The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Remembering Gwen Gibson
September 26, 2013
Inspirational Art
I interrupt this week’s theme to acknowledge the passing of one of our more influential artists, Gwen Gibson. She passed away peacefully just this past Tuesday.
Some of you may not find her name familiar. She had been focusing on painting and mixed media wall art in recent years so was not front and center in the polymer limelight but her influence has been wide ranging nonetheless.
Gwen started working with polymer in the late 80s and developed ways of working with polymer yet unseen. In her words, “Partly because I didn’t know anyone else working in polymer clay, and partly because I had spent time painting, my work took its own direction from the beginning. My main departure was the use of paint for surface effects rather than the color of the clay.”
Her paint and silk screening work in polymer pushed many artists to move past creating effects with polymer alone and try integrating paint and then other materials into their polymer work. Her philosophy about creativity influenced the direction and ability of many artists to grow their own style and find their own artistic voice. It was also her vision that made La Cascade, the workshop center in France, a reality.
We were lucky enough to have some of her thoughts and influences described and acknowledged in our last issue of The Polymer Arts. The simple but rather moving words i our Fall 2013 issue, written by Ronna Sarvas Weltman for our Muse’s Corner section (the back page) garnered quite a few comments and notes of appreciation from our readers, some who had the pleasure of meeting Gwen and expressed just how much she touched them with her gentle ways and simple but profound philosophies about creating art.
Gwen Gibson with her 3 wall pieces in the MIPCES exhibition, 199.7 (Image and the above quote from Polymer Art Archive–click image to read the associated article.)
I’d like to suggest we all take a moment to look through Gwen’s gallery, to appreciate what she brought to our medium and because her work, especially if you haven’t seen much of it yet, is still inspiring and beautiful as is the work of any great artist.
Choosing Polymer
September 25, 2013
Inspirational Art
David Vanover is not a polymer artist. He is a jewelry artist. Sometimes he uses polymer. Sometimes he does not. The thing is, when he uses polymer, he uses it well and when it is needed. Although he has worked in more complex pieces in years past, I find his more recent and simpler pieces use a well-balanced restraint that is really to be admired. Pieces like this brooch, with just enough complexity in the polymer inlay to keep your attention yet an open silver shine to pull you out without distracting you from the focus, would be hard to improve upon.
I bring David into the theme this week because bringing up his work gives me a chance to touch on the role of our medium in what we do. Many of us are so enamored with the medium of polymer that we have no desire to work with anything else. Still others find themselves in a purist mindset, where branching out and using other mediums makes us feel like we’re cheating on our first love. For many others, we have limitations in our lives that make polymer the only reasonable choice. All of these reasons are restrictions though and some are not necessary. I only want to put out there that if you feel your vision could be better expressed with the aid of, or wholly through, another medium, you should allow yourself to explore those options–when real world restrictions won’t stop you, of course.
The bottom line is, we make art. What we make it from is not important except when it comes to the material being able to support our ability to express ourselves. After four decades of exploring a myriad of ways and materials through which to express myself, the only thing I have found that is constantly true is that it is the ability to create that matters most at the end of the day, not the material and sometimes not even what was made.
So, does David Vanover belong in a week dedicated to men working in polymer? I think so. He does certainly belong in a week about men who create art and appreciate this one particular medium that has grabbed and held the imagination of so very many of us.
David’s art jewelry can be admired on his Flickr page and in his Etsy shop.
A Perfect Finish
September 24, 2013
Inspirational Art
Seth Savarick kind of comes and goes in the polymer spotlight, and I think he could use more web presence. (Just saying, Seth. Some of us would like to see more of your work!) But recently, between his Synergy 3 seminars and his participation in the collaborative project of the year and its resulting book, Polymer Clay Master Class, he is getting re-introduced to many of us.
The most noticeable thing about Seth’s work, I think, is the absolutely flawless execution and finish. He works in both very contemporary designs and designs with the influence of ancient Japanese cultures, such as this inro.
Right now, if you want to check out more of Seth’s work, your best bet is to get the above mentioned book (which you will want for more than a view of Seth’s work) and check out his biography and images on the IPCA pages from this year’s Synergy 3. In truth, he does have a website under construction here. Let’s all give him some more encouragement to get that up and done!
