The Faces of Polymer in Print
April 21, 2014
Inspirational Art
As I prepare for EuroSynergy, my mind is especially keyed in on our Polymer in Print presentation. Obviously, I have quite the interest in this area and the outcome of the survey we did a few weeks ago was extremely enlightening. I am very excited to get to see many of the people who are key to what is available in print for polymer, both in the past and present, while in Malta. It made me realize how busy most of us are, that even though we are artists, our work doesn’t get seen much (or we don’t get into the studio much to start with being so busy with publications) so this week, let’s highlight some of our publishing mavens and their artistic talent.
My counterparts over at “From Polymer to Art” have been a bit more active in creating their own work than I probably have been the last couple years. I think of Marjon Donke, co-founder and co-editor of FPTA, as the queen of dots. I think she wore something with dots at least every other day at last year’s Synergy. This pendant of hers with a sampling of dots as surface design is rather typical of her fun work and her fun personality!
Marjon’s work can be found at a number of places on the Internet as well as in their magazine which she regularly contributes to. Primarily you can find her work on Flickr and her own website and the fun and entertaining From Polymer to Art magazine.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Easy Knitted Polymer
April 20, 2014
Technique tutorials, Tips and Tricks
This Canadian artist, Shireen Nadir, is passionate about arts and crafts and admits that she is just learning about polymer. Because she likes working in textiles, especially knitting and weaving, she decided to try a knitting technique with the polymer bangle bracelet shown here. She gives a complete tutorial on her blog “The Blue Brick” for making this bracelet, as well as tutorials on other projects.
Shireen works as a photographer, and if you would like to know more about her, check out her website. Hope you had a lovely Easter or Spring Holiday with your family and friends.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Chaos and Quilting
April 19, 2014
Inspirational Art
This necklace by Aussie artist Robyn Gordon has a quilted textile feel to the shell designs used in the pendant and beads. The beads are shaped like turret sea snail shells while the pendant is an assemblage of several shell shapes. The details on the shells have faux sewing patterns and the beads are similar to rolled fabric beads. This particular necklace is made from polymer clay and silk thread and is part of the Powerhouse Museum Collection in Sydney, Australia.
Even though Robyn’s background is primarily in drawing, painting, and mixed media work, she was drawn to polymer jewelry adornment because it provides a direct communication between maker and wearer. If you would like to know more about this artist, browse through her website or take a peek at her gallery page.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Building from a Thread
April 18, 2014
Inspirational Art
From these fabulous bowls light, airy appearance, you might think they are made from feathers. But no … textile artist Anne Honeyman makes these bowls entirely from thread. The ones pictured here are from her Cottage Garden, Miniature, and Gold Edge bowl collections. I bet one could get a similar effect with polymer clay by using thin extruded coils and feathering the edges. You would just need a nice round bowl (or whatever shape appeals to you) to form it on.
Anne’s work is drawn from nature as well as man’s impact upon it through the ages. She specializes in free machine embroidery, but draws on a wide range of techniques to realize her ideas. Much of her work could be the basis for polymer inspirations as you can see on her website, in her Etsy and on her Folksy pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Texture in Animal Print
April 17, 2014
Inspirational Art
This animal print bracelet made by Slovenian artist Tina Mežek is another good example of what could be fabric inspired polymer clay. The rich, bold, earthtone color choices are typical of animal print fabrics and the textured surface gives this bangle the feel and look of a base covered in a rich woven cloth.
Tina is a designer who loves to work with mixed media, precious metals, wire, and Swarovski crystals, as well as polymer clay. If you would like to see more of her designs, visit her Flickr pages or her Facebook page. And if you would like to learn how to do this type of design, take one of her classes or workshops. She teaches for CraftArtEdu and there is a list of her workshops on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Blended Ikat
April 16, 2014
Inspirational Art
As we look at polymer clay inspired by fabrics, this necklace by Eva Haskova, from the Czech Republic, looks much like woven ikat cloth. If you are not familiar with ikat, it is a dyeing technique that uses a resist dyeing process to pattern textiles. This style of tie-dye originated in Indonesia, and because of the difficulty involved in weaving ikat, some cultures believe the fabrics contain magical powers. Notice on the pendant how the texture resembles fabric that has been bound by threads during the dyeing process. The clarity of pattern in this piece is reminiscent of weft ikat weavings, giving it a contemporary yet ethnic design motif.
