The Party is in Full Swing. Come join us!

 

What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.

 

What’s This Podcast All About?

This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.

Now what the heck does that all mean? Well, let’s look at what this is and what this is not…

 

It IS…

… a way to consistently feed your muse

… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.

… focused on creating a more fulfilling, joyful, and meaningful artistic journey.

… a conversation that goes both ways with lots of opportunities for you to be heard.

 

It is NOT…

… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.

… focused on “how-to” or the latest tools and materials.

… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.

 

I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.

I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.

 

Come Join the Conversation

If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)

And join me on social media!

Instagram https://www.instagram.com/thesageartspodcast/

Facebook https://www.facebook.com/TheSageArtsPodcast

And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course.  I hope you’ll join me there, on The Sage Arts podcast!

There are new artists and creatives joining every day with tons of great things to say…

 

“Just what I needed!” 

“I just binged-listened … and I can’t wait for more!” 

“There is so much validity in your presentation…” 

“Looking forward to all the thinking and creating that they prompt.” 

 

 

Taste test on my RSS website: https://rss.com/podcasts/thesagearts/

Or on the podcast home website: https://thesagearts.com/

Or start with this episode:

Spring is in Bloom

March 30, 2015

Verelova roses suspendI have to say up front that I am not a particularly floral kind of girl. I am far more likely to be found in the plumbing department than the gardening department at the local hardware store, but I still have a sincere appreciation for nature’s creative show during this time of year. Those of us in the northern hemisphere who are lucky enough to be in a climate that has benefited from some of the beautiful weather these past couple weeks are seeing the first of the spring flowers covering the hillsides and sprouting up alongside the country lanes. It makes one just ache to jump about and sing a few lines from “The Sound of Music” … doesn’t it? Okay, maybe that’s just me, but truly, the signs of spring are showing, and we can get excited about the prospects of warmer weather and colorful scenery or be bidding the summer’s bounty a fond farewell if we are south of the equator, so it seems about time that we honor nature’s most lovely creations.

If you will be participating in any upcoming spring shows, a good selection of floral motifs would certainly be welcome displays. I’ve picked out a lovely bunch to share this week. This first set is a bow to the rose and to floral abundance. Not only does Vera Veselova have lovely bunches of blossoms here to share with us, she has a tutorial for it as well! Click the image to get to it.

Now, what could you do with these rosy flowers? Well, I was thinking you could envelope the upper or half dome of a lentil shape, run blooms down the outside edge of a rectangular pendant or, for the truly ambitious, ring the center line of a vase or bowl. Abundance is itself a legitimate element of design. The key is to tone down or control the variety of other elements so the viewer is not overwhelmed. I mean go look at a freshly sprung field of wildflowers … we must admit that Mother Nature knows a thing or two about design!

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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Simply Perfect

March 28, 2015

Red White BlueI saved these beads for last because for all the color, texture and wow factor we saw in the other beads this week, these are the ones that I find most impressive. The care and precision shown here make them some of my favorite polymer beads to date.

The creator of these amazing pieces is Cody Craynor. He has many sets with similar motifs and forms, but this set shows a wider example of possibilities when using his bead making techniques. He has the ability to create variety and movement within his designs. How he does this, I’m not completely certain; although, he gives some first hints on this post on his website from 2012.  He has some interesting things to say concerning his approach, too:

“By its nature, polymer clay lends itself to organic fluidity and sculptural forms. But through mechanical intervention I coax the clay to comply with my own mathematical rigidity. Unpredictable chaos makes up much of my life. The clay allows me to create forms, symmetry and rhythm, which are personally therapeutic and welcomingly familiar to my instincts.”

Well, I do like his instincts! You can view more of these visual marvels on Cody’s website.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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Outside Inspiration: Feathery Glass

March 27, 2015

Kimberly Affleck dragon feather beads A collection  of elements doesn’t always get the best photo set ups, but when they shine so beautifully regardless of the makeshift backdrop, you have to admire and take time to get a really good look at the beauty of each piece.

