The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Outside Inspiration: Photographing Hidden Nature
June 28, 2013
Inspirational Art
For most of us, there are patterns, colors, and textures enough throughout nature to keep us inspired for several lifetimes. But, within the forms we see in the natural world is a whole other realm of possible inspiration hidden within it.
Take flowers, for instance. They are beautiful and obviously quite inspirational as we find them presented out in nature. But there is more hidden within a flower. This image by microphotographer Ray Nelson is actually the base, or ovary, of a flower. Yes, its been enhanced using stain and special lighting, but the pattern and texture is all Mother Nature.
Mother Nature’s work can be stunning even when unenhanced. Here is the cross section of a bell flower ovary with beautiful soft colors and kaleidoscope patterning.
Isn’t it just fantastic that we can step outside our door and find hidden beauty in so many things? When you’re feeling uninspired, a walk outside is highly recommended for clearing the mind and recharging your batteries. And while you’re out there, you can look at cross sections of various plants, rocks or other natural work for new colors, patterns, and textures to help you fire up your creativity.
Exposure: Deep Underneath
June 27, 2013
Inspirational Art
So why is it that we are fascinated by things revealed, seeing things we know or suspect were once hidden?
This nearly universal allure has to do with discovery. Like digging up a buried treasure, seeing a colorful new bird in the backyard or pulling out old photos from a box you found in the attic, discovering things we didn’t know existed gives us a thrill and feeds our inherent curiosity about what we don’t know or see.
When working in polymer, the excitement of finding something that was hidden is commonly the experience of the artist and not usually the viewer of the art. But I think the viewer will often unconsciously register that special quality, that extra depth the material had to have in order for the artist to come up with such intriguing designs or imagery.
That is why it may not matter at all if the design presented actually comes from revealing the depths of the material or not. Having the sense that something may once have been buried should still give us that little thrill, even if it wasn’t. I’m pretty sure Cate van Alphen embedded the colorful swirls that show in the concave spaces on the surface of this pendant; but it might appear at first glance (or to someone unfamiliar with the material) that carving out the indentations revealed the swirls within the lentil bead.
So, even when you aren’t creating visual texture or imagery by slicing across or into your polymer, you can make a piece appear to have an exposed interior which can flip that switch in a potential buyer, intriguing them with the thought that you revealed the secret core of the clay, the hidden treasure and things otherwise unseen.
Revealing in the Round
June 26, 2013
Inspirational Art
Much of our layering and exposing of those layers in polymer happens on a flat surface which can then be applied to any number of forms. But take that usual work surface and put it in the round, and a you can get quite beautiful results that way too.
For you scrap clay technique connoisseurs, we have another one here for you! These beads were made by Belinda (Birnco on Flickr). There were created from extruded canes (which are a great way to use up scrap), coiled around a base core of raw clay with bits sliced off the coiled surface using a wavy blade.
I know these beads are a little dark but I do like the variety shown using this exposed coil approach. Belinda has a number of examples of these on her Flickr page, so you can jump over there and see the brighter varieties and other variations on this.
You can of course use tube, ovals, lentils or any other shape and then go at it with a straight or wavy blade to see what might be revealed. The thing is, the small round form allows for revealing layers in bits and pieces without the reshaping of the layers the way you do in mokume to get variation on what is exposed. I just thought some of you out there might like to explore a little revealing in the round. It has intriguing possibilities.
Beyond the Mokume Gane Reveal
June 25, 2013
Inspirational Art
When I think about how polymer revealing works, the mokume gane approach is what first comes to mind. I remember layering clay and metal leaf for the first time, punching and squishing and hoping whatever was going on in the middle of my beat up block of clay would result in something useful. Then there was that first slice. That disappointing one when you realize it might take a few slice to see what is really going on. Then I hit it … that first really gorgeous slice with rings and waves of translucent clay revealing the dull shine of buried silver foil. It was like finding a hidden treasure. Oh, who are we kidding … it was a hidden treasure! It was like doing magic or mining or gold panning. It was so cool to see those patterns emerge out of this ugly mushed-up block of clay. I was hooked.
