen colors palettes as a jumping off point for this week’s discussion.
This set of mokume pieces was created by Carrie Harvey using a tutorial by Albina called “Hidden Flowers” (find it on Clay Lessons here.) I don’t usually post student renditions of other people’s techniques, but I think this was well done, and the color palette and shapes were a decent departure from that in the tutorial (as least as far as I can tell), which is as it should be. And the technique is really a take on mokume polymer, so it’s not particularly exclusive. It does, however, offer us an opportunity to talk about color choices.
This palette is pretty straight-forward, but can you recognize right off why it works? You have a sky blue, a coppery brown and a rust red. The blue and copper (basically orange for the sake of this conversation) are color opposites while the rust red is analogous to the orange (next to each other on the color wheel), which makes it a close contrast to the blue. In other words, all the colors have a relationship to each other, either contrasting or close enough to give the color palette cohesiveness. Although, this is a rather scientific look at these color choices, the instinctive connection comes from nature. The copper and rust red are fall leaf colors you might commonly see against a clear blue autumn sky. Nature knows how to use colors well herself, so if you are every stumped, take a look outside!
And drum roll please … The winner of our active critique week is Debbie Goodrow. Congrats Debbie. You should have an email in your inbox to let you know how to claim your giveaway. Thank you all so much for commenting. I think you all win in this little contest–the comments were incredibly insightful, and the varied point of you certainly demonstrates how much of art is really in the eye of the beholder. I hope you all found that it helped inform your view of the work and that you will keep it up, if not posting comments (and I would love to see more comments just any time), at least in your own viewing of the posts and art work. I give my opinion and my view, but as you saw last week, there are many, many ways to see a work of art.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Lacy, Holey Tuts and Winter 2014 news–now out Dec 3rd
November 22, 2014
Inspirational Art
First of all, thank you to everyone who chimed in with their thoughts this week. It was really kind of amazing. Did you enjoy this little experiment? Should we do this semi-regularly? If so, I’ll try to do this one day every couple weeks or so in order for me to have time to arrange the giveaways and still have time to read all your comments and toss back some ideas too.
The plan for that this week kind of got thrown out the window, or I would have had more to say as the week progressed. The technical issues we were having took a couple days to resolve then there was catching up to be done. The printer was very patient as we got everything back up and files fixed, but it did delay production, so we have to reset the release date of the winter issue to December 3rd. That’s when the digital issue will be released and is the first possible day shipped issues could begin arriving. We are really sorry for the delay, and we are making appropriate adjustments and sacrifices to the techie gods in hopes this doesn’t happen again!
In the meantime, I will pull a name for the drawing and announce it on Monday. And you call feel like winners with these couple of free online tutorials that are interesting holey and lacy techniques to try this weekend.
The first one is from Ange of AB Creations. Taking punched holes and creating a domed bead from a collection of punched dots and holes. Genius! Find all the details on Ange’s blog here.
The second uses molds or texture sheets to create polymer lace with liquid polymer. Both these techniques are so full of possibilities! The author of this liquid lace tutorial is Mary Kosovo. You will need some oven-safe molds or textures for this one.
Now go out and have fun this weekend!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Holey Ceramics, Batman
November 21, 2014
Inspirational Art
Moving away from polymer for your opinion today, I thought we’d look at a ceramicist because, for one, it’s another type of clay, so it should be easy to translate what you think of polymer into ceramics, and, two, holey ceramics is a little unusual and really, really cool.
Simon van der Ven returns again and again to these delicate ceramic structures, many with a lot more holes than you see here. What you think of the form? How about the combination of smoother leaves breaking into a very different kind of texture? Do you think this would have benefited from more color? Why or why not?
I think we will make this the last day of entering the drawing by commenting, and I’ll get you some fun holey and/or lacy techniques to consider for tomorrow. So, get your thoughts in today. We’ll get another drawing going soon, but thank you all for participating in this one!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
