Architecture and Beads
September 7, 2018
Inspirational Art
Eva Maria Keiser found beadwork the way many of us found polymer—serendipitously, without the intention of becoming a bead artist. Somehow she saw in it a way to mix her passion for color and for architecture at the same time and she became obsessed. Familiar story, isn’t it?
Eva Maria pulls together a wide variety of shapes and colors by making every element in her work structural. She has the added advantage of doing it all with small seed beads which, of course, is one thing that will be consistent throughout the pieces. She also works with symmetry, creating symmetrically round forms with all kinds of shapes jutting and growing off the central round containment of the vessel.
But mostly I just love the imagination that is evident in her work. Take a moment this afternoon to take a look at her website and, if you’re into seed beads, she has quite a number of tutorials to share with you.
Keeping Busy
September 5, 2018
Inspirational Art
It has recently occurred to me that 2018 has been a very, very busy year for a lot of people for a wide variety of reasons. I think all this high energy and the complexity of our lives these days may be coming out in much of the work and techniques being used of late.
The Flickr page of Jana Honnerová is one such page that is full of new work and is visually busy but in a wonderful way. Her photostream shows off her explorations in surface texture as well as the completed pieces resulting from some of those explorations. The work is a beautiful mix of of undulating texture and color, reined in with simple but carefully finished forms.
These bracelets here, with the busy surface texture of each bead, have a lot of energy but it’s not overwhelming. One might expect them to be a bit riotous with all that texture and change of color packed into the highly kinetic visuals of swirls. But because of her chosen color palette and the repetition of the evenly spaced beads, all of the same size and form, the energy is controlled, giving each piece that sense of sophistication that is a signature of Jana’s work.
You can see what else Jana has been up to on her Flickr photostream.
A Day for Dots
September 3, 2018
Inspirational Art
In the US today, it is Labor Day. It’s a day to recognize and honor our working citizens. And we do… Most people get the day off as a thank you. Unless you work for yourself and your “boss” is a slave driver. I will join in our tradition of barbecues and games later but I’m working hard and wrapping up the fall issue, finally. It looks fantastic and will be a great send off to The Polymer Arts title. The release date has been set for the 22nd! You can preorder on The Polymer Arts website for the single issue.
In the meantime, whether you are in the US and join the holiday or elsewhere working, I thought I’d share a little something to do when you settle down tonight. I’ve seen these pins by syndee holt before but didn’t realize that Polyform had posted a video tutorial for them. What a fantastic and eye-catching texture this technique creates.
As syndee mentions in the video, this type of work is very relaxing and meditative as well as resulting in a beautiful polymer sheet to cut and use as you please. Her method does require the use of the pearling tool produced by Polyform but if you don’t have the pearling tools, use small hole punchers and seed beads. Click the image to go to the video.
So I’m going to leave you in the capable hands of syndee holt while I go get some more work done before I get a chance to play. Also, you can follow syndee’s experiments and ideas on her blog here. Enjoy your Labor Day or I hope you’ve enjoyed your Monday!
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I felt really bad I could not fit the colorful images of this fabulous lantern into Claire Fairweather’s gallery pages, so here you go. The first image in the upper left is the piece lit with white room light, with the following images showing Claire’s intention to combine it with colored light from within the vessel.
Claire uses bullseye cane slices with a center of translucent clay to create a simple yet dramatic pattern through which an electric candle can emit colored light. Her choice of a light-changing LED candle adds a whole other aspect to the look and feel of this polymer-covered sphere and was sure to be integral to Claire’s intention with this piece, which is why I felt so bad about not being able to fit it into the layout. But at least I can share it here.
Although you may not think of light as an art medium, it definitely can be. Anything that adds color and contrast is a medium you can use to increase the impact and look of your work. And with all the ways we can use translucent polymer, light—especially colored lights—should certainly be considered a possible addition to the work if it can functionally be done.
All of Claire’s work deals with the formation of texture and images created through a mosaic-type approach but she explores the outer reaches of what a mosaic can be, using things like this lantern and the mirror you would see in the gallery pages. You can take a look at more of this work of hers on her website and her blog.
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In the latest issue of The Polymer Arts, we spent some time with Eva Haskova through an interview by Lindly Haunani. It’s a lovely article full of thought-provoking statements on Eva’s use of color. Lindly also shares an approach for tinting translucents with opaque polymer clays in the “Color Expiration” section that always follows this “Color Spotlight” article.