Since then I’ve experimented with the layer and slice approach to working with polymer in dozen of ways. It never gets old. The reveal is always so very exciting because the process is partly done blind, so you can’t be certain just what will pop up when you start slicing–which is why this piece on the right here was so eye-catching. The organically occurring composition of a mokume gane slice is layered over a very controlled stripe pattern in such a way as to suggest the mokume layer is revealing the striped layer … chaos giving way to order, chance revealing the control beneath. What a great metaphoric composition.
If you didn’t immediately recognize the artist, these pendants are the work of Julie Picarello, who is rather a master of mokume and other ‘revealing’ polymer techniques. Her book, Patterns in Polymer, includes quite a few of her approaches to revealing the depth that polymer clay can go. She also has a very rich gallery of work on Flickr you may want to meander through for further revelations.
Revealing Polymer
June 24, 2013
Inspirational Art
Polymer is a very different craft material for a number of reasons. Of course, the biggest advantage to polymer is undoubtedly its versatility. I mean, it has versatility within its versatile possibilities. What other material allows you to create forms embedded with interior imagery? Of course you will assume that I am talking about caning, which I am — sort of. Caning is just one way of working with polymer that can’t be done as easily or with such versatility with other craft materials. It’s our ability to layer and build with polymer from the inside of a form out, to reshape and manipulate it not just on the surface but within the interior of the forms we work with that gives us so many possibilities.
This layering and building allows for hidden imagery and visual texture that we can fully control. How cool is that? I though this week, we’d look at the various ways polymer can be used to bury and then reveal our visions planted within them.
This bracelet by Silvia Ortiz de la Torre is what got me thinking about this particular aspect of polymer.
This piece is caning of a sort … at least in the initial build with the polymer. But instead of caning used to create a surface design, the cane is formed into cones with an outside layer developed to be a primary element and the cane cross-section showing as a revealed interior. This use of a cane celebrates its three-dimensionality. It’s not that we don’t realize that the images we make from canes come from a roll that the image follows all the way through its length; but the end product of a cane is usually as a two-dimensional surface design. The depth of the imagery is not a consideration when used this way.
Seeing the design in a cross section makes one consider how deep the design must go. It made me think just how much actual depth polymer often has and how really cool it is that we can use this to create visual textures and patterns, both planned and unexpected, for the work we make. So this week, we’ll just have fun checking out the different ways our fellow clayers reveal this particularly versatile aspect of polymer art.
Movement takes Action … & the Giveaway winner
June 23, 2013
Ponderings, The Polymer Arts magazine news
In other words, do it rather than just think or talk about it, whatever it is. Perhaps you’ve been thinking of trying a new technique or form, sprucing up your Etsy site, starting a website or blog,or going to a workshop to hone your skills and boost your enthusiasm. Whatever it is, if you keep telling yourself you’re going to do it and haven’t, its time to stop and just do it. Do it now! Get on it, or schedule it out or buy what you need to get started. It will feel so good to take action.
Action was taken this past Monday when I asked for your help to spread the word about the magazine. I really appreciate all your enthusiasm and all of you for taking the time to post about the latest issue. Now to choose the winner of the giveaway:
So, to choose a winner for this giveaway, I use dice. Comments and emails are assigned a number from 11 on up according to when they came in and I roll two dice to get two digits for the winning number. This time … snake eyes! (An 11!) That means our very first comment and enthusiastic emissary of the digital flipbook, Sherrie Jo of Beary Tiny Treasures wins four print copies of her choice of The Polymer Arts. Congrats!
We’ll do more giveaways soon. They are certainly fun and I love getting your comments. Just keep reading and keep claying!
Movement in Form
June 22, 2013
Inspirational Art
Although I didn’t emphasize this, yesterday’s glass artist was big on form as a means of expression, and the sense of movement she conveys is rather dependent on the forms she chooses. I find this to be true with polymer artist Jana Roberts Benzon as well. She creates a sense of flowing, staccato, or ebbing visual movement by building forms that change through the space they occupy in undulating or precise steps
Jana is well known for her laser cut technique, which can create an enthralling texture as well as a visually active form. Her pendant, Zorro, shows how the laser cut texture is used to create change across the surface of the piece, giving it a lot of energy. The technique also allows her to create a very active form, building the zig-zag through the shifting of slices already needed to create the texture.
