Bringing Attention to Nature

Since the upcoming issue of The Polymer Arts is all about organics, I have spent the last few months immersed in the idea of defining “organic”. This is a truly interesting subject to study in relation to polymer, a material that seems to be anything but. In an age where we have come to focus on green and sustainable materials, we work in a material that doesn’t easily break down. This guilt factor has been an on-going discussion in our community; it took up what seemed like half a day’s discussion at the RAM symposium in 2011. We as artists in this medium are not unconcerned about the environment and how we as humans affect the natural order of things; quite the contrary. If it weren’t for the minimal waste (how often, if ever, do you throw away scrap clay?), minimal energy usage (small ovens rather than kilns, torches, or major power tools) and durability of the medium (this is not disposable or temporary art!) we might be facing a conflict with today’s view on plastics. But it’s not only that; as a whole, polymer artists seem heavily drawn to recreating and bringing attention to nature and the organic state of our world. I think we do darn good for artists working in ‘plastic’.

This week, I want to look at just a few examples of polymer bringing people’s attention back to the natural. For instance, jewelry like this necklace allows adornment that would be too fragile and temporary if picked directly from nature.

Olena Mysnyk from Ukraine created these realistic leaves, as nature and leaves in particular are a favorite subject of hers. There is definitely something to be said about being able to throw a bit of Mother Nature around your neck and have it still fresh and lovely at the end of the day.