These gorgeous glass beads are the work of Kimberly Affleck. Although the seahorses kind of draw you in first, it’s what she calls her dragon feather beads that have me entranced. There is so much going on with them–that feathery texture wrapping around in soft swirls among the delicate colors, accented and accentuated by the raised dots that follow the swirling, and then there is the focal point of one clear dot that somehow pulls it all together. I would love to hold one of these in my hands and get a really close look at the work.

However, Kimberly had to cut back on her glass work when her day job became more demanding back in 2011. Her last posts on Facebook in early 2013 were the last public postings I could find, so it seems the job didn’t ease up so very much. If anyone knows of more recent work hidden on some other websites, do let us know. Otherwise, you can find the greatest collection of her beautiful glass beads on her Facebook fan page.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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All in a Line

March 26, 2015

annetulpe tube beadsTube beads–they are round straight lines. Yeah, I know … sounds a little simplified and obvious but think about it. Round and straight don’t usually go together, but here we are, able to put the two together. My mother says I have never lost my childlike wonder of the world, and I guess she must be right since something as simple as a tube bead can still rather fascinate me.

Not only do tube beads have two seemingly disparate characteristics, they easily embody both the softness of their round aspect and the directionality of their straight lines. They can also be staccato by lining up short versions or hold long notes by being thin and lengthy. They can, like most beads, hold a tremendous amount of detail in a small space, such as the tube beads you see here by Annerose Doerling. The many colors and visual textures are just so yummy.

Now, here is the cool part. Annerose’s tube beads have been blogged about before, and it was revealed back then (some seven or so years ago) that she was working with a technique created by Dominique Franceschi that she found on another blog a couple years before that. The wonder of the Internet has preserved the links and the corresponding posts, so … tada … you can go back in time and see how old, very dry and crumbly clay can be turned into such gorgeous elements as these beads here. You can go to the Parole de Pate post here to see the super easy technique, but then you might want to bounce on over to Annerose’s Flickr pages to see how she perfected the technique and the finish for them. I’m sorry to say I couldn’t find any recent work by either the creator of the technique or her apt pupil, but I hope they are both out there still creating with childlike wonder and abandon.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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A Collection Kit

March 25, 2015

il_fullxfull.207091800This fun little set of beads is actually an example of the beads you can make from a kit that Barbara Briggs ingenuously put together. Not that kits are anything new, but this one for beginning polymer beads is pretty clever. She offers wooden bead centers as a jumping off point for shapes and adds mica powders and pre-mixed clays in particular color palettes as designated by the buyer. Along with other basic necessities, she offers plenty of instruction.

I thought this sampler of what her buyers could make was quite lovely on its own.  The colors are slightly muted, and the textures are organic and rounded, so they could easily be paired up on a single necklace string. I’d wear that! And, how exciting for beginners to see the versatility and the ease with which polymer can create lovely components. The hard part is getting away from a kit and making your own color, form, texture and other design choices. But, that is when your own voice comes into play.

If you are unfamiliar with Barbara’s work, she is an insane beader who works in all kinds of beading material. If you are on here because you find polymer fascinating but maybe haven’t tried doing much with it yet, here is a great opportunity. Or if you’re one of our experienced readers, take a look at Barbara’s other beading kits and add some complex beading to your repertoire. These kits and patterns can all be found in her Etsy shop.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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A Collection of Cabs

March 24, 2015

Solly cabsThe classic, shiny, smooth cabochon has been a favorite shape for semi-precious stones for ages. It’s not surprising that with our vast array of techniques and our ability to add liquid polymer and resins, the polymer community has embraced and rather run wildly with many possibilities that recreate these popular focal pieces. I remember that they were the first truly exciting polymer elements I ever made, and I am still madly drawn to them. They are hard to resist.

This collection was created some years ago by Sharon Solly, but still feels fresh and alluring today. According to the description on her Flickr page, these are polymer clay painted with Lumiere paints and mica powders and then sealed with Kato liquid clay. They are reminiscent of dichroic glass, and the veins in them give them a more nature-made look.