Eva developed her polymer skills with the help of Donna Kato, Carol Blackburn, and Leslie Blackford. She likes to work with natural materials, wire, and ceramic clay, as well as sewing and hand printing textiles. To see more of her work, visit her Flickr site or her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Print on Textured Weave
April 15, 2014
Inspirational Art
Boldly printed cotton fabrics were rather popular when I was growing up but the patterns were not very exciting. In art school I jumped at the chance to take a silk screen printing class and create my own. It was great fun but a ton of work. So much so that I never made anything with the fabrics I printed. I had a horrible aversion to cutting into the fabric that had taken so long to create! But now I’m trying my hand at creating and transferring patterns to polymer as well as exploring silk screen printing. Making your own screens is still pretty labor intensive but screen printing stencils are now available in various places as are kits and online instruction (just Google it!) so anyone can now explore the process before committing the time and expense to creating original screens.
Both silk screen printing and transfer images are decorative fabric techniques easily adapted for use with polymer. This pendant by Noelia Contreras, along with much of the rest of her work, looks to be highly inspired by fabrics–from graphical image transfer to screen printing to bargello, she explores the wide variety of fabric based inspirations in polymer. In this playful piece she transferred hand drawn designs based on the art of zentangles to create black patterns that are then transferred to white polymer textured with a woven fabric look.
If you are lucky enough to be in Spain or nearby European countries, look her up to see what classes she has coming up. You can find announcements on her classes as well as more of her artwork on her blog and in her shop as well as her Flickr photostream.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Fiber Arts Inspiration–Rough Soutache
April 14, 2014
Inspirational Art
I have meet a lot of polymer artists who had, and usually still have, a love affair with fiber and fabrics. I think it must be the similar breadth of possibility in color and textures found in fiber arts that attract polymer artists to it as well. So, it’s no surprise that many polymer artists look to fiber arts as inspiration for their work. There seems to be quite a bit showing up online lately so this week we’ll focus on fiber and fabric based inspirations.
Driven by what she learned in a tutorial by Alenyà Vitûgovoj, Tanya Mayorova used her ragged edge technique to add more texture to a faux soutache process. At first glance, I was certain this piece was actually fiber art as the ragged edge gives the soutache the look of handspun thread. The choice to use a textured edge instead of the extruded polymer snakes in the tutorial was genius. The effect of the ragged edge along with the deep forest palette and the light sheen of Czech glass pearls makes for an enchanting pendant.
Tanya is quite the texture maven, inspired by a wide variety of other craft arts and their textural approach. Browse through her Live Journal pages and her Live Master shop which is just brimming with her lovely polymer creations.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Build a Basic Ring
April 13, 2014
Technique tutorials, Tips and Tricks
Now that we’ve been looking at rings all week, are you not excited to try your hand at this form or expand on what you’ve done in the past with rings? There are a number of online sources including classes at Craft Art Edu or the expansive article on creating rings in the Winter 2012 issue of The Polymer Arts as well as a number of online tutorials. The article in our 2012 issue has easy instructions by Donna Greenberg on how to make a polymer band for a ring base but if you’d prefer a metal wire band, check out this straight forward tutorial by Elena Samsonova, a Russian born artist living in Connecticut in the US.
To get the first half of this tutorial showing you how to build the wire wrapped ring base, go to Elena’s Flickr page and then peruse other lovely work and ideas of hers while there. For more of her tutorials as well as more of her work, visit Elena’s website as well.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
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The reception at EuroSynergy is the time when many of the attendees run into each other for the first time or at least not in a rushed situation. So it is natural that we also put on our best pieces or our newest acquisitions from fellow artists. It is rather dazzling to see the variety of pieces and so truly thrilling to see pieces in person that one has only seen in photos at this point. I don’t think I made it a quarter way around the room stopping to look at some much wonderful art. It was like a live, moving gallery of the best and most innovative and skilled work.
I did manage to stop my gawking long enough to take a few pictures. I do have to apologize–my camera seems to be having some issues with some modes I am used to working in so I will need to work that out and adjust it so we can have better images through the week. Here are a couple pieces I got photos of that I thought would be particularly fun to share.
This piece by Katrina Marsh Sarlin is an obvious Maggie Maggio project. She worked on and completed this necklace and earring set during her Monday workshop with Maggie. She said she had decided that she needed to get these pieces done just for the reception as her efforts early on in the workshop revealed she was on her way to making the perfect set to go with her Wednesday evening outfit. That kept her focused! You can’t quite see the wonderful variations in color in the links but you can certainly see all the work that went into this very newly finished piece. I just love that we can do that–decide we need something to pair with an outfit and just sit down and make it! That is another huge advantage of our primary medium–the speed of creating.
This piece just took me by surprise. As you probably know if you’ve followed this blog for long, I look to a lot of other art forms as inspiration for polymer work. One I had never considered was graffiti art. But when I asked Anke Humpert how she came up with the idea for this bracelet below, she shrugged and put up her hands like it seemed so obvious that graffiti would inspire polymer. And I have to agree. With the range of colors and the expressive forms in the lettering, it is suddenly obvious to me too.
