Cane Components–Breaking it Down
When it comes down to it, canes are not much more than components that we collect into a visually cohesive whole. It sounds simple. Bring a number of shapes, colors and/or lines together and you have a cane. But its the intention of the design, the way you choose components and how you arrange them that makes the cane worthy of becoming that important part of a piece of art.
One of the best ways to learn about arrangement of components for a cane is to actually do it backwards; start with any visual item of a recognizable image you wish–an illustration or a photo–and break it down into its components. Identify each color, each shape, every line that makes up the image. From these components you can reproduce the image in a cane. But first you need the analytical skill to break it down.
A big box of colored pencils can help you break down the colors in the image. Make sample ‘swatches’ of the colors with the color pencils on the side of a print out of the image. Yes, you could do this with polymer as well; but the color pencils keep you in a narrow focus of just analyzing color, not creating it, and speeds up the process. Same goes for not using a computer aided analysis of the image … you need to walk yourself through this, going through the process of comparing each color to the selection you have available.
To break down the shapes and lines, a bit of tracing paper upon which you outline each block of color and each complete line you would need to duplicate in a single polymer color will help you see the individual components.
This analysis you go through in order to reproduce the image will force your brain to do something it purposely and necessarily does not normally do … see an image as the bits and pieces that make it up, not the whole of the image itself. It can be quite a hurdle to get your brain to stop trying to make a recognizable image out of the pieces before it. But this is what you must do to reproduce an image as a cane. And learning how components work together will help you in creating even the most abstract canes. You learn how shapes, lines and colors work together, and that is the basis of every cane you will ever make.
Canes are not that different from pointillism or representational mosaics. An artist puts different colored dots or shapes together, and when you back away from the surface so you can’t see the components a complete image emerges. Take a look at any of Julie Eakes incredible examples of caning to see this exact effect.
If you want to really dig into this concept, read through Julie’s blog and/or get one of her CraftArtEdu classes on caning.
