The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Dramatic Blends
June 3, 2017
Inspirational Art
One of my personal favorite articles in the new Summer issue is the “Blended Beauty” article on creating dramatic color and light in canes, written by Meg Newberg. I have been trying to get a really good article for our caning enthusiasts but for some reason, it’s been a struggle getting anything submitted beyond specific cane patterns. Which are cool, yes, but not quite in line with the technique driven and skill building objective of The Polymer Arts.
This article, however, is amazing. Meg gives concise and clear instruction on how to create the type of clay blends that give her canes that beautiful inner glow and dramatic color. But these ingenious Skinner type blends are for more than just caners, as you’ll see when you read it.
Meg’s focus on canes has allowed her deep and intense exploration into what can be done with canes. If you want to work on your caning skills or just want to create more interesting and colorful Skinner blends, read the article but also consider signing up for Meg’s monthly tutorial subscription (the mandala cane you see on the bottom here is this month’s tutorial) or buy one of her tutorials posted in her Etsy shop.
Weekly Inspiration Challenge: Let’s recharge this weekend! Sit back with a favorite beverage and take in your latest copy of The Polymer Arts or another magazine or book and let you mind process the art and ideas you find. Keep a sketchbook nearby to record any “ah-ha!” moments and if you feel charged up when done, go to the studio and have some casual play time, exploring what inspired you.
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Squared Color
June 1, 2017
Inspirational Art
First of all, thank you for the huge response and kind words about the new Summer, color focused issue of The Polymer Arts magazine. Honestly, I don’t think we’ve ever had this level of a response on social media–the enthusiasm is tremendous. I’m so glad we are putting the kind of information you want out there. Keep the comments coming, good and bad, so we can stay on track!
I can’t say that there has been just one or two favorite articles in this issue, there are at least half-dozen that people are out there saying polymer enthusiasts need to get this issue for. Even our regular section “Color Spotlight,” where Lindly Haunani interviews a respected artist about their use of color in polymer, is getting a ton of attention. Why? Probably because of the very honest and revealing comments that Christine Dumont, the Spotlight artist, has to offer. Her approach to color and her exploration with polymer is fresh and really gets you thinking about your own approach to color.
I won’t spoil it for those waiting on their article by saying more but since we focused on a handful of specific pieces, I thought it would be nice for you to see another piece that specifically follows a line of exploration she discusses in the article. The pieces that are examined for the article’s color exploration exercises embrace techniques that you can see here in a rare squared off Dumont composition. Contrast in hue, value and texture works seamlessly to create a reservedly energized painting like piece. A lot is going on in that small space.
This is one of her latest works as can be found on her website. Also, check out Voila!, Christine’s design centric educational and inspiration infused site offering classes and tutorials to help raise your own work and design sense to the next level.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Summer Issue, “Color!” is Out! And a Lively Bird.
May 30, 2017
Inspirational Art
As many of you have seen, the Summer 2017 issue actually went out yesterday, a day early. Unforeseen circumstances forced me to be on the road today instead of late last week as planned so I couldn’t do the release today. Hope it was a welcome surprise for you digital subscribers (if you are due a copy and didn’t see it in your inbox, check your spam/junkmail folder and if it’s not there check your subscription account here or write my assistant at connect[at]thepolymerarts.com). Print issues are actually on the way as well–the US batch went to the post office Friday (although the holiday might slow it down initially) and get the copies for international shipments tomorrow to sort and get on its way so it will be all over the world soon enough.
As tradition dictates, this week we’ll share some pieces that didn’t make it into the new issue. There is just never enough room! This parrot by our profiled artist, Jon Stuart Anderson, was one of those pieces that we just loved but could not work into the article. It is one of Jon’s newest pieces and he was just so excited to share it with us so, of course, since it’s not in the magazine, I had to bring it to you here. There is such rich color on the front but just look at the back of the bird. It has such a lovely, lively pattern and such a perfect finish! Pure Jon Anderson magic.
Please enjoy more of Jon’s newest work on his Facebook page and his website while I mosey on down the road. And if you don’t have your Summer issue purchased or your subscription active, just hop on over to the website at www.thepolymerarts.com.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Brave Waves
May 25, 2017
Inspirational Art
Sonya Girodan has been consistently posting intriguing and quite exploratory pieces, this past year or so and I don’t think there has been one that I thought was just “meh”. They have all felt intense, with a sincere and thorough plunge into attempts to rip her voice and creativity out of herself and into the open. Maybe this sounds a tad dramatic but it’s rare to see work like this, playing around on the edge of the comfortable aesthetic range within polymer art.