The Guys Have It
September 23, 2013
Inspirational Art
I’ve had several conversations recently about the ratio of men to women working in polymer. I’m not sure I’m really the authority on the subject, but we do know it’s small. I seem to recall that Cynthia Tinnapple and Judy Belcher pulled up a statistic at Synergy 3 but I can’t recall the exact number, only that we are an overwhelmingly female-dominated art form. That poor handful of guys!
So this week, I thought I’d highlight a handful of our guys, trying to stick with the ones that don’t get seen around quite so much.
First, for your pattern- and color-viewing pleasure, we have Adam Thomas Rees. His work is similar to that of Jon Anderson, who we have featured on here and in the magazine; but for the most part he works on a larger scale and the focus is more on color rather than controlled patterns.
I can’t say if Adam was influenced by Jon or if they individually came to work in cane-covered animal forms separately, but I think I see some influence by other men in polymer here. At the very least, there are some canes that look quite a bit like the the mica-shift canes of Dan Cormier. Maybe its just that these guys are all sticking together!
If you know of any guys in polymer (or are one of them!) that aren’t getting the attention you think they deserve, write me at sbray(a)thepolymerarts.com with a link to their work, and let’s see about getting them highlighted this week!
Humans Elevating Nature
September 22, 2013
Ponderings
When I started researching the theme for this past week, I jumped over to the online thesaurus and was surprised to find that the synonyms for “man-made” were all things like “fake”, “counterfeit,” and “false”. There was no synonym that celebrated the genius of human creation, that referred to things made by man as positive. How silly is that? Man-made is not a bad thing, not when done with care and awareness.
So here is a quote to counter that negative sense of man-made:
What We Build
September 21, 2013
Inspirational Art
I’m actually surprised that more urban polymer artists don’t look out their windows and want to reflect back the cityscape around them. What human beings have created is incredible. We build both functional and artistic structures all over the globe, forever changing the landscape with our huge buildings, bridges, and ports. Some may find this sad as it represents an absence of nature’s creations, but we too are from nature and our creations are still part of this world. We can’t stop the progress of civilization, but at least we can celebrate the beauty we add.
Ana Belchi celebrates the cityscape through a series of pins she created. Nature gets its say in this piece with the added patina and rust, representative of time and corrosion.
Ana goes through a whole series of experiments with patina, which you can find on her blog. She is a wide-ranging polymer artist with beautiful finishes. Take a look over the pieces in her store as well.
Outside Inspiration: Creating from Tools
September 20, 2013
Inspirational Art
I just wanted to stop and think about a possible source of inspiration that I can’t say I’ve seen a lot of in polymer, most likely because we don’t deal with any particularly intricate versions of it: the tool. Our tools are pretty straightforward, but if you venture into the hand-tool section of the hardware store, there are some really interesting forms such as bobs, hand planers, lathe knives, and specialty drill bits. Get yourself into other crafter’s studios (like those of glass-, ceramic-, fiber-, and metal-smiths), and you’ll find even more cool and curious items.
We can really draw inspiration from anything; but specialized tools can be particularly interesting, since their forms are based on specific and unusual functions that may need special handles or angles to work. I remember the first time I saw an old-style block plane. The handles made such beautiful shapes. Here is the profile of an antique version; it could be a sculpture unto itself.
Okay, you probably think I’m nuts; but really, if you stop and look at a tool or–any functional object–and see it for its form, pattern, colors, or texture, you can find all kinds of unexpected beauty and inspiration. I assume that’s how Jude Clarke decided to create this pin out of rulers.
I had never really looked at a ruler as anything but the most banal tool, something I’ve had around me since I was in grade school. But the rhythm of the line repetition and the elegant font of the numbers make for a beautiful surface design. There’s also a great juxtaposition between the ruler and the diamond, the contrast of ordinary and precious, which gives you pause and makes you stop and think about how a ruler might be seen as highly valued as a gemstone. Or at least, I did; I don’t know that I will ever look at a ruler quite the same way again.
