The Party is in Full Swing. Come join us!
May 31, 2023
Polymer community news, The Polymer Arts magazine news
What party is this? The latest project from little ol’ me, Sage. The Sage Arts podcast is more than up and running… I have 25 episodes up as of this posting, ready on your favorite podcast player (New to Podcasts? Click here to find out how easy it is to enjoy them!) and a new one coming out every week.
What’s This Podcast All About?
This podcast is all about feeding and exciting your muse. By enlightening or reminding you about important and maybe unconsidered aspects of creating and living as an artist, I hope to help you find more joy and satisfaction in what you do, sharing ways to create with authenticity and fearlessness, while supporting your uniquely defined version of success.
Now what the heck does that all mean? Well, let’s look at what this is and what this is not…
It IS…
… a way to consistently feed your muse
… all about you. Myself, my guests, and my guest co-hosts speak to the issues, curiousity, and hurdles that you as a creative deal with on a regular basis.
… focused on creating a more fulfilling, joyful, and meaningful artistic journey.
… a conversation that goes both ways with lots of opportunities for you to be heard.
It is NOT…
… all about polymer clay or any one medium, as it’s important stuff for all artistic folks.
… focused on “how-to” or the latest tools and materials.
… just interviewing successful artists and talking at you. Rather it is like a coffee house chat or other friendly gather and I include you, the listener, in every way I can.
I created this podcast to supercharge your creativity, motivation, and artistic style through novelty, story, conversation, and community. Everyone has how-tos and ways to increase your sales – valiant and necessary stuff, of course! But what does your muse need? What does your work and your love of your art need to thrive? That’s where I want to help.
I aim to give artists ways to further hone their unique voice, increase their joy and productivity, and create a version of artistic success that is meaningful, satisfying, and anything but ordinary.
Come Join the Conversation
If you have something to share, would like to be a guest (for a chatty interview), or be a guest co-host (you and I banter on a particular subject) drop me an email me via my contact page on the show website: https://thesagearts.com/contact/ or send a voice mail (use the red button on that same site, bottom right corner of any page.)
And join me on social media!
Instagram https://www.instagram.com/thesageartspodcast/
Facebook https://www.facebook.com/TheSageArtsPodcast
And don’t forget to click “FOLLOW” or that little arrow on your favorite Podcast player so you get notices of new episodes. New Episodes come out weekly on Friday evenings, barring natural disasters or other bits of interference, of course. I hope you’ll join me there, on The Sage Arts podcast!
There are new artists and creatives joining every day with tons of great things to say…
“Just what I needed!”
“I just binged-listened … and I can’t wait for more!”
“There is so much validity in your presentation…”
“Looking forward to all the thinking and creating that they prompt.”
Taste test on my RSS website: https://rss.com/podcasts/thesagearts/
Or on the podcast home website: https://thesagearts.com/
Or start with this episode:
The Pantone Spring Range
January 14, 2014
Inspirational Art
Carina of Austria designed these colorful beaded necklaces and bracelets made from polymer clay. Although produced lat year, they range this year’s Spring Pantone palette. The latest Pantone palatte and these pieces give a modern twist to the classic spring palette by pairing soft pastels with more saturated colors to create a colorful contrast. These pieces bring to mind a mixture of blooming wild flowers with colors that refresh and defy conventional ideas of Spring.
For artist inspiration, take a look at some of the polymer clay images on Carina’s Flickr pages. Try some of these less conventional springtime colors in your own work. Have fun!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Jumping into Spring
January 13, 2014
Inspirational Art
I know it’s still the middle of winter but there are definitely a lot of thoughts of Spring being bandied about. I caught sight of these little flowers by Etsy’s MyCraftGarden in Bangkok and thought they would be a delightful way to start the week. Who doesn’t like flowers on a Monday?