We couldn’t fit this lovely tile by Eva into the layout but I wanted to share with it you for a couple of reasons. First of all, if you read the posts last week about the use of squiggles, then you are certain to already recognize the way her folded polymer creates a vibrant energy and liveliness. The flow of these neutral colored folds around the islands of saturated color really make those spots pop. Those circles of color also give the eye a place to rest amid the rush and flow that makes up the majority of the surface texture. It’s a mass squiggle approach to texture reined in with bright color and simple forms.
I also thought I would take the opportunity to talk about forms that allow us to work on concept and exploration of technique without having to worry about things like construction and wearability. Although tiles are not always an easy sell because the functionality of a single tile is not as apparent as a piece of jewelry—not many people are out looking for a single tile to decorate their home with, although they may be inspired by a title such as this. But as an artist, this little canvas is perfect for letting yourself work on a technique, composition, or juxtaposition of elements without the other concerns that a functional object such as a necklace or vase would require.
This tile could also be a lovely brooch, don’t you think? The work done on a tile can, usually, be scaled down into a brooch or pendant. These jewelry forms can also work as exploratory canvases for your ideas and they result in an easily recognizable piece of functional adornment that should be easy to sell.
So do take a good look at Eva’s article and if you want to look at more of her work, go to her website or her Flickr photostream.
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Saturday was a bittersweet day as we released the final issue of The Polymer Arts. It is enjoying a wonderful reception as it is packed full of great ideas, beautiful techniques and lots of food for thought to get those creative wheels spinning.
If you are one of our readers expecting a digital edition but haven’t seen it yet, look in your inbox for a midday email Saturday or check spam/junk mail folders if it’s not there. The print editions headed to the post office on Friday so they should start popping up in mailboxes soon. If you are on the east coast of the United States or overseas, allow up to four weeks for it to arrive.
Here is a collage of some of the first pages of articles if you haven’t seen the issue yet. This issue feels a bit like a transition between what The Polymer Arts has been and what the new magazine, The Polymer Studio, will be. There are a lot of tutorials focused on technique, as always, but with a more accessible range for the novice to the intermediate craftsperson. Rather like The Polymer Studio will be.
I also wrote a couple of short pieces in this issue, talking about the role of publications in our creative lives and how these ideas caused me to make the changes we are making with the magazines. You can read about the development of these magazines in the “Editor’s Worktable.” In this issue’s back page “Muse’s Corner” is my personal story about how circumstances and refocusing on self-care precipitated the decisions to close one magazine and start another.
As always though, we have lots for you to ponder and act on regarding things like your creative vision, the use of color, selling your work, expanding your jewelry forms, and working as an artist in the world of polymer. The fascinating interview with Helen Breil is reason enough to get this issue. She is a very unusual woman who really took a different path. I think you’ll find some surprising details in this and many of the other articles in this issue.
So if you haven’t yet, you can get your own copy of this very special last issue of The Polymer Arts by ordering it online here.
While you do that, I am going to go visit family in Colorado and drive through the mountains in all their changing colors but I’ll drop in here Wednesday, as usual, with a peek at a few things that we weren’t able to fit in this issue of The Polymer Arts.
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Now that we’ve been talking about squiggles all week, are you seeing them everywhere? They are used in artwork of all kinds, commonly inspired by nature, often stylized or reined in to create a more cohesive composition. But they can also run rampant, gaining cohesiveness from the way they echo each other within the same piece.
Take a look at the various squiggles in this journal cover by Gabrielle Pollacco. Gabrielle is primarily a scrapbook artist but has also discovered the joys of combining polymer with pages. The bonsai tree in the center is a polymer clay wall and the rest is paint-applied wood stencils and various mixed-media elements attached over and under painted layers.
The frame-like squiggle piece around the bonsai tree looks to be derived from the stylized squiggle work seen in Art Nouveau. There is a less orderly but still contained series of lines going from squiggles into cracks amongst the rocks at the bottom. Then the vines with leaves throughout the background at the top gently pull the eye upward. There are also a handful of swirls—the buttoned-up cousin of the squiggle—with their terminal end a focal point as it rounds in on itself. All these lines, especially the squiggles, create a riot of energy. But with a strong focal point of the polymer tree in the center, it still feels grounded.