It doesn’t hurt that there is also a progressive change in the dominance of colors from the top to the bottom. Any kind of gradual change will relay movement because that is what movement is perceived as: a series of related changes.
Enjoy more of Jana’s moving work on both her website and her Flickr pages.
Outside Inspiration: A Twist in Glass
June 21, 2013
Inspirational Art
Of course, movement in art can be achieved in any material if worked correctly. Because glass lends itself so nicely to beads, options for creating visual or actual movement in glass artwork is not that different from some of the more common options for polymer.
Joyce Roessler is master glass artist whose work is heavily entrenched in the concept of movement. Dangles, swirls, twists, flowing lines, gradation of color and multiple joints in her pieces create very active visuals in her work. Her Grey Glass Twist Necklace uses several of these approaches to create a piece that seems almost alive.
The twists, varying thickness as they move around each other, create much of the sense of movement; but the lines within them serve to accentuate the turning points, giving the tighter turns a sense of speed. Just look at the calm turn of the lines in the backside beads, then look at the point in the curled beads in front, where the glass curves back or comes forward–can you sense that difference in ‘speed’ visually? Pretty cool, isn’t it?
I would love to see someone wearing this, too. There are multiple joints that, due to the unevenness of the beads, would certainly shift the balance of the beads and the composition of them as the wearer moves. A very active piece indeed.
If you are intrigued by the possibilities of adding movement to your own work, you have to take a moment to look through Joyce’s gallery on her website. Her jewelry and sculpture are gorgeous and a definite source of inspiration for creating movement in art.
Polymer in Flight
June 20, 2013
Inspirational Art
I have to confess that the movement idea for this week wasn’t something I came up with on my own. Denise Graham, who works in polymer “clay paintings” and has been very sweet to share work beyond what she has contributed for the Wall Art articles you’ve seen in the present Summer 2013 issue (and will see more of in the upcoming Fall 2013 issue of The Polymer Arts magazine), sent me this intriguing piece you see here. The idea of flight and its emulation in the breezy hanging strands that outline flight’s most iconic creature was what triggered the idea for this week.
The floating dove piece is large — 6′ x 5 1/2 ‘! It’s rare to see something in polymer that big, but why not? Polymer makes wonderful components from which you can create larger work. And with its light weight, it makes a great material for kinetic sculpture that is dependent upon changes in airflow, like this piece.
Denise has been thinking outside the box in polymer ever since she moved from watercolor to this new and amazing medium. She presently has several classes on CraftArtEdu teaching her clay painting techniques. Although these are not classes on kinetic sculpture, they teach you another option for using polymer in a painterly way. From still life to water to clouds & starry skies, Denise’s classes may open up a whole new world for you — and that can be quite ‘moving’!
Kinetic Fun
June 19, 2013
Inspirational Art
Yesterday we touched on ways to add visual movement to your work; but visual is only way one to add the excitement of movement to artwork. Kinetic design involves creating work that actually moves due to the way it is used or where it is displayed.
Jewelry lends itself to kinetic design quite easily since it is displayed on a person and we do expect people to move about, providing the motion that engages that part of the design. If you are familiar with Alice Stroppel’s fun and whimsical work, you probably do not find it surprising that she has played with kinetic design. Here is a necklace the uses both visual movement (in the lines of the canes) as well as actual movement. Part of the whimsy here is in how the dangling beads will dance back and forth and the whole set can move on the main cord as the wearer moves about.
Dangles are a pretty common method of adding movement to jewelry. Allowing the whole focal set here to move quite freely along the neck cord will just add to the sense of liveliness and fun in this piece. Such additions to the design aren’t hard to implement as you can see by Alice’s basic engineering here. If you have a piece that you want to add a little liveliness or whimsy to, something as simple as dangling beads can do that quite easily for you.