These 2″x 4″ (5 x10 cm) flower baskets wouldn’t take up a lot of desk space but what a nice way to brighten up a work area. For more day brightening flowers, miniature blooming bonsai, and colorful baskets of mini fruits and vegetables take a look at MyCraftGarden’s Etsy’s shop.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
The Mystery of Creativity
January 12, 2014
Ponderings
If you aren’t familiar with Tedx Talks, I highly recommend looking to Ted as an alternative to a TV show or searching out memes on Facebook when you need a break in your day. These talks are down-to-earth, very accessible presentations created to stimulate conversation and get you thinking. The talks can inspire you to look at your world and what you do in some very different ways.
There is a whole series of talks about creativity within the Tedx listings but I am partial to this one by Amy Tan about where creativity hides. It’s quite funny following her line of reasoning and exploring where creativity might come from as well as how to be open to serendipitous inspiration.
If you like this, here is a link to 10 of Tedx talks that deal with creativity. Enjoy an enlightened day!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Moving Tribal
January 11, 2014
Inspirational Art
Polymer artist, Kim Otterbein, sees jewelry design as a meaningful way to express herself creatively. Her bracelets pictured here appear to be influenced by the tribal bangles made from bamboo and carved wood found in Africa and other Asian countries.
The warmth of the faux wood and the juxtaposition of the metal bands and charms add interest as well as a fun, kinetic element to the bracelets. In addition, words and prayers are written on many of her pieces in the hope of making the wearer feel a sense of peace, protection, and healing.
If you would like to see more of Kim’s work and step-by-step instructions, take a look at her website and check out her book, “Polymer Clay 101,” written in partnership with Angela Mabray. It comes with a high quality DVD to provide visual instructions.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Drawing from Your Environment
January 10, 2014
Inspirational Art
Mariana Bankova is a jewelry designers from Weliko Tarnowo whose inspiration comes from some of the most basic forms and sources, including the natural world just outside her door. She lists the material used in the pendant here as a “synthetic ceramic” but it could just as well be stone and certainly could be emulated in polymer. I was drawn to this piece by it’s simplicity and strong centered composition as well as the primitiveness of it. Even with the refined look of the bugle beads, it retains a definite tribal feel, with its rough surface and uneven shape.
Mariana partners with another young jewelry artist, Ilza Hristova. Thier stated commonality in design is in the use of basic, universal symbols like a circle representing perfection, a triangle standing for mystic inspiration, a helix which speaks to the past and the present, or a square form used to reflect the balance of forces as it does in Mariana’s pendant. These mystical, mythical and mathematical symbols have a primitive connection to us because they are so basic and have been a part of most, if not all, cultures since humans started using symbols to communicate.
Mariana and Ilza share both a Flickr photostream and a website to show and sell their work and would be fine places to browse while enjoying a hot beverage on this cold winter day.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Tribal Color
January 9, 2014
Inspirational Art
By adding fluorescent colors to tribal inspired designs, Debbie Jackson brings this ancient art form into the 21st century. Tribal jewelry was traditionally constructed from natural materials, like animal claws and teeth, bone, elephant hair, horns, horse hair, ivory, metal, resin, seeds, shells, stone, and wood. Polymer clay allows us the freedom to create faux natural materials, or use mixed media, to simulate these techniques that date back more than 75,000 years.
African tribal jewelry frequently tells a story. Different colors have different meanings. Blue represents the sky and belief in the gods; green represents the sacred element of grass that nourishes cattle; red represents the blood of the cattle and white represents the milk. Jewelry was also thought to protect the wearer by providing balance between the earth and nature, allowing the wearer to be in harmony with the cycles and rhythms of the natural world.