That is not to say that every piece is unquestioningly successful but it is unquestionably brave to put such a range of work out there, to say, here is what I am as an artist right now and yes, it is a kind of all over the place. Sometimes an artist just need room to dance as softly or as wildly as they are inclined, to dance like no one is watching. .
This kind of gutsy approach has led Sonya through a lot of experimentation but to me, none has had quite the draw that these mixed fiber works have had. My prior craft work was in fiber, mostly natural materials in a raw state, so I will admit to a preference for the kind of thing you see here, mixing textures as well as materials. I know many people who work with polymer have such an awe or love of the material that they don’t want to work with anything else and may even feel like a bit of a traitor if they start to have an affinity for another material. But art should not have limitations, especially self-imposed ones. I think any creator should just reach out for whatever is needed to create the vision in their head or heart. The material is secondary to the vision.
Let me do some of that questioning of you, dear reader, that I was doing last month. I know this piece will not be everyone’s cup of tea but how do you feel about it? Bereft of color but rich in form and texture, does it feel like anything is missing? Does it feel whole and thought out or does it feel like an experiment that went as far as it could, a prelude to future work? You don’t need to post your answers (although I love to hear what you all think!) but if you take a moment to ask yourself these questions, maybe even write them down, you might find it interesting to see what you think put into words. There is a certain bravery to critiquing other people’s work and there is certainly a learning experience possible in it.
Sorry for the rambling. I have not had much sleep, battling some crazy neck pain this past week. But hopefully my meandering mind is entertaining! What you might find more entertaining is Sonya’s work. Take a stroll through her Flickr photostream for a better overview of what I have been babbling about here and enjoy peeking in on her artistic journey.
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Words Going Round
May 23, 2017
Inspirational Art
Okay, let’s get serious this week. First, a bit of business for readers anxiously awaiting the new issue of The Polymer Arts. The richly packed Color themed Summer edition has had its release date confirmed! Look for digital copies to land in your mailbox on May 30th with print editions all being on the way out from the printer by that day as well.
While we wait for that exciting issue to make its way to us, I thought we’d turn our attention to a few of our more prolific artists whose work is jamming up my lists and Pinterest boards, waiting to be featured.
Nikolina Otrzan has been doing some remarkably sophisticated work with very simple shapes and surface treatments lately. Like these tubes. Tubes with dots. And on the rustic side. Simple but eye-catching in solid, matte colors, these are all about ’round’, with round tubes and round dots and nothing else to distract on the earrings.
On the necklace, there is a distraction in the form of words. Words will always be distracting. Our eyes go straight to them to try and glean their meaning. They are a focal point without having to sit on one point. I love that these are on a round surface so that there is no beginning or end to the imprinted text. There is also no one word or meaning that can be gleaned at a glance so the words are not calling out some obvious message. The necklace also, still stays in the ’round’ theme but there is a more varied energy in the texture of the text, so that it has a more intricate and energized feel to it.
Nikolina’s shop on Etsy is full of inexpensive yet in-depth tutorials on her piece and techniques. If you are looking for something different to play around with this coming week, her tutorials would be a great place to start. For more visual inspiration, take a look at her work on Flickr.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Kitten Cute
May 20, 2017
Inspirational Art
I’m actually taking the day off today. I know it doesn’t look like it but I couldn’t leave you all hanging without a little something to check out this weekend.
So here’s one more curious polymer and fur creations. I apologize but I just couldn’t resist dropping in a kitty on you. I mean, there has to be some reason cat videos are so wildly popular–people love the felines, especially those with really big eyes.
A feline with big eyes and a mischievous nature seems to be the recipe for a hit cat video and although this is not a video I think Lisa Toms got the formula just about right. Now to figure out the breed!
Go ahead and have fun with this Lisa’s cuties and curiosities on her Deviant Art pages.
