The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
Folded Pods
October 16, 2013
Inspirational Art
Barbara Fajardo spent some time back in 2008 playing with the pod shape. She placed canes or mokume slices over scrap clay and hand formed these lovely beads. She played with how they hung, both dangling downwards and being strung lengthwise, and with how the canes were laid. I thought these gave a nice sampling of her color work inspired by the New Mexico desert, a place of many odd pods, let me tell you.
It was hard picking an image from her collection of work on Flickr, so please do pop over to the page and get a glimpse of the necklaces she also makes, playing off the mirror effect of the folded layer look along with some other lovely cane covered pods.
Stretching the Pod Form
October 15, 2013
Inspirational Art
Yesterday’s pods were primarily of the plumper variety, so today I thought we’d look at a beautiful example of a thinner, longer version.
I find these caned and charred looking beads by Keryn Wells to have a rich, almost tribal feel to them. I enjoy how the patterning is worked fluidly into the black spaces, aided by the way the shapes in the cane mimic the form of the elongated pods themselves.
Although I get more of a sense of wood from the coloring and treatment, it is one good example of a fairly familiar pod shape, at least here in the US–that of the string bean. I don’t think many of us think of beans as pods but, of course, that is exactly what they are. And they can have such a lovely, graceful shape and line to them. Yes, I have been quite often inspired by my dinner plate. Sometimes I get lost in my Brussels sprouts or become almost too enamored of my kiwi slices to eat them. (I said almost!) Food is certainly great inspiration.
The Many Shapes of Pods
October 14, 2013
Inspirational Art
I have been seeing a lot of pods over the last week or two. Maybe it’s because it’s the Fall season up here in the northern hemisphere, when many plants have matured or given up their flowers to put forth their essential, seed bearing components. When I think of pods, the first things that come to mind are round but elongated forms, maybe larger on one end with the other coming to a point. But that is an extremely narrow image of a pod. In truth, pods come in quite a large variety of shapes.
When speaking of the pods grown in nature, pods can be round or flat, long or squat, smooth or rough, and as small as a pea or so large it takes two hands to hold one. The only defining factor with pods is that they hold something, encasing a collection of possibilities in their many seeds or whatever else might be hidden away within.
That’s why I thought we’d start the week of with an interesting piece that might be described a study of pod varieties. Lori Phillips, who looks to work exclusively in ceramics now, took a detour into polymer a few years back to create this piece.
Most of these beads look like they could have been inspired by real versions in nature, although I’m guessing from looking at the free form work elsewhere on Lori’s Flickr page that these all came from her own imagination; but either way, they seem to show a fascination with natural forms.
Why do we see so many pod shapes in polymer? Well, the truth is, we like to to play with all kinds of shapes; it’s just that I get the feeling that we may have a particularly strong affinity for pods. Why do you think that might be? We’ll explore that question while we admire the many pretty variations of the pod form in polymer this week.
Dali’s Lines
October 13, 2013
Inspirational Art
So finding an inspiring quote about lines has not been very easy. There is always the “color outside the lines” adage–but yes, we all know that breaking the rules is part of creating art. Then a friend told me about this short film, a collaboration between Salvador Dali and Disney Animation; and although it’s not a quote nor do I see any particular message in it to talk about, there are some really beautiful lines and forms in it, especially in the long flowing hair of the woman that is followed throughout–talk about wild lines and tendrils! It’s only about 6 minutes and well worth the time. (The video may look cut off in some browsers but you can just click here to see it at well.)
http://youtu.be/1GFkN4deuZU
Interesting lines are all around us. Search them out as you go through your day today, and see what you can find that you hadn’t noticed before.
Tendrils for Days
October 12, 2013
Inspirational Art
It would be hard to bring up a week of squiggly, wild lines and not post something from Chris Kapono. Being a lover and creator of tendril adorned work myself, I was just tranfixed by Chris’s Flickr page when I first found it some five years ago. She goes heavy on the dots and spots as well, but it’s the movement of the lines she creates that add that really dynamic element to her work. Here is a rather tame example of her wild lines, but I thought it would be a nice change for this week since she has several kinds of wandering lines in this diptych tile piece.
The random wandering of her lines is consistent with the random scattering of elements across the tiles. She does have some lovely directional tendrils the begin or end with curls for some consistency between them. The large hill like wave of a line unites the two tiles and and gives the pieces a grounding focus. The rough band of white at the bottom is an erratic yet fluffy feeling line that pushes us to think of clouds, and that maybe we are floating above them where the starry night sky and winds have gone wild.
More of Chris’ wild lines and tendrils can be viewed on her Etsy site, Deviant Art, and, as mentioned, Flickr.
Outside Inspiration: Delicate Tendrils
October 11, 2013
Inspirational Art
Wait a minute … isn’t this Friday? The day we look at some non-polymer? So what, then, is this piece made from? It sure looks like it could be polymer. It could be said to be a bit Dustin or Dever-esque even. But it’s not polymer at all.