Challenge yourself to view your work and your designs from a tribal perspective. Pay close attention to the colors you have chosen and ask yourself if they tell the story you are trying to express. Play with color and design elements to energize your work and bring out the tribal influences within you. Add beads or mixed media to enhance your designs and take them to the next level. If you want some in depth help, check out Debbie’s book, “Polymer Clay Jewelry,” for step-by-step instructions.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Influencing a Master
January 8, 2014
Inspirational Art
This tribal neck piece is made from textured colored polymer, oxidized sterling silver, horse hair, and antique coral. This collection of tribal work is based on Kathleen Dustin’s familiarity with ethnic jewelry from her nine years of living overseas and her extensive travels around the world. Hand-worked texture is the overriding technique in this piece. Take a look at Kathleen’s Pinterest board to see her abstract series that uses translucent layering techniques that resemble enamel on metal. She is creating pieces that reflect how all the fragments of our lives – prosperity, pain, crises, good times – come together to make something beautiful as a whole. Her work is influenced by the work of many abstract artists as well.
Again “there’s nothing new under the sun;” this style of jewelry dates back thousands of years. The commonality in motifs of primitive indigenous cultures is apparent. Compare Vicki Grant’s work on this Pinterest board with the African Protective Amulet Man’s Necklace made with leather, silk, and pigments. If you are in need of some serious style inspiration, take a look at these tribal designs for a fresh new look at graphic influences that have stood the test of time.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Taking it Tribal
January 7, 2014
Inspirational Art
These days, the idea of something being modern but tribal, encircles a loose set of characteristics that can be applied to all kinds of materials, forms and techniques. The more prevalent characteristics would be earthy or naturally derived color palettes, repeated motifs with a hand drawn look, and rough, uneven edges or shapes. As we’ll see this week, that may not always be true, but if you wanted to create something more tribal or primitive looking, adding these types of elements would lean your piece in that direction.
I don’t know that I would have easily come up with a way to make mokume look tribal but even this technique, drawn from ancient Japanese metal work that demanded precision and fine skill, can be converted to reflect the idea of tribal by simply adding a few of the generalized characteristics just mentioned. Julie Picarello, known around the community for her extensive work with mokume style techniques she calls imprinting, did just this a few years ago with a line of tribal pendants as seen here.
This set of tribal pendants actually hits all the basic characteristics, but Julie’s line of tribal pendants include all kinds of color, texture and motifs, repeated and not. The uneven shapes, however, keep harkening back to the modern tribal aesthetic. Go ahead and take a look at what she’s done in this area on her website and Flickr pages, and don’t forget her book, Patterns in Polymer.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Tribal Trends
January 6, 2014
Inspirational Art
In our recent perusal of items that people are posting, commenting and otherwise bandying about online, we’ve noticed there is quite a bit of tribal influenced designs and color palettes. So this week, we thought we’d look at tribal tendencies and see how our fellow clayers are using this type source for inspiration in their work.
Liz Hall has previously put out a lot of work reminiscent of the American Southwest. (She’s from Maryland and lives in Virginia so I’m not sure how that happened.) I never really thought about it, but the southwest imagery and patterns are not so different from what we generally think of as tribal. Ancient art, whether from Africa, Australia, Europe or the Americas, tends towards natural and raw edged work, heavy with patterning in motifs particular to their area and culture. So it would not be difficult to move from the Southwestern aesthetic which draws from the Native American Indian culture to colors and patterns closer to an African influence as Liz has done here in these bangles.
These bangles are one of the final entries for the polymer clay category of the Niche awards. You can see the other entries on the Niche website. Take a look at more of Liz’s work on her own website and Etsy store.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Don’t Worry about Trying Something New
January 5, 2014
Ponderings
Trying a technique, pushing your work in a new direction or starting a new business can all give you reasons to worry. The problem is, worrying doesn’t do you a bit of good. It will keep you from doing things you want to try but it will never help you accomplish a thing.
If you worry a lot, you probably have quite the imagination as worrying requires all kinds of creative forethought to imagine all the possible and dreadful outcomes you might have to face. But do yourself a big favor … as you face this new year, use that creative mind to imagine all the wonderful things you can accomplish. There is a good chance you won’t do everything you imagine while other things will simply not come out the way you planned but some things will succeed and then there is all the wonderful discoveries along the way.
Let’s jump into this New Year with exciting ideas and new directions and see what we come up with!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
