The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Bright and Brilliant Monday
January 28, 2013
Inspirational Art
I hope you all had a wonderful weekend. It was a little rough around here. There were numerous friends, pets, and family having more than just a little bit of a hard time. My heart goes out to all of you who are dealing with so much sorrow and frustration right now.
So today, I’d like to bring a little sunshine to us all. These beautifully bright beads are just the thing. The pure, highly saturated colors, a nice glossy polish and the graphic lines call for smiles and grins. We have Sagit of Karmiel, Israel to thank for this ray of sunshine this Monday.
Sigat is not afraid of color. In fact, our bold artist pushes bright and brilliant past what our little packages of clay would seem to hold. How is this possible? Actually the spacers of white and black separate the colors so we see them each clearly, and the contrast against the non-colors make them appear as saturated as possible. If the colors where side by side, our eyes would blur and mix them, even going so far as to tone down some of the characteristics that the colors have in common.
For instance, find the points in the clover canes on the flat beads where the reds and oranges touch. Where they meet there is far less drama and the colors don’t seem to have the punch where they meetup. Imagine a bead with just those colors pushed up against each other. It just wouldn’t have the punch.
Color is actually pretty crazy stuff. If you have never done any color study exercises, you can find some on the internet and in books that will just blow your mind. Try Marilyn Fenn’s pages for online exercises or Maggie Maggio’s and Lindly Haunani’s “Polymer Clay Color Inspirations“.
Have a beautiful and brillant start to your week.
Ta-da! The Polymer Arts Spring ’13 Cover
January 27, 2013
The Polymer Arts magazine news
Doing the cover for each issue has to be the most nerve-wracking part of putting the magazine together. It’s what people see first. It can determine whether someone wants to buy it or not. It is that ever important first impression. It is ineveitably the one part I am never really satisfied with. But as I said earlier this week, one must know when to stop and decide a piece is done. So, this is my moment. Let me (and the talented Layl McDill) know what you think.
If you like this or just really like The Polymer Arts magazine, I would love for you to share this with your polymer friends and cohorts. For those who need to get their next issue ordered or renew your subscription, you can do so at www.thepolymerarts.com/Subscribe.html
Going Far Enough
January 26, 2013
Inspirational Art, Ponderings, Tips and Tricks
Earlier this week we talked about pushing your art, knowing when it’s time to stop perfecting it. But there is another side to that coin … knowing when to push it a little farther.
Being able to discern whether you’ve added to or worked out a design enough can be difficult, and it’s not something someone can readily teach you. It takes practice and mindful awareness of your process. So how do you know when to take your work a step or two further?
Well, here is an example. Fiona Abel-Smith created this image using a polymer technique first explored by Sue Heaser. It’s based off a mineral mosaic like technique called pietra dura. Fiona starts out with the first image, inlaying clay. Pretty nice as is, right? But then she adds little bits of clay in a painterly manner and the image goes from just nice to quite impressive.
The depth and dimension the bits of clay add takes it from great craft work to rich illustration. The texture gives it a liveliness it just didn’t have before.
Now, you might be saying to yourself, “I kind of like the one on the left better or at least as much.” In truth, the pietra dura is not better, it’s simply a different kind of piece. That is partly why knowing if you have taken it far enough is so hard to determine. So, when working on a piece, there are a couple questions you need to ask yourself. “What do I want this piece to be?” or “What is the purpose of this piece?” and then ask yourself, “Is there anything else I might do with this to accomplish what I am after?”
If you are unsure, you can add to and reaarange your work or try ideas out on a scrap piece before answering that last question. Playing with options is part of the process and certainly part of the fun. Just don’t ‘give up’ on a piece that you sense could be taken farther for what you want it to be. Push it a little, see what you discover. You can always go back if you don’t like what happens when you take it a step further.
And speaking of Sue Heaser, she’s already well-known for her many books on polymer and other crafts … she’s just recently released her first eBook, Polymer Clay Jewellery for Beginners: Book 1 – Millefiori Canes and it’s only $5. It’s a very clear and well laid out book for those who haven’t yet explored Millefiori and for those who teach, it can be a great tool to recommend to students for preparation before they come to your class so you don’t waste precious time getting them up to speed on basics.
Outside Inspiration: Combining Visual and Tactile Texture in Metals
January 25, 2013
Inspirational Art
Today, we bring you a great combination of both visual and tactile texture, perfectly juxtaposed in this metal brooch by Judith Kinghorn.
We have on the left treated metal with a soft, warm antiqued coloration and almost stone like texture broken by rhythmic while on the right, granulation set into nautilus like cells whose partitions precisely repeat the lines on the surface treated metal. Two completely different textures. Not the same type of texture, not the same form, not the same depth and even the golds are different tones. But it works. Well. Simply because of the continuation of those rhythmic, swirling lines.
You don’t always need much to bring cohesiveness to a design. In fact, simple, direct and obvious elements can be your strongest tool for this. Contrast in a piece is a wonderful way to give it energy and excitement, but it does have to have something to bring it all together. But as you can see, it doesn’t need to be complicated. Theme for this weekend then … don’t over think it.
Mixing with Mokume
January 24, 2013
Inspirational Art
Today we’re going to sit back and admire a great combination of materials. These bracelets are mokume gane polymer bangle bases with moving add-ons in the form of pmc, sterling silver, brass, and bronze rings that transverse the bangle as the wearer moves.
Celie Fago explains her rather lengthy process on the IPCA Synergy 2 page I found these on: “These bracelets evolve, in fits and starts, over the course of years. They mix many media and processes; they are material collaborations. I work in relays: I make the polymer bracelets, then the embellishments: I put them on the bracelets, take them off, move them from one to another …”
This brings up a couple thoughts. One … no work of art is ever really complete, is it? I think we could tweak and changes pieces forever, always seeing ways to improve or change them. The real talent is knowing when to stop.