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Soft and Sleek
May 18, 2017
Inspirational Art
Apparently we are doing polymer and fur this week. Looking at Tuesday’s artist led me down a rabbit hole of impressive figure and doll art where polymer is being beautifully combined with furry textures. I did try to find jewelry, and there are a few things, but nothing that was knocking my socks off.
This artist, however, did grab my attention. Furry doesn’t have to be cute, quite apparently. This majestic little creature impresses one with both the bright but not overly used dashes of blue and a very sleek and elegant line in its form. You also have to wonder what story the artist has for this creature. I can’t imagine making something like this without imagining how it would live out in the world.
The artist, Linda Lundqvist who hails from Sweden, creates a wide variety of fantastical creatures, that mix characteristics of various animals along with a good dose of pure imagination. Discover more of Linda’s world through her Deviant art pages and in her Etsy shop.
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Fuzzy Comfort
May 16, 2017
Inspirational Art
You know when you have those days, or weeks (or years!), that just drain you, sometimes the only thing you want is something or someone cute and comforting to curl up with. I do have a particularly cuddly, loving German Shepard so I can get that most days but today I wanted to find something comforting and cute to post. You just have to do that sometimes.
Now, my version of cute is usually a little off from the standard cute of kitties and puppies (not that I am at all immune to their devious cuteness) but tell me that this little mom and her, well, baby creature, aren’t just heart-meltingly adorable. Dyagileva Marina specializes in furry and polymer mixed media creations with a little bit of creature and cute all rolled up into her sculptures. The contrasting softness of the fuzzy soft body next to those polymer faces with their big eyes probably helps, plus it is a combination you don’t see too often with polymer. I do find the combination of soft fabrics works quite well with polymer, even in jewelry, although I don’t know if I have seen furry and polymer on any necklaces but I think I’m going to go look for some!
If you are up for a dose of slightly off the norm cuteness, you can see more of Dyagileva’s creations in her Etsy shop and Deviant art pages.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Colored Paper
May 13, 2017
Inspirational Art
Today, we step just to the side of polymer and check out some amazing paper mache.
This collection I found today just blew me away. The work is by Gustavo Ramirez Cruz and the color and whimsy are just irresistible. Well for me, certainly, but I bet this little guy will tug at quite a few of you, too. It was hard to pick which one to show off. They are such strange creatures he creates, but they invariably have this vulnerable and unaware look that makes me just want to pack them up and take them home to protect them … and to cheer me up while they are at it. Kind of like my dogs, really! And nearly as big as our smaller furball. This cutie measures 46 x 28cm (18″ x 11″) but when I first saw it, I thought, that would make a great brooch! It would have to be shrunk down some!
Well, instead of blathering on with patterned animal comparisons from our other artist’s this week, how about you use your precious time to jump over to Gustavo’s site and give yourself an eyeful of joy and color this weekend. Just jump over to his simple but entrancing website.
Weekly Inspiration Challenge: Find the pattern in the animals around you. Whether they are pets, critters you see outside your window or exotic animals in a book or online, look for color and patterns that inspire you and let what you find inspire a new piece.
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Loveless Animals
May 11, 2017
Inspirational Art
Let us allow Jon Stuart Anderson’s cover piece dictate the theme this week … animals full of color and pattern. Although, unlike Jon’s bull on the cover of the upcoming Summer 2017 issue (due out end of May) is a three-dimensional sculpture, this piece is a wall mosaic by Mary Anne Loveless who just so happens to be gracing our pages as well in the gallery section of that same issue.
Even though this is a two-dimensional approach to using canes to create the shape and flow of an animal’s likeness, the mind-set is probably not dissimilar when the artists sit down to work out where the canes will go. What canes and where would they best serve the image of this animal they want to convey? Mary Anne is using mosaic and pointillism to create the form of the seahorse here while Jon uses a three-dimensional form. Does seem pretty different from that aspect but the patterns are what form the details of these animals in both cases.
I really enjoy picking out the individual canes in both cases. I am enthralled by Mary Anne’s choice of color juxtaposition in this. The aqua next to the reds and the beige and peach being the color the blues fade off to like in the chest area. It’s just beautiful.
Mary Anne really likes seahorses, as you will find upon opening her Flickr page which as of this post, is pretty much all seahorses. But she also likes fish and flowers and faeries! But mostly she loves, and is very good at, pattern and color which you can see in full evidence on her Flickr pages and her Etsy shop.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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