This piece is by artist Tania Radda. She works in wood. That’s right–those tendrils spinning off the stem of this bud-like form are wood, brightly painted with automotive paint. I would not have thought of using wood to create such delicate lines and forms, but until Nan Roche started knitting with extruded polymer, I never thought of polymer as something to create loose, independent lines from either. It can be quite wonderful to see how far a material can be pushed and still fulfill the intention of the work created. Could polymer hold up the weight from this kind of form leaning on it? I can imagine that yes, it would with wire or other stiff reinforcement. It’s got me thinking about just how thin our lines could go. It may be nothing but a mental exercise, but that’s the kind of questioning of limitations that new techniques and improved approaches come from. Never accept that the way most things are done is the right or only way. Half of being an artist is exploring and half of exploring is failing and making mistakes. But that is how we learn and grow and discover the really cool stuff.
Inherent Squiggles
October 10, 2013
Inspirational Art
As I looked around for more wild lines today, it occurred to me that the predominant squiggle source in polymer is actually found in mokume gane. Although the lines in mokume can be controlled and consistent if you want them to be, I think the real joy in the technique comes from the mystery of an unknown outcome and the wandering lines the hidden layers reveal.
This bracelet by Melanie Muir is quite the mokume gone wild. High contrast colors and variation from bead to bead make this bit of clay “doodling” quite intriguing.
Melanie is also quite the master at finishing her work. The careful edges and high polish are definitely something to aspire to. Take a look at some of her latest pieces on her website here. If you are still in the mood for more wild lines, I would suggest diving into her archive gallery, where the modest squiggle can be found quite readily.
Vase Gone Wild
October 9, 2013
Inspirational Art
Tendrils and squiggles on the surface of a piece are wonderful elements that add direction and energy, but it just seems to take it up a notch when the piece is actually made from such lines alone.
Emily Squires Levine creates most of her vessels with this open type of form, pinning together canes and lines of clay to create vases, bowls, and other decorative containers. This wonderful vase is aptly called “Tendril Vase.”
The tendrils look to be from a caned sheet, made from layers of clay folded over onto one another, rather than a roll or bar cane. These long sliced lines create the very structure of this sinuous vase. Does her approach get you thinking about open forms, or just what wide range of shapes a cane can actually take?
For more examples of this kind of structure with many different caned shapes, take a look at her website and blog.
What We See in Lines
October 8, 2013
Inspirational Art
We’ve all doodled at some point. There’s something addictive about putting an inactive pen or pencil to paper and drawing random lines, allowing them to be aimless and formless until perhaps we see something in our doodles and from it create an actual image or design. I’m sure you’ve done that same kind of thing in clay, whether you equated it to doodling or not. The random, seemingly aimless lines we draw or carve or lay out with a snake of clay are suggestions of things that already exist out there in the world. Like looking for shapes in the clouds, our minds will see an object or creature or other symbol in the clay, if you give them a little time.
I think this may have something to do with the fact that you can find similar lines in nature for almost any line you randomly come up with. However, nature’s lines are rarely aimless. The winding path of a stream or river, the marks of receded waves in the sand, or the undulating profile of a mountain range on the horizon are all lines that don’t have consistency or focal points, but are still very purposeful—they are the result of change and action and define some feature of nature. Seeing this, I think we want to find purpose in lines that look random and decide what they might define. That would be why you would look at these earrings by Lina Brusnika and see in the layer of undulating lines a landscape, maybe hills or a beach at sunset. Lina looks to live in Kamchatka, a peninsula in the far east of Russia. Her posted photos on LiveJournal of beaches and sunsets make me think she had these views on her mind when she created these.
We as humans want to see our world in every line; so consider how your lines, especially the ones you think of as abstract, might be viewed. Usually what you think you see in it will be how at least some others will see it. So if your aimless lines look like vines, you might continue with the plant theme by adding leaf-like flicks of clay for accents. Or if they are rather straight and precise, a very graphic look might be developed from those. If you want to work with a particular set of colors, what do they represent to you? If they remind you of a tropical beach, then simple, soft lines representative of an open beach, the ripple of waves on the ocean, and/or the waving fronds of palm trees might work well and will likely be recognized by the viewer of the work, since the colors and lines are both associated with such a scene.
So doodle away with pen or clay and see where the lines take you.
Wild Lines
October 7, 2013
Inspirational Art
I know I already did a week of curls and swirls a few months ago, but this week we will be enjoying some squiggles and tendrils which are a tad different. During Curl and Swirl week we saw some rather contained curling lines, usually with consistent repetition and a feeling of control over their direction. The lines often came to a tight circle at the end or center of the line, creating a strong focal point. This week is going to be all about the wild lines, the ones that go in different directions, wander off the edge, undulate across the space, and create a more open sense of movement.
This piece is what got me thinking about the effect of uncontrolled lines, how they create a different kind of beauty with maybe a little chaos in the mix. Lines like these make me think of dancing rather than flowing, and showcase a bit of wild abandon. This piece is a J.M. Syron and Bonnie Bishoff collaboration of walnut trim and polymer veneer. How I would love to see this in person.
What sense do you get from this piece?
