The Party is in Full Swing. Come join us!

 

What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.

 

What’s This Podcast All About?

This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.

Now what the heck does that all mean? Well, let’s look at what this is and what this is not…

 

It IS…

… a way to consistently feed your muse

… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.

… focused on creating a more fulfilling, joyful, and meaningful artistic journey.

… a conversation that goes both ways with lots of opportunities for you to be heard.

 

It is NOT…

… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.

… focused on “how-to” or the latest tools and materials.

… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.

 

I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.

I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.

 

Come Join the Conversation

If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)

And join me on social media!

Instagram https://www.instagram.com/thesageartspodcast/

Facebook https://www.facebook.com/TheSageArtsPodcast

And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course.  I hope you’ll join me there, on The Sage Arts podcast!

There are new artists and creatives joining every day with tons of great things to say…

 

“Just what I needed!” 

“I just binged-listened … and I can’t wait for more!” 

“There is so much validity in your presentation…” 

“Looking forward to all the thinking and creating that they prompt.” 

 

 

Taste test on my RSS website: https://rss.com/podcasts/thesagearts/

Or on the podcast home website: https://thesagearts.com/

Or start with this episode:

Go Nuts with Patina

January 4, 2014

Have you tried the Swellegants yet? Or if you have, did you push what you can do with them?

I found this neat little grid of suggested combinations for using Swellegants recently … some are so juicy and realistic. These are done on metal elements but the exact same effect can be created on polymer pieces too. Check out these tips and color formulas for Swellegants Patinas by Heather Powers.

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If you are up for trying these products or expanding your collection, you can get Swellegants along with metal embellishments, awesome tools, accents, and other goodies from Christi Friesen’s online store.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Outside Inspiration: Beyond Design to Storytelling

January 3, 2014

Vicki Grant is a ceramicist creating wall sculpture that seems abstract and primarily design based, but taking some time to look over the elements, a story starts to emerge. Like in this piece here, the growth of flowers, the unusual sky and what looks to be tortured earth makes you start to wonder what is really going on in this scene.

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Stories don’t have to be literally represented. I think the abstraction of imagery allows for more emotion to be coaxed from the viewer as their own experiences and memories fill in the spaces that are well defined or easily interpreted.

So if you’re looking for ways to change up your work, you can try pushing it to be more or less abstract than you usually work.  If your pieces are primarily composed of abstract design elements, you can work on creating more recognizable imagery or use abstract symbols to map out a story. Or if you use literal imagery, try adding a bit of abstraction to leave more open to the viewer’s interpretation.

For more ideas and eye candy, take a look at Vicki’s website,  Claytree Fine Art.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Try a New Form … Shawl & Hair Pins perhaps?

January 2, 2014

Bonnie Bishoff and J.M. Syron steered their art in a new direction not long ago with these shawl pins. It may not be the most popular form of adornment but just look what you can do with them.

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Bonnie always had a love for fiber arts, so the shawl pins were a natural progression. They feature colorful inlays of polymer clay in white bronze and lead free pewter settings. Of the new pins the pair have been creating, these here are the easiest to identify as shawl pins but their line goes way beyond the basic design. You’ll just have to pop over to their website and check out their wonderful pins!

What forms have you not yet tried creating?  A little exploration might develop into a whole new line for yourself as well!

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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This New Year Go Big

January 1, 2014

Happy New Year everyone! The Polymer Arts crowd wishes you all a joyful, healthy and creative year in 2014!

Now … how about trying something big this year?

Marie Davis from Vermont is inspired by the wonders of Mother Nature. She creates finely detailed designs by layering multi-colored polymer clays in a  millefiori caning process. Her large pieces look to be mosaics of cane slices created as elements she pulls from her observation of nature. Here is a shot of a large wall piece called “The Forest”.  Marie says “This piece is a response to a call to artists by Frog Hollow to choose a Grimm’s Fairy Tale and create a piece. The story I chose was Hansel and Gretel. This piece is behind glass and the trails end is lit from behind.”

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Here is a detail shot of the beautifully meshed canes as well.

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Maria says of her work, “I love the challenge of creating a piece that, like nature, captivates from a distance as well as rewarding the viewer who takes a closer look.”  Take a closer look and be inspired by her micro world of canes as they morph into large fields of discovery by perusing more of her work on her website.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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A Slightly Different Stone

December 31, 2013

I think most of us have a repertoire of faux techniques we use regularly but how often do you push that technique, changing up the colors used, the finished texture or even going from solid clay colors to translucents?

Christine Michel created these gorgeous river rocks using what looks like a standard approach to emulating the water smoothed stones and their variation in color and inclusions. It’s a great, realistic looking choice of colors and the use of translucent clay gives the color in the ‘rocks’ additional variation.

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If you haven’t tried your hand at faux river rocks, here is a great tutorial by Maria Jam Brown that shows how to create a few different types of rocks (scroll down and click on the red link.) Go have fun with it!