Fascination with Wheels
September 19, 2013
Inspirational Art
You’ve probably been trying to guess what our other man-made inspiration was in Tuesday’s amulets. This one might have been harder to identify, as it was more in the form than from a literal interpretation of a source. Wheels themselves are man-made objects, but the form isn’t wholly absent from nature. There is the underside of a mushroom, the cross-section of citrus fruit, and certain parts of microscopic organisms that have that round shape and ‘spokes’ of some sort. Our Tuesday amulets were formed like wheels, round with lines leading to the center. When searching for man-made inspirations in polymer, our penchant for wheels was readily apparent–not just in forms, but things with wheels as well. From cars and bikes to kaleidoscope and pinwheel canes, the wheel form pops up in polymer quite a bit.
And we don’t just show our wheels straight on; we also like to display their sides. A few years ago, a handful of bobbin necklaces started appearing. Bobbins are just wheels; they are more related to gears than what we put on bikes, but the basic form is the same, and it’s all man-made. This bobbin necklace from Dotty McMillan shows how fun the sides of a wheel form can be.
We, just as other humans, do like our spinning things!
In So Many Words
September 18, 2013
Inspirational Art
If you read yesterday’s post and took a guess at the two elements of man-made inspiration in the amulets that I was going to talk about, you probably came up with something about the runes. Runes are characters in ancient alphabets, specifically in Germanic-based languages. (English is one, even though we’ve been burdened with arbitrarily applied Latin rules for the last couple centuries. But that is a soap box to get on in another place and time. ) One of the first and truly most unique things we created as a species is writing. Other creatures can create structures and designs; they even have their own versions of language. But no other creature has created writing.
That may be part of why we have such an affinity for any kind of lettering, although we are certainly drawn more to words of our own language. Once you learn to read you can’t help but be drawn to text wherever you find it. Yes, we are overly inundated with the written word in our modern lives and ignore much of it, but it will take more than that kind of overdose to keep us from being drawn to and reading any small set of words we find in a piece of art.
This mosaic by Julie Ann Haas would be difficult not to stop and read, even if it was among dozens of other wall pieces. It has both words and imagery to convey it’s meaning and speaks to a feeling we have probably all had at one time or another (perhaps especially so for us artists).
What did you see first when looking at this? I’m guessing the word ‘cracked’. Well, it is rather large, centered, and a word at that. It’s hard not to just keep returning to it, as it really gets the point across. You can read the rest of it once, but all you need to see after that is this one word. Eventually you probably found yourself looking over the rest of the piece to see what imagery and symbols were inserted to support this statement. If you did, I would think you were smiling by the time you were done examining it. The happy and playful figures along with the words are reassuring for those of us who think of ourselves as cracked all the time!
Julie’s Etsy shop is named Little Altars Everywhere (officially abbreviated to LilAltarsEverywhere.) She says “I am particularly inspired when creating pieces that elevate the human spirit …” and you’ll see as you look through her shop, she’s pretty darn good at doing that.
Concrete Inspiration
September 17, 2013
Inspirational Art
Well, one man-made thing we do see drawn (sometimes literally) into the work of polymer artists is the texture we find in walls and paths–bricks, stepping stones, rock walls, and cobblestone streets. These come pretty close to being nature-based with the stone or stone like elements that make up these walls, walks, and roads; but it’s what the structures themselves represent that often draws us to them. Walls represent things like protection or barriers, and roads are symbols of opportunity or the unknown future. The textures of these things can, on their own, bring up the same associations. Whether the association is positive or less so, most people will feel a connection to these things and so we see, in our easily textured medium, the regular appearance of elements that represent walls and roads.
These necklaces by Spain’s Noelia Contreras bring the textures of a man-made concrete or stone structure into a a spiritual realm by having these textures frame runes and stand as the base for rune stones in these pieces presented as amulets. The pieces are full of implied and literal symbols; without even knowing what the runes are, you get from them collectively a sense of ritual, myth, and history.
I’ll let these pieces stand as introduction to two other types of man-made elements that we often see in polymer art, elements that are filled with meaning and have a long history for mankind. Can you identify what they might be? We’ll talk about them in the next couple posts. Just wanted to get you thinking. You are welcome to post your guesses!