Scrapbooking is such a great marriage of so many materials. A skilled and creative scrapbooker, like Gabrielle, creates works of art that could so readily be framed and placed on a wall for all to adore. But making it part of something that is functional, that is held and touched and itself holds treasured images, makes the idea of putting it on the wall on almost sacrilegious. Even if, like me, you’re one of those people who doesn’t spend much time organizing or even just printing out their photos, it would be hard not to appreciate the creativity of these unique works.
You can take a look at more of Gabrielle’s wonderfully intricate scrapbook covers and pages on her BlogSpot website.
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It will be hard to talk about squiggles and not talk about Julie Picarello’s mastery of the squiggle in negative space. Or peekaboo space if you prefer.
Julie’s impeccably controlled polymer mokume is full of squiggles both in the mokume pattern itself and in these wonderful little rivers she creates in her compositions. Perhaps that analogy is part of our attraction to squiggles—some of mother nature’s best squiggles are things we have long held dear, such as life-giving rivers and streams. Julie does such a beautiful job of re-creating this essence of flowing water in her signature approach to the mokume technique. I imagine that is part of the attraction to her work and the popularity of her particular techniques.
You don’t hear a lot from Julie these days. She is not an avid poster to the social media sites although she does have a presence. We were actually wondering what she had been up to lately ourselves which is why we’ve asked her to be the first artist to be profiled in the new The Polymer Studio magazine coming in January—and she’s agreed. So we will have an exclusive peek into her world for you to look forward to in January.
And yes, we are just about ready to get subscription ordering started for the new magazine. We’ve been ironing out some issues in the new website but stay tuned here and be sure to sign up for our newsletter to be one of the first to hear about the reveal of our new website.
You can take a look at some of Julie’s other designs in this technique on her Flickr photostream and don’t forget about her book Patterns in Polymer which you can purchase here.
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I recently realized that I don’t think I’ve ever talked about the lowly squiggle. But who doesn’t like a well-done squiggle? I guess it’s hard to take it seriously with such a silly-sounding name but the sound of the word itself describes it so well.
I myself am very fond of squiggles and apply them throughout my work, primarily as accents, but some people take the squiggle to wonderfully elevated levels as the central theme of their piece.
This pin by Petra Nemravová is an excellent example of the squiggle stealing the show. The organization of these wonderfully unruly squiggles brings a regular rhythm to their organic movement. It reins in the rambling energy that this kind of squiggle contains. The bright array of colors, which could also get out of hand, is held in check by a regular graduation from one color to the next, helping to create an energetic but contained feeling.
Petra is such an advocate of bright colors and cheerful compositions. Enjoy a stroll through her colorful world on her Flickr photostream. She is also the genius mind behind the wonderful selections found in the online polymer shop Nemravka, serving the European polymer and craft communities and beyond.
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First of all, a shout out to our friends and colleagues in the Carolinas facing hurricane Florence. Stay safe and, if you had to evacuate, I hope you get to return to your home and studio very soon. We will be thinking of you.
So, as I wrap up this week, I have one more cool announcement about some things to look forward to and one you can get right now!
First of all, just a general observation… there have not been a lot of books out specifically for the polymer enthusiast in the last couple years but our veritable drought seems to be over. As you may have read on Mondays blog, we started presales for the new Polymer Art Projects – Organics book – and what a response! Thank you. Myself and all the artist involved are very happy to see you like the idea well. By the way, it is at the least expensive pricing it will be all year, possibly ever, so if you haven’t done so yet, be sure to jump over to our website to claim your book now and be one of the first to get it when it is released October 22nd.
But also, last weekend on Cynthia Tinapple’s Studio Mojo – an every Saturday shot of news and links on what is going on in the polymer community and beyond – Cynthia announced that she’s working on a new book and revealed that she’s heard whispers about books from both Loretta Lam and Dayle Doroshow as well. If all goes well with this first Projects – Organics book, we well began working on another Polymer Art Projects book for next year. That’s sounding like at least maybe 4 books to look forward to in 2019. How wonderful all this news is!
But if that makes you excited and yet frustrated because none of these books are available yet , there is a book that came out just this past week that you can get a hold of now. Christi Friesen just released her latest book, Do You See What I See, and, lucky me, I already have it in my hot little hands – that is the advantage of pre-ordering (it also helps to be but one county away from Christi Friesen headquarters). And, oh my … what fun this book is! I tried counting how many mini-tutorials and technique tips there are in this book but then I kept running into other fun stuff and would get distracted.
