Chaotic Tendrils
Let’s look at one last example of chaos, tendrils, and limited palettes. This time we join Beth Petricoin who wrote a great article on her polymer quilling in the Spring 2015 issue of The Polymer Arts. Here she actually builds it into a few layers which you don’t often see in paper quilling, the inspiration for her version of this technique.
With the randomness we have here–tendrils snaking their way into so much open space–the limited warm color palette holds the relationship between it all together. It does, of course, help that all the tendrils are anchored to a central form, but that round center’s prime function is as a focal point. When creating chaotic compositions, you would do well to provide a more solid resting point for the eyes of your viewers to gravitate to, otherwise the randomness can be overwhelming.
A focal point like this also give the viewer the opportunity to explore each section with a kind of home base to start from. The way the curls at the end of the tendrils roll back in on themselves helps redirect the viewer back to the center where they can start again in another direction if they like. It is even more impactful of a composition when the wall piece is seen straight on, but this image did a lot to show off the dimensionality of it.
Quilling is the theme of this month’s challenge through the PCAGOE (Polymer Clay Artist’s Guild of Etsy), and the entries can be found on Beth’s blog. So if you like the look of this technique, find your copy of the Spring 2015 issue (or buy one here) and check out the challenge entries for alternate clay quilling ideas. She also has lovely work in a variety of techniques in her Etsy shop.
Inspirational Challenge of the Day: Try some quilling! You can create an entire piece using sliced up sheets of clay to create your ribbons of clay or just use them to decorate part of a piece or, using narrow strips, as ‘leading’ in a faux enamel or stained glass piece.
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