You can also see more of Christine’s work on her Flickr site.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Something Different This Year

December 30, 2013

The New Year is just about here. Many of us are thinking about what we will be doing in 2014 including new projects, new shows and maybe even a new direction in our craft work. This week I’ll throw out a few ideas about how to push your work while we enjoy some pretty polymer pieces.

Many of us cover objects with clay. Often it involves canes or sheets of clay, but what if you used the object more like a canvas and added many small elements to create intricate patterns an texture. I think this can really bring that kind of work up a notch or two. Just look at these wedding toast glasses by Inara Kirhenstein from Riga, Latvia.

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Inara’s description of her glasses: “Luxury wedding flutes decorated with more than 50 polymer clay flowers, Swarovski rhinestones, seed beads and faux pearls. Small Czech Preciosa seed beads are appliqued one by one.” This kind of application would certainly take a bit of patience but the detailed work certainly pays off. It’s very eye-catching and impressive.

All of Inara’s work is similarly detailed. She does jewelry as well as these kinds of glasses. You can see more of her beautiful work in her Etsy shop.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Preparing for the New Year

December 29, 2013 ,

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I suggest focusing on the studio rather than the bank accounts!

In these days between Christmas and New Years, it is a great time to go through your studio, clean it out, and get yourself organized so you can start out the New Year fresh. Go through unfinished projects and decide which you are confident you will complete, and which you need to be resigned to never finishing, tossing them out or recycling them if you can. Go through your supplies and tools and make a list of what you need to replace or stock up on. Then you know what to use those gift cards and Christmas money for! And with after Christmas sales, you can make that money go farther … a lot farther. It will feel really good to start out clean, stocked and organized in the studio for 2014!

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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A Favorite Mix

December 28, 2013

I have been saving a number of pieces by Arden Bardol, hoping to fit this unique work into one of our themes but hadn’t yet found the right place to introduce her work. Arden’s work is a busy mix of varied elements, sometimes graphic, other times quite organic, and many times both. I just find the combinations intriguing and the colors so eye-catching.

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Check out just how fun and varied Ardel’s work is on her website.

Hopefully you are winding down from the holiday bedlam and have time to enjoy your family and friends who might have been in town or the ones you went to visit yourself. Have a beautiful weekend!

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Outside Inspiration: Texture in Textiles

December 27, 2013

My first love in crafts was in fiber arts. Weaving, dying, hand-stitched art-to-wear and mixed textiles wall pieces were all part of my early portfolio and exploration of craft art forms. These materials still fascinate me and polymer design ideas often include mixing fiber or drawing inspiration from the art form.

The textures and use of mixed media in today’s fiber arts often remind me of approaches to polymer. Rich, organic texture and intense color are signatures of many of today’s textile artists making the craft a fantastic source for polymer inspiration. This is a wall piece by Helen Suzanne, a texture maniac whose work I get lost in, just checking out all of the techniques and materials used in these pieces.

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If you ever have a chance to see fiber art in person, in a gallery that specializes in the craft or a museum that has a collection or a curated show, make seeing it a priority. As with polymer, you get so much more out of the work when seen in person.  One can’t help but be wowed by the intensity of the work you see in the details of these pieces. Yeah, the patience of a fiber artist who does work like Helen here just blows my mind. Maybe you can catch the traveling Fiber Art International exhibition, in California right now, or when it moves to  South Carolina and Massachusetts in the coming year. Take a look at the FAI website and gallery sections to see just where fiber arts are today.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Imagination for the Birds

December 26, 2013

I met Irene Corman at Synergy this past March. She enthusiastically suggested an article idea of hers which eventually resulted in her sharing her knowledge about teaching polymer art classes in the Fall 2013 issue of The Polymer Arts magazine.  Since then, Irene has also answered my call for help in scouting art for the blog and future articles. Her enthusiasm and love of art, not just polymer, has made working with her such a joy.

Irene brought to me this unusual and intriguing artist, Laura Balombini. What a fabulous imagination!

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Irene had this to say about why she is drawn to Laura’s work:

“She has created individuality and expression in each bird-form, while controlling any random effects through the simplicity of form and the repetition of each one, holding size and the shape elements that make up each of the birds, constant. Each of the faces and wings differ, creating interest for the viewer, while the even number and placement in 2 rows around the rectangle provide “discipline” for the design. Additional interest comes from the birdlike movement created by the positioning of the heads as they peck, look, stretch their necks, birdlike, yet also, somewhat human in their features. At first glance, the piece has a feel of folk-art, but the naiveté of folk art is transformed into something else when one sees the human features in the faces. The piece seems to tell a story, and also, holds a surprise. Using polymer clay for these forms is an artistic choice that works really well, given its color range, density and malleability.”

Enjoy more of Laura’s imaginative creations on her website.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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