The piece here is probably my favorite found in the book. This woodland river mirror is one of those pieces that you can look back at again and again and find something new each time. Take a close look at the details. Her joyful nature and whimsy can be found throughout this piece from the curls of the clouds to the nibs in the trees to the little creatures tucked in below. It’s a little peek through the eyes of Christi, a view even more illuminated by the observations in this book.
Go to this page to order either or both the print and e-book versions of Do You See What I See. And, while you’re over there, you can stop in on her shop and see what new and nifty things you need for the studio.
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You know those times when you’re so busy that, although you sense something exciting is going on around you, you don’t stop to check it out until it’s too late? That was me these last few weeks. I knew that Dan Cormier’s and Tracy Holmes’ Bioforming class was coming up, but not that registration was nearing its end. Then, in my weekly search for cool polymer goodies to share with you this past weekend, I found this refreshing brooch by Dan and realized I didn’t know what was going on with their class. And guess what? It looked like registration for the class may have come and gone. Could this be true?
Not that I would have time to take it, much less sleep much, this year. If you read Monday’s news, you know about the new Polymer Art Projects – Organics book for which pre-sales started at a discount price on Monday, and you probably know about our new magazine, The Polymer Studio, coming in January, and you may also have heard that the next Polymer Journeys book will be on its way in November, so you know I’m beyond busy! But I wished I’d managed to make the time to tell you about this great new class before it was too late.
But then I thought, maybe it’s not! And a couple emails later and I have for you … drumroll please … a secret back door into a few extra spots Dan and Tracy have kindly opened just for you, my readers!
So, if you’re interested, jump over to this link to sign up for their in-depth Bioforming class. This secret back door will only be ope through this Friday so don’t wait as it is probably your last chance to get in on this.
Even if you can’t make the class, be sure to sign up for their newsletter so you’re one of the first to know when their next fantastic class is available.
In the meantime, here’s a bit of Dan’s latest work. The sophistication and mastery that underlies his approach to form, finishes, and design is all here but the little bouncing balls of color and the fun cactus form gives a humorous edge that is not as common in Dan’s work although, if you know him, is a big part of his personality.
For more on Dan’s work and on the classes Dan and Tracy have been teaching, go to their primary website here.
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This week is going to be a series of announcements but I promise, they will all be very exciting, they will all be polymer, and they will all give you something you can look forward to as we move into fall and winter (or spring and summer if you’re down under.)
First up… I can finally announce and show off the cover of the first in an upcoming series of books, Polymer Art Projects. This series arose from your consistent request for more projects and a desire to support and promote our great artists, so, after many conversations, I came up with this cooperative book project. All contributing artists in the book will be part of a promotion and profit sharing team. That means they are highly motivated to provide you with some truly fantastic material on top of looking forward to sharing their love of polymer art.
For less than a couple of dollars each, you get 16 tutorials that will expand your abilities under the guidance of some of the polymer community’s best instructors. The skill level of these tutorials range from the experienced novice to the intermediate artisan, with tips and ideas for polymer crafters of all levels. The tutorials are very detailed, each showing off a variety of techniques, expert construction, and lists of ideas for variation so you can create your own unique pieces from what you learn.
The first in the series, Polymer Art Projects—Organic, includes tutorials by Donna Greenberg, Christi Friesen, Eva Haskova, Anke Humpert, Debbie Crothers, Kim Cavender, Stephanie Kilgast, Chris Kapono, Stacy Louise Smith, Nevenka Sabo, Adriana Allen, Dani Rapinett, Fabiola Ajates, Rebecca Thickbroom, Klavdija Kurent, and little ol’ me. Projects include a variety of jewelry as well as home decor, all inspired by mother nature.
Check out the cover for a sampling of what you can look forward to. The cover price for the print edition of this book will be $23.95 but for the next month, you can preorder for $16.75 – that’s 30% off the cover price. Or maybe you’d like a digital edition which will list for $15.95 – you can preorder the digital edition for just $11.95. These preorder prices are good through October 10th.
Don’t forget the last issue of The Polymer Arts comes out September 22. Preorder this last historic copy on The Polymer Arts website.
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