Well, after a day of exploring Valletta and seeing the kick-off of EuroSynergy, I need to get a little sustenance and get ready for the rest of the week. I will post photos from our little tour around Malta’s capital and will try to fit in some quick stories on both The Polymer Arts and Sage Bray Facebook pages so come join me over there a little later on to see what our polymer people are up to.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Stopping to write a blog in the midst of all the fantastic conversations I’ve been having this first day in Malta has been a challenge so this will be a little short–we’ll let the photos speak for the most part.
I was lucky enough to have time to drop in on workshops being given by Kathleen Dustin and Melanie West. The energy in the rooms was amazing and the dazed look as the students left the day long workshops attested to some exhausting but exciting creativity going on. Melanie West’s class was “Make It Big And Organic!” and focused on the idea of process more than on the creation of any one thing. Kathleen was divulging her signature “Translucent Layering Techniques” in her packed classroom. Here are some shots of these masters at work demonstrating and sharing their pearls of wisdom. Then you get a close up view of Melanie’s ingenious necklace–a reversible pendant that is engineered with a magnet and a removable center piece.
Kathleen Dustin explaining technique during her workshop.
Cara Jane Hayman’s project in the middle of the process in Kathleen’s class.
Melanie West talking color choices with her workshop attendees.
Melanie West’s fabulous reversible necklace.
The other side of Melanie’s necklace showing the magnet design (isn’t that wonderful!?)
I am going to leave you to enjoy these images for now. I’ll be touring Malta in the morning and posting those images on Facebook so if you don’t already follow The Polymer Arts on Facebook, you can get more EuroSynergy peeks there as well!
Wow … day one and I’m already filled to the brim with ideas to ponder and write about and create from! What will I be like come Sunday?
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
I have been traveling for 16 hours as I sit down to write this and I have another 7 hours to go before I reach the hotel in Malta. Every change of scenery, the many different people, the variation in languages is enervating–I’ve been trying to guess people’s country of origin based on jewelry and clothing but you know what … people are more or less the same everywhere. It’s still been a fun game. I just wish I was more awake to really take it all in here. Many polymer people are already in Malta. See if you can sneak a peek on Donna Greenberg’s Facebook page–she’s taken some amazing pictures of the places in Malta she and other polymer peeps got out early to see. I just can’t wait to get there.
My opportunities for photos as well as a decent Internet connection while traveling have been slim so instead of sending the overcast images of Reykjavik and Frankfurt this will be simple and brief and get in some info I couldn’t squeeze in last week about polymer in print.
If you don’t know about Polymere & Co., it’s the newest magazine on the scene and the first one of its kind not in English. The French language magazine focuses on project tutorials and jewelry and is available in both print and digital editions. Even if French isn’t your language, don’t let that stop you from getting a copy. Get the digital and plug the articles into an online translator. In this day and age there is not any reason to stay away from publications simply because they aren’t in your language. What a wonderful time we live in!
Editor Beatrice PICQ will be joining us at EuroSynergy to talk about why she started this magazine. I’m so excited to talk to her and hear about her vision. Because at this point, there is definitely still room for more quality polymer instruction and inspiration.
Okay … I’m off to get myself set for my final leg to Malta!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
It’s really hard to talk about polymer publications and not bring up the prolific and non-stop dynamo that is Christi Friesen. She has 8 polymer specific books published and so many articles in so many different magazines, I can’t even guess how many she’s done. I can’t even remember how many times she’s written articles or contributed to articles for us at The Polymer Arts magazine. Plus she sends out regular newsletters, has almost daily Facebook posts and keeps up a Yahoo group. You know she enjoys what she does to do so much with it!
This year Christi is traveling around the world–literally. Her travel calendar makes me tired just looking at it. But to keep her fans in the loop and to create more fun approaches to working with polymer she and her little team put together a “World Tour” project. Each leg of her travels will be documented for those following along and a project based off the location or purpose will be presented as a challenge for her armchair traveling companions. For Malta, this is the project–wire and polymer!
Get on board with Christi’s fun adventures this year–get your ‘passport,’ project instructions and get lined up for prizes by signing up on her World Tour page. She also has a number of great new products in her store so if you haven’t visited lately, you really need to stop by her online shop.
Alright … now I need to finish the last of my packing and grab the first of my three flights that will get me to Malta in, oh … 26 more hours.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Some of the most active blogs in the polymer world are in English and here in the US but there some amazing blogs that are getting huge overseas as well and just because they aren’t in your primary language doesn’t mean you can’t enjoy them too. We live in an amazing age–just view these foreign language blogs using Google Chrome (it will automatically try to translate pages that are not in your default language) or copy the text into the box on http://translate.google.com/ or search for a translation plugin for your browser.