Sharon had a lot of fun with cabs back around 2008. If you hit up her Flickr photostream around pages 3 & 4, you’ll see more cab variations like this, as well as caned cabs and those embedded with fantasy fibers and the like. She also is quite the multi-talented craftsperson with glass and bead work to show off as well; many of them are also collections of components that we can admire today.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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A Collection of Beaded Beads

March 23, 2015

Belkomor mircobeads

Although finished work is the usual focus here, I am often just as fascinated by the elements that make up a piece of jewelry, a sculpture, or a wonderfully decorated container. Well-developed faux stones, layered cabochons, complex canes and intricately designed beads can be such little worlds of wonder unto themselves. I guess part of me has held back on sharing images of components because the quiet little unimposing collections may not look so impressive as a tiny photo on the blog or on Facebook. But this week … we are going to show them anyway. I’d highly encourage you click on the images in the posts to find the larger views, so you can really soak up the details.

This is one I found yesterday that kind of sparked the whole idea. It popped up somewhere on my Pinterest feed, and I was just so excited to see microbeads being used in such a controlled manner. I have been working out ways to use these a bit more myself and just fell in love with Maria Belkomor’s lovely application. These beads look like individual little planets, well seeded and covered in beautiful lush lands and waters.

She has a number of these microbead bead sets on LiveJournal including a bracelet with strips using this application. Get yourself a closer look on the post here.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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How-To: Domed Disks

March 21, 2015

102642271_o

Concave, convex, flat, nested, or peek-a-boo … domed disks hold numerous possibilities for polymer designs. Like this necklace of flat disks plus a focal concave disk accent on each that have been created by Polymeramoi who actually started this because of a momentary obsession with blended ikat patterns. The concept of disks show off the patterned polymer, and the solid, concave disks create a simple focal point that echos the flat disks in shape but with more volume.

If you want some ideas for playing with disks this weekend, there are numerous tutorials to check out online for free. Here are just a few I found fascinating. This first one is actually done with ceramic clay but lay down a little liquid polymer between the halves and it could be done with polymer.

Have a happy weekend claying, relaxing or otherwise enjoying the first day of Spring!

Hollow Ceramic Lentil Beads

Glow Lentil beads

Pastel Hollow Beads

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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Outside Inspiration: Ceramic Windows

March 20, 2015

Grant_13283The domed disk is, of course, not only a polymer thing but makes regular appearances in materials where a flat surface can be manipulated or molded such as with sheets of metal, glass or ceramics. Vicki Grant created this gorgeous disk from porcelain complete with a peek-a-boo window not unlike the popular forms of this type we see in polymer.

Vicki’s disc has some very enchanting movement in that swirl of the ferns on the outside that is echoed by the tight swirl of the nautilus tucked inside the window, both have cross patterns created from the fern leaves and the shell chambers respectively. Although she titled it Windows to the Earth, the juxtaposition seems to conjure up earth surrounding a window to the ocean; a contrast of lush soil against the clean whites of a small spot of underwater landscape. The contrasts add a bit of intrigue to the design.

Vicki’s work is regularly intriguing and inspiring. See more of her work for that inspirational “shot in the arm” on Vicki’s website,  Claytree Fine Art

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

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A Journey in Organic Domes

March 19, 2015

tanja ringPicking items to feature this week was quite diverting. There is so much out there in this form but no easy way to search for it, so I just meandered the polymer highway; very grateful to find such cool things as this highly-organic ring by Tanja of Flickr’s Fantastisch-Plastisch. I actually found it after spotting the domed beads you see below it. They were created six years apart. If you meander through Tanja’s Flickr photostream you can see the journey and exploration she goes through as she returns to variations of this form over and over.

The interesting thing here is, she created these based on the teachings of other artists. The influence is pretty obvious in the ring–she shares that this and the other recent rings in this series were inspired by projects in  Ronna Sarvas Weltman‘s book Ancient Modern: Polymer Clay and Wire JewelryThe beads below were inspired by Grant Diffendaffer. She has other work in domed disks that are wholly her own, as well, but they all look quite different. The one thing that most all of them encompass is an organic quality. Even the Diffendaffer inspired beads with their high shine have distinctly organic textures. Because of the easy way we can form domes and disks on lightbulbs with cookie cutters, it is nice to see them rough and freeform, as well.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.

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