The other thing that hit me about what she said was that these are “material collaborations”. We think about people collaborating but yes, why not consider how materials can “help” each other not just how they can fit together? In these bracelets, the variety of metal seems to actually increase the flash and depth of texture in the mokume gane. The metals and polymer are working together in a synergistic manner to make the parts, which seen on their own would not be so very impressive, integral and intriguing points in the whole of the composition.
Speaking of Synergy … if you plan on going to Synergy 3 in March, be sure to come and find The Polymer Arts in the vendors room and join me for my workshops and discussions on writing for the craft arts market, centralizing polymer information, and a interview panel of publishers chatting about what we do and why we do it for you. See you there!
Simple Sculpting, Intricate Results
January 23, 2013
Inspirational Art
Mind you, its not me calling the process Natalija Pap used to create these splendid pieces below ‘simple’. Maybe it wasn’t Natalija either but the Google translator. This is how Google translated the introduction to her Live Journal entry: I finally seduced simply sculpting technique … It’s super! Show most recent work (much). They call ‘fungi’ “
Don’t you just love these translations? They are so entertaining! But art, at least, does not need translation and we can appreciate the work and vision of these “fun-gi” pieces without translation.
There are a number of applications using small pointy tools here. It’s possible i’ts all done with the same tool–the texture on the flowers and background, the pin-points, the decorative dots, and the dashes around the edges–but the variation is delightful.
These pieces had to take a fair amount of time and patience so I wouldn’t call it simple because the effort put into these really was not. However, if you break down the steps of many techniques, they are pretty simple. The question is, what is done with those simple steps. Much beauty and intricacy can come from the simplest things.
Bringing the Inside Out
January 22, 2013
Inspirational Art
“Every side of a piece of art should be considered.” I can’t remember who I first heard this sentiment from, just that it was while I was working on this very large canvas. It was the first time it occurred to me that even if a side isn’t seen by all people, someone will see it … the framer, gallery owner, probably the final owner if I was lucky enough to sell it. The painting may be presented face forward in an ideal setting but how the sides of the canvas are treated on the side, what message you leave on the back will make an impression of some sort on the viewer. So why not make an intentional impression?
This is even more relevant in craft and sculptural work, things that are walked around or handled. We’ve talked about the backs of jewelry here before and we will be discussing that in more depth in the Spring Issue of The Polymer Arts but it’s just as relevant in functional artwork. For instance, what do you usually do with the insides of containers?
I like that Karooart took the time to do something special with the inside of this vase. Granted, in this case, the inside will show more than most but, hey … not doing something with any portion that can be seen by the owner of the piece is a lost opportunity to really impress them, make them smile, and be remembered.
So how about it? Next time you work on a container, how about adding little excitement, a tiny surprise, some bit of delight to surprise and impress your customers with? It’s these tiny considerations that might make the difference between making that sale or not.
Sheer Black
January 21, 2013
Inspirational Art
Translucent polymer has really been enjoying a resurgence this past year. Much of this is likely due to the excitement over the high level of transparency possible with Pardo’s translucent clay as well as Rie Nagumo’s Enlightened Polymer Clay book which focuses quite a bit on translucent clays.
My fascination has been in the area of coloring translucents which, of course, diminishes the transparency, but you can get a beautiful luminous sheerness. Hélène JeanClaude who was inspired by Rie Nagumo’s book, went for mixing in black during her experiments with translucents and then she played with layering it. Layering the discs below nicely varies the transparency in the back-lit shot. Most of this translucence is lost when the necklace is laid out on on a solid background. I was thinking though that this kind of work would do well as dangle earrings where there would be the opportunity for light to play through the layers as the wearer moves about.
Hélène actually created these with Premo rather than the increasingly popular Pardo. Coloring the clay reduces or eliminates noticeable yellowing, which is a great solution for those of you put off by the yellowing that comes from baking but haven’t been able to get your hands on Pardo yet. However, a little yellowing isn’t such a bad thing sometimes. See what you think of her uncolored versions of this necklace here on her blog.
Higher Grounds
January 20, 2013
Inspirational Art
This quote brought two thoughts to mind. First, there has been a bit of chat on several fronts lately about criticism. It is really pointless and even unkind to give criticism that is of a purely negative nature, yet it’s not that uncommon for people to blurt such things out. If you have people like that around you, don’t listen and don’t keep them around. What you need are people that support you. They don’t always have to agree and they may not like something you’ve made but if they can tell you why and give suggestions, they are the ones that will help lift you and your work.
It also reminded me of the theme of the upcoming Synergy 3–Higher Ground. I can’t wait for this show. Being around the enthusiasm and creativity of so many dedicated polymer artists … talk about lifting one up! If you can manage it, you really should try to make it. It only happens every two years, so it will be your last chance to be among so many kindred souls for another couple years. Check out the details on the IPCA website.
Inspiration Infusion for Caning
January 19, 2013
Inspirational Art, Technique tutorials
Looking for a new challenge in caning? Well, here are a couple ideas.
One, try some new cane patterns. I was mesmerized by the complexity of this monochromatic cane created by Israel’s Marcia Tzigelnik. You can get the tutorials for these and other beautiful canes in her Etsy shop.
Second, do something new with your cane slices. Here is what Kristie Foss created with Marcia’s canes.
Don’t you admire the way she uses the lines in the canes to give definitive direction and sense of movement to the forms? Just lovely.
Feeling inspired? What can you do differently to get your mojo going this weekend?