My first recommended stop for non-English blog sites is Polymer Clay Diaries written by Bulgarian artist Maria Petkova. On her blog she shares polymer artwork, featured artists, galleries and tutorials about polymer clay. Maria herself is quite the talented polymer artist as well. Her work uses many different techniques to bring her art to life with a richness and, often, simple elegance.
These copper and patina earrings are examples of how straightforward contrast can work beautifully in simple designs. The blue of the faux patina against the orange copper clay uses opposing color contrast while the dense texture plays against the smooth half of the earrings’ elements.
Besides reading Maria’s Polymer Clay Diaries blog, you can find more inspiration in her own work on the Polymer Clay Diaries’ Flickr pages and her own personal Flickr pages. And here is a short list of other blogs you may not know about but are well worth a regular visit.
http://polymerionline.blogspot.com/
http://paroledepate.canalblog.com/
http://polymerclayfimo.livejournal.com/
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Another blog you really should be following is the wonderful Daily Art Muse (DAM) which also has a monthly version sent as a newsletter (MAM). Susan Lomuto doesn’t actually post daily but her intermittent posts are always intriguing. I have found many of our Outside Inspiration artists thanks to her discoveries shared on this blog.
For instance, I would not likely have found the wonderful work of Phiona Richards who creates jewelry and sculpture from old books, beads and textiles. Just look at this wonderful pin. I love the play on the idea that books are filled with “pearls of wisdom” making this both a visual and metaphorical delight.
With the folded polymer trend these days, Phiona’s work is a great source of polymer inspiration and ideas for complex folds. See more of her work on her website and then be sure to get signed up for DAM and MAM. Susan does feature a lot of polymer art on her blog but more importantly she features very different craft art in general, because we cannot grow on the inspiration of polymer artists alone.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Although blogs aren’t traditionally considered a form of printed material, our move into the electronic publishing age has sometimes made blogs the only reliable and up to date source for many subject matters. Cynthia Tinapple has made her name as an author through her popular Polymer Clay Daily blog which has become a standard read for any serious polymer artist. Last year, she also broke rank with the typical polymer clay project book format by presenting the global side of our medium with a lot of background and insight alongside intriguing projects in her book Polymer Clay Global Perspectives.
Of course, Cynthia is an accomplished polymer artist as well. My favorite pieces of hers are the collaborations she creates with her wood sculpting husband, Blair Davis. Their polymer trimmed wooden bowls, although reserved in their design, are so eye-catching due to the care and finish of the work as well as the contrast of materials and colors. Most of her inlay is cane work but I found this extruded swirl inlay absolutely entrancing. The swirl of the clay mimics, in a stylized manner, the waves and whorls of woodgrain making the choice an excellent design pairing.
You can find out all about Cynthia, see her work, find her book and take a look at her adventures all on her website. And of course, if you aren’t already subscribed to Polymer Clay Daily, you really need to get on that!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
In our little community, we have just a few people who consistently write and publish about our medium. One of our earliest teachers through print and one of the most prolific is Barbara McGuire. She has authored or co-authored half a dozen polymer specific books and has written numerous articles along with her many other contributions to product development, teaching and archiving. Most recently she has been expanding into wonderfully detailed videos which you can get for free on her YouTube channel.
Barbara lives outside Asheville, South Carolina in a rural area where, until recently, she kept a bee colony. Unfortunately, her bees were wiped out and she is in the process of putting money together to build the colony again. That is the inspiration behind her series of bee beads, a collaboration between Barbara and with Thomas Michael Poole who made the bee wings and Klimt patterns seen in the series. Created from layers of canes, the bees on these beads look they just landed there and yet still meld into the complex flow of the colorful backgrounds.
If you want to help Barbara get back to her beekeeping as well as own a piece by one of our great pioneers, you can purchase her bee beads and necklaces in her Etsy shop. Barbara is even offering our blog readers a 30% discount off items in her Etsy store–just use the code SAVETHEBEES. You can also take a look at more of these wonderful beads and other work by Barabara on her Flicker pages. And do take a look at her many wonderful products and books she has for sale on her website as well as checking out her class schedule for upcoming opportunities to learn from this master artist.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Since I featured Marjon yesterday, I certainly couldn’t leave her periodicals partner in crime, Saskia Veltenaar, out of this look at the art of our polymer publication people. I suspect that part of the reason they are such close friends is that they are both so much about fun and flair, both in their personalities and their creative endeavors. Last year, Saskia went quite floral with a series of colorful pieces with botanicals emerging from textured black backgrounds. Bright colors against black really make the colors stand out and Saskia and her bubbly personality never seems to be afraid to stand out!
Saskia shows off her many talents including beading, fiber and metal work on her beautifully composed website and on her Flickr pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
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